Un'esplorazione di come le azioni di un singolo individuo riescano ad avere un impatto su altre vite nel passato, presente e futuroUn'esplorazione di come le azioni di un singolo individuo riescano ad avere un impatto su altre vite nel passato, presente e futuroUn'esplorazione di come le azioni di un singolo individuo riescano ad avere un impatto su altre vite nel passato, presente e futuro
- Premi
- 15 vittorie e 79 candidature
Brody Nicholas Lee
- Javier Gomez
- (as Brody Lee)
- …
Trama
Lo sapevi?
- QuizIn 2005, while on the London set of V per Vendetta (2005), Natalie Portman gave a copy of the original novel to Lana Wachowski, who became deeply interested in it. A year later, both Wachowski siblings wrote a first draft of the screenplay. Tom Tykwer, a friend of the Wachowskis, was invited to co-author several subsequent drafts with them in the following two years, constantly keeping in mind observations by the book's author himself, David Mitchell, while looking for international investors. In all those years, Portman was promised the role of Sonmi-451, but had to turn down the role at the last minute after becoming pregnant in 2010; however, she is given a special thanks in the closing credits.
- BlooperThe 1849 slave trade contract that Ewing was bringing back to his Father in the states was unenforceable. The slave trade had been outlawed in the United States on January 1, 1808, the first date permitted by the Constitution. The Act Prohibiting Importation of Slaves of 1807 (2 Stat. 426, enacted March 2, 1807). Slaves could no longer be imported into the United States. The slave trade was dead. Likewise, California was a "free state" where owning slaves was outlawed in 1849.
- Curiosità sui creditiWhen a montage is shown of all the characters the actors play, the font of the names changes with each time period.
- ConnessioniFeatured in The Tonight Show with Jay Leno: Episodio #21.21 (2012)
- Colonne sonoreLooking For Freedom
Music by Jack White
Lyrics by Gary Cowtan
Performed by David Hasselhoff
© by Radiomusic - International (50% for Germany/Austria/Switzerland) / Young Music Publishing (Remaining World)
Courtesy of Universal Music Publishing Group (Germany)
Mit Freundlicher Genehmigung von Sony Music Entertainment Germany GmbH
Courtesy of Sony Music Entertainment Germany GmbH
Recensione in evidenza
This movie is a fusion of several genres (drama, adventure, sci-fi, comedy, romantic tragedy) as well as an attempt for an art-house cerebral movie to attain commercial blockbuster status. In my opinion it mostly succeeds, but finding a large mainstream audience is its biggest challenge to be met (at this point, before wide release).
Imagine taking six short (but big-budget) films with different stories and directors and combining them into an anthology feature, united by a common theme and cast of actors in different roles, and then editing the entire thing out of sequence. The "nested" narrative of the book has been re-arranged for the sake of the visual medium of film, and after first being introduced to the 6 worlds, it's not that hard to keep track of who's who, what's what and where & when. Frankly, it's a shoo-in for an Oscar nomination for Best Editing - it works very well considering the challenge of making it flow coherently.
The cinematography, set & art design, music score and performances range from good to great. The make-up in some cases created a distraction (a Korean woman transformed into a red-haired Caucasian; Hugo Weaving as a buxom female nurse) but it adds a bit of fun to the experience. There's a smörgåsbord of material here for most people: human drama, mystery, violence, sex, adventure, farcical comedy, gloomy sci-fi and occasional romance (both gay and straight). It's 6 movies for the price of one! Just be ready to spend almost 3 hours in your seat and suffer a bit of whiplash as the transitions can get frenetic at times, with multiple cliff-hangers happening simultaneously. Like a good roller-coaster, it has its lulls and rushes. Some might find the finale a bit conventional, sappy or anti-climactic. But there's no denying this is a big, expensive gamble on the part of the Wachowskis and their producers. Hopefully it'll achieve the kind of success they got with the first "Matrix" and not the fate of the abysmal "Speed Racer." (PS I saw the film at its world premiere at TIFF.)
Imagine taking six short (but big-budget) films with different stories and directors and combining them into an anthology feature, united by a common theme and cast of actors in different roles, and then editing the entire thing out of sequence. The "nested" narrative of the book has been re-arranged for the sake of the visual medium of film, and after first being introduced to the 6 worlds, it's not that hard to keep track of who's who, what's what and where & when. Frankly, it's a shoo-in for an Oscar nomination for Best Editing - it works very well considering the challenge of making it flow coherently.
The cinematography, set & art design, music score and performances range from good to great. The make-up in some cases created a distraction (a Korean woman transformed into a red-haired Caucasian; Hugo Weaving as a buxom female nurse) but it adds a bit of fun to the experience. There's a smörgåsbord of material here for most people: human drama, mystery, violence, sex, adventure, farcical comedy, gloomy sci-fi and occasional romance (both gay and straight). It's 6 movies for the price of one! Just be ready to spend almost 3 hours in your seat and suffer a bit of whiplash as the transitions can get frenetic at times, with multiple cliff-hangers happening simultaneously. Like a good roller-coaster, it has its lulls and rushes. Some might find the finale a bit conventional, sappy or anti-climactic. But there's no denying this is a big, expensive gamble on the part of the Wachowskis and their producers. Hopefully it'll achieve the kind of success they got with the first "Matrix" and not the fate of the abysmal "Speed Racer." (PS I saw the film at its world premiere at TIFF.)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Cloud Atlas - Tutto è connesso
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 102.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 27.108.272 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9.612.247 USD
- 28 ott 2012
- Lordo in tutto il mondo
- 130.516.424 USD
- Tempo di esecuzione2 ore 52 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39:1
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