Rage
- 2009
- 1h 38min
VALUTAZIONE IMDb
4,7/10
1143
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA young blogger at a New York fashion house shoots behind-the-scenes interviews on his cell-phone.A young blogger at a New York fashion house shoots behind-the-scenes interviews on his cell-phone.A young blogger at a New York fashion house shoots behind-the-scenes interviews on his cell-phone.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 candidature
Aidan Kunze
- Michelangelo
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizIn one of Minx's (Jude Law's) monologues, she refers to being slashed, possibly a reference to real-life model Marla Hansen, whose face was disfigured with a razor blade by her landlord after she turned down his offers for a relationship.
- Citazioni
Mona Carvell: Humans are, quite simply, the greatest destroyers of all time.
- ConnessioniReferenced in Better Than Money (2009)
Recensione in evidenza
Sally Potter's "Rage" is a very unconventional picture in so many ways to I was attracted and impressed with the concept put together of having a story with a talented group of
actors and how to make they perform in solitary close-ups and in monologues that actually makes a full play where they are all connected despite never appearing on the same shot. I
was curious by the whole thing and it becomes of the most interesting film experiences of recent years, and it also goes for the plot of what she wanted to tell us: to deal with the
crazed and glamourous world of fashion - something you don't see these days (with the notable exception of "Ready to Wear" and I'll go back to present a harsh comparison of both).
The story and concept presented: it revolves a huge fashion where a group of characters from all walks of life are directly or indirectly involved with. An all-star cast were well-chosen by Potter: Dianne Wiest, Jude Law, Eddie Izzard, Bob Balaban, John Leguizamo, Steve Buscemi, Patrick J. Adams, Riz Ahmed, Adriana Barraza, David Oyelowo, Judi Dench and a few more are part of this unusual art project and they play characters as distinct as a rebel photographer, a tough security guard, a diva-like drag model, an organizer of the event, a delivery guy, a fashion agent and many others, each with their individual characteristics that can go from being nice people or really arrogant figures or they can change their ways as the events pass by - and they do pass by which revolves a tragic incident and each react in unexpected ways reaching out to the point of despair, fear, or simply rage.
Like said before, they don't interact with each other, they simply look at the camera in great looking close-up shots or sometimes moving around frantically, and as for background each actor/character has a colour design behind them, no props or almost anything is used. So, they're all alone delivering their monologues interacting with an invisible blogger who's covering the fashion show and the tragedy.
Sounds boring, right? Totally. Yet Ms. Potter manages to create a film/play where the actors performance and characters speaks great volumes with their own personas that the movie is anything but boring, exhausting or pretentious. You feel the action, the humor, the drama and the intensity of all so you're hooked through the whole experience. And as for the story and it meanders it's an honest view of the fashion world and all the parties involved going from models, managers, photographers, and the people from behind the scenes. Vanity, vanity, all is vanity; and there's the crudeness between those who have against those who have not, the unfair treatment workers have, the arrogance displayed by people who want to grow in such scenario by hurting people's feelings and backstabbing each other is a common place (but truth be told those issues goes on other working places as well). A dog-eat-dog world where even a death is view as something worthy of admiration and fascination rather than the sadness of the act.
You don't get to see what happens except for the static play format so a lot of what happens you have to exercise the power of imagination. And that's where I get my criticism against Altman's "Ready to Wear". That movie had a spectacular ensemble, it was filmed in Paris during the Fashion Week, it had cameos for many supermodels of the 1990's, and you the visual and the lux speaking great volumes. Was it a good movie? Absolutely not. That was a comedy of errors that had no balls to criticise the fashion world or something say good about it, so it goes all too crazed to appeal to all audiences yet it didn't get anything worthy of view. It was revolting in so many levels that it's beyond belief. "Rage" on the other hand, with the similtarity of an all-star cast takes the same environment without actually showing it yet there's magic, intelligence and creativity. I simply loved, specially the performances of practically everybody (Wiest, Law, Izzard, Ahmed and Buscemi are my favorite) - except for an unfamiliar face who got a nasty role and it didn't feel he was a professional actor, he was way over the top.
More than entertainment, movies are an artistic experience that reflect the times we live on. It must have a speech, a message, an intent even if it's just make us laugh or cry, to feel frightened or in pain. It must hit through your head and your heart, and if possible to make you connect with the world in a different way, see the world in a different light and cause a positive reaction on you to the point you can change your actions, reflect on what you're doing and with luck, you are transformed. Only a handful of films can aspire to that, and maybe I'm seeing a lot more in "Rage" than what people can actually find - and it's low rating is a proof of that. But trust me, I felt connected with it, I've seen a technique that I hadn't seen before and the concept worked. It's not a masterpiece, there are some flaws in it but it got real close of a spetacle to the senses, and since it got close I have nothing but admiration for it. 8/10.
The story and concept presented: it revolves a huge fashion where a group of characters from all walks of life are directly or indirectly involved with. An all-star cast were well-chosen by Potter: Dianne Wiest, Jude Law, Eddie Izzard, Bob Balaban, John Leguizamo, Steve Buscemi, Patrick J. Adams, Riz Ahmed, Adriana Barraza, David Oyelowo, Judi Dench and a few more are part of this unusual art project and they play characters as distinct as a rebel photographer, a tough security guard, a diva-like drag model, an organizer of the event, a delivery guy, a fashion agent and many others, each with their individual characteristics that can go from being nice people or really arrogant figures or they can change their ways as the events pass by - and they do pass by which revolves a tragic incident and each react in unexpected ways reaching out to the point of despair, fear, or simply rage.
Like said before, they don't interact with each other, they simply look at the camera in great looking close-up shots or sometimes moving around frantically, and as for background each actor/character has a colour design behind them, no props or almost anything is used. So, they're all alone delivering their monologues interacting with an invisible blogger who's covering the fashion show and the tragedy.
Sounds boring, right? Totally. Yet Ms. Potter manages to create a film/play where the actors performance and characters speaks great volumes with their own personas that the movie is anything but boring, exhausting or pretentious. You feel the action, the humor, the drama and the intensity of all so you're hooked through the whole experience. And as for the story and it meanders it's an honest view of the fashion world and all the parties involved going from models, managers, photographers, and the people from behind the scenes. Vanity, vanity, all is vanity; and there's the crudeness between those who have against those who have not, the unfair treatment workers have, the arrogance displayed by people who want to grow in such scenario by hurting people's feelings and backstabbing each other is a common place (but truth be told those issues goes on other working places as well). A dog-eat-dog world where even a death is view as something worthy of admiration and fascination rather than the sadness of the act.
You don't get to see what happens except for the static play format so a lot of what happens you have to exercise the power of imagination. And that's where I get my criticism against Altman's "Ready to Wear". That movie had a spectacular ensemble, it was filmed in Paris during the Fashion Week, it had cameos for many supermodels of the 1990's, and you the visual and the lux speaking great volumes. Was it a good movie? Absolutely not. That was a comedy of errors that had no balls to criticise the fashion world or something say good about it, so it goes all too crazed to appeal to all audiences yet it didn't get anything worthy of view. It was revolting in so many levels that it's beyond belief. "Rage" on the other hand, with the similtarity of an all-star cast takes the same environment without actually showing it yet there's magic, intelligence and creativity. I simply loved, specially the performances of practically everybody (Wiest, Law, Izzard, Ahmed and Buscemi are my favorite) - except for an unfamiliar face who got a nasty role and it didn't feel he was a professional actor, he was way over the top.
More than entertainment, movies are an artistic experience that reflect the times we live on. It must have a speech, a message, an intent even if it's just make us laugh or cry, to feel frightened or in pain. It must hit through your head and your heart, and if possible to make you connect with the world in a different way, see the world in a different light and cause a positive reaction on you to the point you can change your actions, reflect on what you're doing and with luck, you are transformed. Only a handful of films can aspire to that, and maybe I'm seeing a lot more in "Rage" than what people can actually find - and it's low rating is a proof of that. But trust me, I felt connected with it, I've seen a technique that I hadn't seen before and the concept worked. It's not a masterpiece, there are some flaws in it but it got real close of a spetacle to the senses, and since it got close I have nothing but admiration for it. 8/10.
- Rodrigo_Amaro
- 30 dic 2022
- Permalink
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Dettagli
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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