Tre giorni e una vita

Summary

Based on a remarkable novel by Pierre Lemaitre (also the film's screenwriter), Three Days and a Life is a kind of moral essay (in the best sense) on the scope of a tragic incident (plus others of varying severity and characteristics), chance and the passage of time on the destiny of a twelve-year-old boy.

Review

Antoine, a 12-year-old boy who lives in a small town in the Belgian Ardennes, stars in a tragic event whose shadow will be projected over several years of his life.

On each of the days of the title this and two other very dissimilar events occur, but strangely they will operate together on the fate of the protagonist (whom the action takes up several years later) and the knowledge of the truth.

Based on a remarkable novel by Pierre Lemaitre (also the film's screenwriter), Three Days and a Life is a kind of moral essay (in the best sense) about the scope of a specific incident (plus the other two, actually), chance and the passage of time on the destiny of a person and their personal ties.

With a town and a forest (a scenario that would later proliferate in the French and Belgian police), Nicolas Boukhrief's film is more of a drama than a thriller. Or rather: the success and the disturbing thing about this story is the psychology of a protagonist organized in such a way that both territories can alternate but not overlap. There is an asordinate daily life in that battered community (in more ways than one) to which Antoine is reintegrated without problems. Rob's serene soundtrack helps remarkably define that mood.

The performances of Jeremy Senez as the child Antoine, Pablo Pauly as the adult Antoine and Sandrine Bonnaire as a mother capable of expressing a thousand emotions just with her expressions and her silences are highlighted.