I don't mean for one moment to impugn the skills of filmmaker Darren Grant, or writers Duane Adler or Nicole Avril; there's nothing inherently wrong with wanting to make a movie that's effectively one's own take on a "tried and true" genre. And the contributions of all on hand are competent - no one here is incapable. I will say, however, that I understand the criticism and broadly weak-kneed response: in every aspect of the writing, in the direction and cinematography down to specific shots, and the editing down to discrete sequencing, this is a movie so familiar and well-trodden that it's kind of awkward and laughable for the fact of it. Just a small town girl, living in a lonely world, trying to Make It in the big city and pursue her dream of Something Or Other amidst conflicting pressures? Been there, done that, countless times. This doesn't mean 'Make it happen' can't be enjoyable and worthwhile on its own merits, though it does mean that unless one has a particular reason to seek this out over or in addition to any of its brethren, you're not especially missing anything.
With that said, if one does find themselves with an opportunity to watch this, there is nonetheless much to appreciate. There's some meaningful cleverness and heart in the screenplay, recognizable though it is. I greatly admire Karyn Wagner's fetching costume design, and the work of the hair and makeup artists - has the star's hair EVER been more full and luscious? The production design and art design, likewise, are simply splendid. The soundtrack is a total blast, and I say that as someone who for the vast majority of her life never listened to any manner of dance or pop music; less notable, Paul Haslinger's score is still swell in and of itself. I genuinely love Tracy Phillips' choreography, and every person dancing shows fabulous, tremendous skill that in and of itself might actually be enough to make this worthwhile - I have two left feet, and they're on backwards, and I'm jealous. And for that matter, I think the cast give fine performances. Tessa Thompson, Karen LeBlanc, Riley Smith, and others breathe meaningful life into their characters.
The biggest surprise of all, though, is surely Mary Elizabeth Winstead. I think she's a fantastic actress, and she's demonstrated time and again why she's so in demand and so beloved. We've grown accustomed, however, to seeing her in roles that accentuate wry humor that pairs so handily with her specific vocal timbre. 'Make it happen' rather seems to allow an illustration of range well outside the norm, and I'll be the first to admit that I never took her as someone who's got some moves. The joke's on me, though, because she absolutely nails it here, to the point that alongside dance and choreography at large, Winstead's involvement may also be a singular reason to check out this little flick.
Even at its best this isn't something so stupendous as to utterly demand viewership; I repeat that we've definitely seen this before by other names. But it's still entertaining. Everyone involved put in excellent work, especially those behind the scenes, choreographer Phillips, and the cast. This might be "only a dance movie," but the combination of song and step is earnestly invigorating, and it's impossible not to get swept up in the spectacle at least a little bit. It may be a light piece of formulaic fluff, yet that's all it needs to be for its specific few points of luminosity to shine brightly. Recommended most of all for fans of Winstead or of dance, 'Make it happen' might not be an essential must-see, but it's a good time all on its own, and sometimes that's all a picture needs to be.
