Un prete disobbedisce alla legge ecclesiastica per rintracciare i vampiri che hanno rapito sua nipote.Un prete disobbedisce alla legge ecclesiastica per rintracciare i vampiri che hanno rapito sua nipote.Un prete disobbedisce alla legge ecclesiastica per rintracciare i vampiri che hanno rapito sua nipote.
- Premi
- 3 candidature
Trama
Lo sapevi?
- QuizThe animated opening was a compromise solution, since the studios had no interest in going over budget for a live-action version of the centuries-long battle of humans against vampires, so the scene was done by animation which was much cheaper to realize.
- BlooperIn many scenes, the cross on Priest's face, which is supposed to be a tattoo, is wiped off from the end of his nose and reappears as a full cross. One of the most noticeable moments in a short time span is at the Nightshade Reservation. Priest has one of the familiars pinned to the ground and when the camera focuses on his face, the end of the cross has been wiped off. Camera switches back to the familiar who points to the sky and when Priest turns to face the sun, the cross is fully drawn on again.
- Citazioni
Black Hat: The church teaches us that the eyes are the windows to the soul. And that since vampire evolved without eyes, it is a soulless creature, to be eradicated. And I have seen the soul of the vampire, and let me tell you that it is far more pure than that of any man. Now you ask me what I am. I am the bringer of the tide. I am the wave that will wash clean this unclean world. And you, and your Priest, will help me do it.
- Curiosità sui creditiWhen the Screen Gems opening logo is completed, it cuts to the opening scene.
- Versioni alternativeIn the USA the cut Theatrical Version is MPAA PG-13 rated and BBFC 12A rated in the UK; the film was toned down by small edits to reduce noise of blows and to reduce blood. There is also an Unrated Version and is rated 12 by the BBFC and is the version that features on all home media.
- ConnessioniFeatured in Projector: Priest (2011)
- Colonne sonoreMozart: 3. Sequentia: Tuba mirum (Requiem in D minor, K. 626)
Written by Wolfgang Amadeus Mozart (as Mozart)
Performed by The Academy of St. Martin-in-the-Fields (as The Academy of St. Martin in the Fields) - Conductor Neville Marriner (as Sir Neville Marriner)
Courtesy of Decca Music Group Limited under license from Universal Music Enterprises
Recensione in evidenza
Don't get me wrong I'm not going to gush about how great this film was, but to be fair it didn't insult my intelligence either and that's a big plus for me when it comes to films these days. I purposely avoided reading any literature in relation to the "story" of Priest to avoid any bias or pointless expectations.
I wanted to judge it based on what was told in the film alone and honestly I have no complaints as far as the story development went, it was pretty straight forward with the plot, the characters were put into position early on, no dicking about with badly handled sub-plots and phony intrigue. I wouldn't consider this to be a pretentious movie in any way, it's says what it's about from the beginning and it doesn't deviate from that narrative, it doesn't bring in (or keep) useless characters, (unlike "Sucker Punch"), it's a gateway movie but it doesn't treat it's support characters like balsa wood cut-outs (i.e "Thor")
Sure there could have been more action but what action there was, was nicely done, visuals weren't eye popping gorgeous but suited the film none-the-less. This was a lean movie, no needless fluff no overly complex ungainly plot just a "wham bam thank you ma'am" type deal.
This is one of the rare times I'm looking forward to a sequel.
I wanted to judge it based on what was told in the film alone and honestly I have no complaints as far as the story development went, it was pretty straight forward with the plot, the characters were put into position early on, no dicking about with badly handled sub-plots and phony intrigue. I wouldn't consider this to be a pretentious movie in any way, it's says what it's about from the beginning and it doesn't deviate from that narrative, it doesn't bring in (or keep) useless characters, (unlike "Sucker Punch"), it's a gateway movie but it doesn't treat it's support characters like balsa wood cut-outs (i.e "Thor")
Sure there could have been more action but what action there was, was nicely done, visuals weren't eye popping gorgeous but suited the film none-the-less. This was a lean movie, no needless fluff no overly complex ungainly plot just a "wham bam thank you ma'am" type deal.
This is one of the rare times I'm looking forward to a sequel.
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Dettagli
Botteghino
- Budget
- 60.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 29.137.000 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.953.664 USD
- 15 mag 2011
- Lordo in tutto il mondo
- 78.309.505 USD
- Tempo di esecuzione1 ora 27 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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