Omiros

I recently saw this film at a festival of Greek culture in London and unfortunately it had quite the opposite effect that the event intended, presenting modern Greece as a divided wasteland in a way that Giannaris seems to enjoy.

As you can tell I'm not a fan of this man's work. Although most of his films demonstrate competence they never rise above their petty desire to appeal to the international market that Giannaris so obviously craves. To make matters worse he has insisted on casting his 'From the Edge of the City' boy-toy Stathis Papadopoulos in his recent films. The boy cannot act, and has about as much menace as a slightly cheesed-off male model. I think cinema has had enough of 'non-professional' casts being used as a means of supposedly adding 'realism' to a film. Drama schools exist for a reason.

Ultimately, this film is a great disappointment. Especially considering the potential of the storyline.