VALUTAZIONE IMDb
7,0/10
6434
LA TUA VALUTAZIONE
Un'infermiera ucraina cerca una vita migliore in Occidente, mentre una guardia di sicurezza austriaca disoccupata si dirige a est per lo stesso motivo.Un'infermiera ucraina cerca una vita migliore in Occidente, mentre una guardia di sicurezza austriaca disoccupata si dirige a est per lo stesso motivo.Un'infermiera ucraina cerca una vita migliore in Occidente, mentre una guardia di sicurezza austriaca disoccupata si dirige a est per lo stesso motivo.
- Premi
- 2 vittorie e 2 candidature
Natalja Epureanu
- Olgas Freundin in Österreich
- (as Natalia Epureanu)
Trama
Lo sapevi?
- Citazioni
Mutter Einfamilienhaus: [Olgais told that shes fired] I Don't have to tell you my reasons. I just change my mind. I can hire you and fire you. That's how it is in this country.
- ConnessioniFeatured in Metropolis: Cannes 2007 - Special (2007)
- Colonne sonoreSerdtse
Written by Dunajewskij and W. Lebedjew-Kumatsch
Performed by Pjotr Leschenko
Recensione in evidenza
Whereas Ulrich Seidl in "Hundstage", his first non-documentary film took the hottest days of the year for the description of apathy, brutality and humiliation in society, his new film takes place in a cold scenery. And that in a double sense: While in the East (mostly in the Ukraine) there is a deep winterly climate, in the West (Vienna) the relations and the social environment are characterized by coldness.Seidl's films have always been controversial because of the docu-like unrelenting gaze of their pictures,which abstain from any commentary and because of their description of social milieus and phenomenons one usually does not perceive or doesn't want to.All that applies also to "Import Export".Here we find scenes of grotesque disgust, in which the spectator is ashamed of watching and blaming the camera for its rigidity.On the other hand these films create some kind of maelstrom,which is difficult to escape from.There always is the question:Does he exploits his protagonists or not.Well, everyone has to find his own answer: I don't think so because showing the situation does not mean its denunciation.The story depicts in two unrelated strands two diametrical movements: From East to West and vice versa.The title already refers to the films main subject:The goods-like character,which the globalized capitalistic world imposes on the people.The society is in a desperate state ; nevertheless it is Seidl's most human film.He seems to show empathy for his two protagonists and even if there is no sort of Happy-End - the film has no real end at all,but just leaves its figures alone- the hope remains,that they have got a little bit of strength and decisiveness,which could make a more self-defined life in the future possible.Or maybe not.Every Film of Seidl makes you leave the cinema thinking,that the whole world and the people are in a desperate and hopeless state,but here we have at least little moments of tenderness,in which we see people fighting for their dignity.A rigorous film for the lovers of contemporary austrian film(Albert, Glawogger,Haneke) and definitely no "entertainement".
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Botteghino
- Lordo in tutto il mondo
- 563.513 USD
- Tempo di esecuzione2 ore 21 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1
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