Aggiungi una trama nella tua linguaTeenager David's dysfunctional family life leads to substance abuse and exploitation by an older actor, spiraling into addiction. His journey to overcome and find himself.Teenager David's dysfunctional family life leads to substance abuse and exploitation by an older actor, spiraling into addiction. His journey to overcome and find himself.Teenager David's dysfunctional family life leads to substance abuse and exploitation by an older actor, spiraling into addiction. His journey to overcome and find himself.
- Regia
- Sceneggiatura
- Star
Foto
Jennifer Katz
- Maryann
- (as Jennifer J. Katz)
James A. Earley
- Jack Graham
- (as James Earley)
Michael W Ellison
- Bobby
- (as Michael Ellison)
Trama
Lo sapevi?
- BlooperErrol Flynn and W.C. Fields action upon John Barrymore's death story is said to be true in the film. Experts say it is not. Here is the story from Errol Flynn biographer Louis Kraft: "Sorry, but it is yet another telling of a legend based upon fiction, Russ Williams, and one that I have not heard before. Someone got inventive with what supposedly happened. Flynn was close to Barrymore, and I believe looked up to him (certainly Barrymore's 'Don Juan' played a part in Flynn wanting to play the great lover and swordsman on film). ... Flynn, Barrymore, Fields, the artist John Decker, and Sadakichi Hartmann often met to drink, tell tales, and discuss any and everything, along with playing jokes; Flynn was closest to Decker and Barrymore. When Barrymore died in 1942, Flynn and director Raoul Walsh were at Flynn's 'Mulholland Farm,' his great house overlooking the San Fernando Valley, drinking. John Decker, who was supposedly with Barrymore in the hospital, arrived and told them the news. Decker, who had supposedly been up for almost 24 hours, left to go to bed, Flynn supposedly received a phone call from his lawyer and left to sign paperwork. Before leaving he asked Walsh (who was close to him) to stay, and that he wouldn't be gone long. After Flynn left, Walsh decided to go to the mortuary, He knew one of the owners, as he was a former actor, and asked if he could borrow Barrymore's body for a crippled friend to see him one last time. The owner (Dick Malloy?) agreed, dressed the corpse, and helped Walsh get Barrymore into his car. After arriving at Flynn's house, Walsh got Flynn's man, Alex, who had gone a bender the day before (his day off) and hadn't sobered up yet, to help him get Barrymore into the house and propped up where he liked to sit on the couch in the living room. As hungover as he was, Alex commented that Barrymore looked dead; Walsh supposedly said that he was just dead drunk. After a while Flynn returned home, entered the house and saw Walsh sitting across from Barrymore. He did an about face and screamed as he raced out of the house and hid behind a bush. When Walsh stepped outside Flynn accused him of doing what he had done. Still, Flynn stayed behind the bush until Alex helped Walsh get Barrymore back into his car drove away to the mortuary. The above story is Walsh's retelling of the 'Barrymore episode' (from his autobiography 'Each Man in His Time,' 1974). Flynn told the story first in his autobiography, 'My Wicked, Wicked Ways' (1959). In Flynn's retelling Barrymore is in chair in Flynn's den holding a drink. This time he is alone, but Flynn again flees from his house. Walsh and his cohorts, who had hidden, had to race after him. Buster Wiles, a stunt man and great pal of Flynn, told another version of Barrymore's death. That night he, Walsh and Flynn ate dinner at Gracie Allen and George Burns' house. Jack Benny and wife, among others were also present. A phone call announced the death. Later, they sat outside drinking to 'Jack' Barrymore and discussed bribing the mortuary to have the body released to them while they got drunk. Wiles claims that he pointed out that if they did and it became public news knowledge, there would be a possibility that their films might be banned by churches and other do-gooders. Nothing happened. Flynn's best biographer to date, Thomas McNulty ('Errol Flynn: The Life and Career,' 2004) shares the various stories while not going into detail until he describes a 1977 interview with Wiles (above). He is certain that the Flynn/Barrymore/Walsh [and W.C. Fields] event is a Hollywood legend and just fiction. And I know that various retelling [versions] of the story have been printed in magazines numerous times over the years, as I have several of them. ... I agree with Tom McNulty, who is a good friend of mine."
- ConnessioniFeatured in Crutch: A Personal Film (2004)
Recensione in evidenza
Rob Moretti's story, based on his real life experiences, opens wide the often difficult struggles of "coming out". The complication is heightened by a family falling apart, parental mental illness, an older mentor prepared to take advantage and access to recreational drugs. Dealing with one or two or these issues would be more than most could handle, however this movies main character was dealing with all of them. Crutch/Moretti masterfully works this into the story without making the lead character seem pathetic. Eben Gordon does a magnificent job of playing the title character while Rob Moretti very effectively portrays the mentor that enables our lead characters move toward a path of destruction. The end credits let the audience know what became of each character. Our main character found his way to seven years of sobriety. That character is Moretti himself and gives the audience the reward of knowing he is okay! This movie really touched me.
- dmoorejdrf
- 15 feb 2021
- Permalink
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
Botteghino
- Budget
- 420.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 14.189 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.245 USD
- 19 set 2004
- Lordo in tutto il mondo
- 14.189 USD
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti