La storia di John Wilmot, conte di Rochester e poeta del diciassettesimo secolo dalla vita dissoluta e dalla morte prematura che ha riscosso il successo di critica per le sue opere soltanto ... Leggi tuttoLa storia di John Wilmot, conte di Rochester e poeta del diciassettesimo secolo dalla vita dissoluta e dalla morte prematura che ha riscosso il successo di critica per le sue opere soltanto dopo la sua dipartita.La storia di John Wilmot, conte di Rochester e poeta del diciassettesimo secolo dalla vita dissoluta e dalla morte prematura che ha riscosso il successo di critica per le sue opere soltanto dopo la sua dipartita.
- Premi
- 2 vittorie e 8 candidature
- Molly Luscombe
- (as Claire Higgins)
Trama
Lo sapevi?
- QuizThe poem for which Wilmot has been banished from court at the beginning of the film is "A Satyr on Charles II". The historical Wilmot really did submit that poem to the monarch accidentally, but he left court of his own accord, rather than at Charles' command.
- BlooperIn several shots, the fake nose John Malkovich is wearing is noticeable, including the sun glowing through when outdoors, and when in the theater box speaking to Johnny Depp, there is a distinct color mismatch that shows the outline of the prosthetic.
- Citazioni
[first lines]
Rochester: Allow me to be frank at the commencement. You will not like me. The gentlemen will be envious and the ladies will be repelled. You will not like me now and you will like me a good deal less as we go on. Ladies, an announcement: I am up for it, all the time. That is not a boast or an opinion, it is bone hard medical fact. I put it round you know. And you will watch me putting it round and sigh for it. Don't. It is a deal of trouble for you and you are better off watching and drawing your conclusions from a distance than you would be if I got my tarse up your petticoats. Gentlemen. Do not despair, I am up for that as well. And the same warning applies. Still your cheesy erections till I have had my say. But later when you shag - and later you will shag, I shall expect it of you and I will know if you have let me down - I wish you to shag with my homuncular image rattling in your gonads. Feel how it was for me, how it is for me and ponder. 'Was that shudder the same shudder he sensed? Did he know something more profound? Or is there some wall of wretchedness that we all batter with our heads at that shining, livelong moment. That is it. That is my prologue, nothing in rhyme, no protestations of modesty, you were not expecting that I hope. I am John Wilmot, Second Earl of Rochester and I do not want you to like me.
- Curiosità sui creditiSpecial thanks to Tracy, Billy and Stanley and all our Friends and Families
- Colonne sonoreIf
Music by Michael Nyman
Text by Stephen Jeffreys
© Copyright 2005 Chester Music Ltd / Michael Nyman Ltd
Johnny Depp eloquently and emotionally portrayed the Earl of Wilmot. This has to be by far his most brilliant achievement in a long line of unique and amazing performances. Mr. Depp's portrayal of the Earl showed a range of emotions, incredible nuances and a depth of empathy never before seen on screen, best illustrated during the scene where The Earl addresses parliament - which has to be the most gut wrenching scene, rife with fervor but with credibility. Suffice it to say by the end of this movie I had been reduced to tears and cheers, both at times coinciding. This is definitely an Oscar worthy performance. The golden statue is a must.
The supporting cast was also excellent; most notably, the actor who played the Earl's servant, and who appeared to have a great rapport with Mr. Depp, on screen. Samantha Morton, also superb as Mrs. Barry, gave a lovely and unobtrusive performance as was required for this character.
Laurence Dunmore captured the atmosphere of the period exquisitely with simplicity yet with a keen eye to detail. The reproduction of the 'family' Portrait of the Earl with the monkey is an excellent example. The lighting, the sets, the costumes all added to the reality of the movie. The musical score by Michael Nyman beautifully augmented the spirit of the times and of this production.
The Libertine was a work in progress when I viewed it twice at the Toronto Film Fest. I cannot imagine a scene being cut; even the more risqué dreams are required to impart the true emotional state of the Earl at that time in his life. Before passing judgment on this film I suggest that one see it at least twice so as to appreciate the full impact of the movie to fully identify with the meaning and the thought behind this production.
The Libertine is a wonderful piece of art, representing the true raison d'être of this poet with incredible wit and insight. Congratulations to all who graced the production of the Libertine.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 4.835.065 USD
- Fine settimana di apertura Stati Uniti e Canada
- 27.804 USD
- 27 nov 2005
- Lordo in tutto il mondo
- 10.852.064 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1