Ultraviolet

The opening few minutes of Kurt Wimmer's Ultraviolet is a rip roaring, pulse pounding set up of action sequences and chases. Then the film calms down for a little breather until the next amazing fight sequence.

Following a holocaust some humans have become Hemophages, a sub-species with enhanced physical abilities. Violet, must protect a nine-year-old boy who has been marked for death by the human government.

In the wake of 2005's disappointing Aeon Flux, underrated Kurt Wimmer director of Equilibrium (2002) writer of The Recruit (2003) and Salt (2010) set about creating an up-to-the-minute Sci-fi.However, after shooting wrapped Kurt left after being pressured to deliver less emotional PG-13 rated film. In turn, Ultraviolet was completely re-edited by the studio and apparently this marred the finished product significantly.

Acting wise, William Fichtner puts in an unusual performance, Sebastien Andrieu and Nick Chinlund both seem unsure what's going on. With an abundance of forgettable bad guys, Milla Jovovich excellently plays Violet who has enhanced speed, incredible stamina and acute intelligence. Her character at first seems very one dimensional as she plays her usual Resident Evil kick-ass self. But even in the short running time her character develops, you're given glimpses into here past, as she bonds with 'Six' played well by Cameron Bright.

There's great effects, stunts and a thumping score. A lot of reviews have criticised the CGI usage, however, it's stylised, hyper-real and sleek. It's not meant to be faithful representation of a real world. Holograms, swords, a new invented language, gun-fighting and martial arts. It's science fiction entertainment, set in the 21st century, nothing more, nothing less.

It's fast, it's fun - Ultraviolet is an pleasing sci-fi action but possibly could have been so much more if Wimmer was allowed to deliver his cut.