VALUTAZIONE IMDb
6,2/10
50.397
LA TUA VALUTAZIONE
Segui ciò che accade dopo che un maestro di rapina raggiunge il suo ultimo grande punteggio, quando l'agente del F.B.I., che ha promesso di prenderlo sta per fare proprio questo.Segui ciò che accade dopo che un maestro di rapina raggiunge il suo ultimo grande punteggio, quando l'agente del F.B.I., che ha promesso di prenderlo sta per fare proprio questo.Segui ciò che accade dopo che un maestro di rapina raggiunge il suo ultimo grande punteggio, quando l'agente del F.B.I., che ha promesso di prenderlo sta per fare proprio questo.
- Premi
- 1 candidatura
Obba Babatundé
- Zacharias
- (as Obba Babatunde)
Trama
Lo sapevi?
- QuizIt was so cold during the filming of some beach scenes that the cast members' exhalations were visible.
- BlooperWhen Max is 'gassing' Stan in the Suburban, he connects the gas to the AC refrigerant system which is a closed system. It would be impossible for the gas to get into the air vents.
- Citazioni
Stan Lloyd: It's okay to be happy to see me. Just because you're English doesn't mean you need to hide your emotions.
Max Burdett: I'm Irish. We let people know how we feel. Now fuck off.
- ConnessioniFeatured in Late Night with Conan O'Brien: Salma Hayek/Adam Brody/Josh Groban (2004)
- Colonne sonoreCalifornia Dreamin'
Written by John Phillips and Michelle Phillips
Performed by The Mamas and the Papas
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Recensione in evidenza
This is a light, happy-go-lucky movie set mostly on Nassau in the Bahamas. Meet Max and Lola, two diamond thieves who have retired to this idyllic location to spend their loot. The problem is Stan, a shambolic, rather wild-eyed FBI agent who has been outwitted by them for years. Not content with letting them enjoy their retirement, he shows up on their (beachfront) doorstep and proceeds to lure them into another big heist. Lola's content with watching sunsets, but Max still has the bug. Will he take the bait? Complications arise because of the involvement of two locals: beautiful cop Sophie and bad guy Henri Mooré.
This movie was enjoyable enough as summer television-like movie, but it doesn't go much deeper than that. There's not a lot of realism and art here. It was like a television movie.
I don't know what makes television movies different from regular movies. Is it the writing? The plot development? The acting? They have a certain cliché nature, don't they? At times this movie definitely had the cheesiness and artificiality of television shows like the Love Boat and To Catch a Thief. That's not necessarily a bad thing. A lot of people love that kind of thing. It's not too demanding. And it's fun. People were laughing.
I suppose part of the problem for me was, well, Pierce Brosnan and Woody Harrelson. I just couldn't see these two with Salma Hayek and Naomie Harris, respectively. Isn't the age difference a little too much? Is it wrong for me to point out that -- unlike the women they were with -- these two were (by 2004) no longer hot enough to generate heat in their love scenes?
I have seen these two actors deliver outstanding performances. They are strong enough to pull off a film like this in their sleep. However, I am just not interested in them enough to spend two hours watching their buddy antics (drinking, fishing, even in bed). They are not lovable fun characters to me, although I think that's the effect the director was trying to achieve. These scenes were too forced. I saw no buddy chemistry.
There was a good deal of wise-cracking (eg "I knew that when I married you. I knew that when I divorced you!") and slapstick (eg Stan gets hit in the head by a trombone.) The scuba scenes and the cruise ship scenes at the end were not believable, not that I think this movie's intended audience would care about that. It's all meant to be part of the fun.
The person I was with walked out of the film halfway through. I thought it was OK. I mean, I didn't hate it.
This movie was enjoyable enough as summer television-like movie, but it doesn't go much deeper than that. There's not a lot of realism and art here. It was like a television movie.
I don't know what makes television movies different from regular movies. Is it the writing? The plot development? The acting? They have a certain cliché nature, don't they? At times this movie definitely had the cheesiness and artificiality of television shows like the Love Boat and To Catch a Thief. That's not necessarily a bad thing. A lot of people love that kind of thing. It's not too demanding. And it's fun. People were laughing.
I suppose part of the problem for me was, well, Pierce Brosnan and Woody Harrelson. I just couldn't see these two with Salma Hayek and Naomie Harris, respectively. Isn't the age difference a little too much? Is it wrong for me to point out that -- unlike the women they were with -- these two were (by 2004) no longer hot enough to generate heat in their love scenes?
I have seen these two actors deliver outstanding performances. They are strong enough to pull off a film like this in their sleep. However, I am just not interested in them enough to spend two hours watching their buddy antics (drinking, fishing, even in bed). They are not lovable fun characters to me, although I think that's the effect the director was trying to achieve. These scenes were too forced. I saw no buddy chemistry.
There was a good deal of wise-cracking (eg "I knew that when I married you. I knew that when I divorced you!") and slapstick (eg Stan gets hit in the head by a trombone.) The scuba scenes and the cruise ship scenes at the end were not believable, not that I think this movie's intended audience would care about that. It's all meant to be part of the fun.
The person I was with walked out of the film halfway through. I thought it was OK. I mean, I didn't hate it.
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- How long is After the Sunset?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Sau Lúc Hoàng Hôn
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 60.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 28.331.233 USD
- Fine settimana di apertura Stati Uniti e Canada
- 11.500.000 USD
- 14 nov 2004
- Lordo in tutto il mondo
- 62.657.868 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was After the Sunset (2004) officially released in Canada in French?
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