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6,2/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaTale of a former Nazi executioner who becomes a target of hitmen and police investigators.Tale of a former Nazi executioner who becomes a target of hitmen and police investigators.Tale of a former Nazi executioner who becomes a target of hitmen and police investigators.
- Premi
- 4 vittorie
David de Keyser
- Dom André
- (as David De Keyser)
Trama
Lo sapevi?
- QuizAs of April 2019, this is producer and director Norman Jewison's last movie.
- BlooperWhen Brossard searches the killer's wallet, we can see 500 francs banknotes with the head of Pierre and Marie Curie. This kind of banknote was released in 1994 and the action takes place in April 1992.
- Citazioni
Pierre Brossard: Pray that we meet again... in this world.
- ConnessioniFeatures Only You - Amore a prima vista (1994)
- Colonne sonoreLe Chemin des Forains
Music by Henri Sauguet
Lyrics by Jean Dréjac
Performed by Baguette Quartette
Published by G. Schirmer Inc., administered by Music Sales Corporation
Courtesy of Baguette Quartette
Recensione in evidenza
After the Nazi's were driven out of France, those who had collaborated were mostly rounded up and punished many by death. However some escaped and were hidden, while others rose in power within the new regime. Pierre Brossard is one of the former and continues to live in fear, protected from those that would avenge his victims by his friends within the Catholic Church. However a close encounter shows that some group is closing in on him, meanwhile political pressure from Judge Livi and Colonel Roux's investigation into his whereabouts mean that he is quickly running out of friends willing to shelter him.
It is difficult to know how to approach this film because it itself doesn't seem too sure of what it is trying to do. Is it a drama looking at the idea of fleeing war criminals? Is it a chase movie? Is it a character piece looking at Brossard? It is never clear because it does do some elements of each but it doesn't really do anything that well and I, as a viewer, was a bit confused about what I was supposed to feel or think during it. The story itself is OK, reasonably engaging but not having anything of interest to it. As a chase film I was interested and the themes helped it seem more than the sum of its parts but not in reality. The motivations of the characters are never that well developed; the Livi/Roux parts are dull and quite routine although the sections with Brossard are more interesting.
It is a shame then that the film cannot decide what it wants to do with him do we feel for him, hate him or just watch him? The film doesn't let us decide this in a good way representing the complex nature of the character, but rather just doesn't push out any ideas one way or another. Caine does well despite this and gives a good character a bit of depth. He is where the film is although he probably benefits from the fact that everyone else is quite ordinary. Swinton and Northam are quite ordinary and their parts of the film just seem put of place and half-cooked. Support from Neville, Bates, Rampling and others just about do the job but add little.
Overall this is an OK film but nothing at all more than that. Despite the interesting and complex potential the film just delivers an ordinary chase movie and fails to do anything with the ideas and concepts inherent in it. Caine does well to produce quite a convincing character but he is alone in that, with the material and the rest of the cast failing to do anything that interesting. Not bad but not worth trying to find because it is nowhere near as good as one would have hoped.
It is difficult to know how to approach this film because it itself doesn't seem too sure of what it is trying to do. Is it a drama looking at the idea of fleeing war criminals? Is it a chase movie? Is it a character piece looking at Brossard? It is never clear because it does do some elements of each but it doesn't really do anything that well and I, as a viewer, was a bit confused about what I was supposed to feel or think during it. The story itself is OK, reasonably engaging but not having anything of interest to it. As a chase film I was interested and the themes helped it seem more than the sum of its parts but not in reality. The motivations of the characters are never that well developed; the Livi/Roux parts are dull and quite routine although the sections with Brossard are more interesting.
It is a shame then that the film cannot decide what it wants to do with him do we feel for him, hate him or just watch him? The film doesn't let us decide this in a good way representing the complex nature of the character, but rather just doesn't push out any ideas one way or another. Caine does well despite this and gives a good character a bit of depth. He is where the film is although he probably benefits from the fact that everyone else is quite ordinary. Swinton and Northam are quite ordinary and their parts of the film just seem put of place and half-cooked. Support from Neville, Bates, Rampling and others just about do the job but add little.
Overall this is an OK film but nothing at all more than that. Despite the interesting and complex potential the film just delivers an ordinary chase movie and fails to do anything with the ideas and concepts inherent in it. Caine does well to produce quite a convincing character but he is alone in that, with the material and the rest of the cast failing to do anything that interesting. Not bad but not worth trying to find because it is nowhere near as good as one would have hoped.
- bob the moo
- 26 dic 2005
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- The Statement
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Botteghino
- Budget
- 27.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 765.637 USD
- Fine settimana di apertura Stati Uniti e Canada
- 37.220 USD
- 14 dic 2003
- Lordo in tutto il mondo
- 1.079.822 USD
- Tempo di esecuzione1 ora 54 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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