Un'adolescente ingenua viene mandata in un campo di riabilitazione quando i suoi ristretti genitori e amici la sospettano di essere lesbica.Un'adolescente ingenua viene mandata in un campo di riabilitazione quando i suoi ristretti genitori e amici la sospettano di essere lesbica.Un'adolescente ingenua viene mandata in un campo di riabilitazione quando i suoi ristretti genitori e amici la sospettano di essere lesbica.
- Premi
- 2 vittorie e 2 candidature
Danielle Rene
- Cheerleader #2
- (as Danielle Reneau)
Trama
Lo sapevi?
- BlooperWhen the pickup truck is pulling away in the last scene, a larger truck pulling the pickup can be seen through the tree and even hitting branches of the tree.
- Versioni alternativeThe version that ran in theaters had the Lion's Gate logo, then the Fine Line logo, and then the credit: "Fine Line Features presents." This wasn't changed in time, as a deal with Fine Line and the film's production company fell through. On the DVD release the Lion's Gate logo appears and then there is a new credit: "Lion's Gate Films presents." No mention of Fine Line appears.
- Colonne sonoreChick Habit
(Laisse Tomber les Filles)
Music by Serge Gainsbourg
French lyrics by Serge Gainsbourg
English lyrics by April March
Performed by April March
Published by Yé Yé Music (BMI)
©1964 Bagatelle S.A. (transferred to Sidonic Publishing)
Courtesy of Ideal Records
Recensione in evidenza
To many viewers this is probably not much more than a well-made, feel-good satirical comedy about teenage homosexuality and adult homophobia mixed with some heart-warming moments, and indeed it serves that function of somewhat superficial entertainment well. But it is a lot more than that. If you watch carefully, this is an incredibly honest, revealing and touchingly sensitive film on teenage identity crisis and identity search interacting with social influences. It tells you more than any psychology book could tell on adolescence, because one cannot put all that into words. Natasha Lyonne as 17 year old Megan (the heroine of the story) demonstrates amazing qualities of acting in a role which is probably the most demanding any actor or actress can face: that of a changing adolescent personality re-discovering one's inner, formerly suppressed unconscious self over two months, while still remaining herself in a way. If you compare her different faces at different phases of the story, e.g. when she "just cannot think of anything" at the camp, and when she looks into the bathroom mirror much later in the film washing her teeth, you will see what I mean. If you are not distracted by hilariously funny bits and jokes and you do not consider poor acting by Cathy Moriarty, it is in fact a top quality drama made superbly. Intimate conversations between the two leading actors (Natasha Lyonne and Clea DuVall) tell more in one minute of this film about life than most movie star celebrities do throughout their whole career. Natasha Lyonne should have received an Oscar for this as best actress, and she should have been offered leading roles in less superficial films than "American Pie". A talent wasted. Her performance in this film is an extraordinary achievement and a very touching experience for anyone sensitive enough to resonate to it. I highly recommend it for re-watching it several times: you will not get bored if you are attentive enough.
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Dettagli
Botteghino
- Budget
- 1.200.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.205.627 USD
- Fine settimana di apertura Stati Uniti e Canada
- 60.410 USD
- 9 lug 2000
- Lordo in tutto il mondo
- 2.595.910 USD
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