Quando viene morso da un ragno geneticamente modificato, un liceale secchione, timido e goffo sviluppa delle abilità simili a quelle di un ragno che dovrà usare per combattere il male come s... Leggi tuttoQuando viene morso da un ragno geneticamente modificato, un liceale secchione, timido e goffo sviluppa delle abilità simili a quelle di un ragno che dovrà usare per combattere il male come supereroe dopo che avviene una tragedia nella sua famiglia.Quando viene morso da un ragno geneticamente modificato, un liceale secchione, timido e goffo sviluppa delle abilità simili a quelle di un ragno che dovrà usare per combattere il male come supereroe dopo che avviene una tragedia nella sua famiglia.
- Candidato a 2 Oscar
- 17 vittorie e 65 candidature totali
Which Actors Almost Played Spider-Man?
Which Actors Almost Played Spider-Man?
Trama
Lo sapevi?
- QuizThe first film to gross $100 million in its opening weekend alone. At the time, no movie had done so, even when adjusted for inflation.
- Blooper(at around 18 mins) After Parker wakes up the morning after getting bitten, a boom mic is seen at the top of the mirror as he is looking at himself.
- Citazioni
[last lines]
Peter Parker: [voiceover] Whatever life holds in store for me, I will never forget these words: "With great power comes great responsibility." This is my gift, my curse. Who am I? I'm Spider-Man.
- Curiosità sui creditiAt the end of the closing credits the theme song from Spider-Man (1967) is played.
- Versioni alternativeIn the version that showed on Cartoon Network, there were many cuts for time, violence, and swearing. All uses of ass, hell, and damn were scrubbed from the movie (i.e. Goblin says "we're gonna have [an interesting] time" as opposed to a "hell of a time"). References to religion were also trimmed. There is also an alternate angle of Norman getting impaled that is less violent.
- ConnessioniEdited from ...E tu vivrai nel terrore! L'aldilà (1981)
- Colonne sonoreWhen It Started
Written by Julian Casablancas
Performed by The Strokes
Courtesy of The RCA Records Label, a unit of BMG Music and Rough Trade Records Ltd. (UK and Eire)
Under license from BMG Special Products
I had the privilege of seeing the film last night, 4-30-02, in SF with the press and 300+ other folks for its "Bay Area Premiere".
The acting is the finest portion of the film with the leads giving us depth that I was unsure would be allowed by the style of story chosen. Maguire was outstanding at being a guy who can rarely catch a break, but attract difficulty with ease and aplomb. He is awkward with the woman he loves, but eloquent when dealing with the familiar, just as most teenagers are even today. He gave us wonderful joy at the prospect of "web swinging" and kicking some much deserved ass! Dafoe is wonderfully scary as the man who has succumbed to the power games of the corporate world that drives a decent man mad striving for perfection in himself while trying to hard to please all the wrong people to no avail and then being consumed by guilt that has built over the years of family neglect which finally helps to push him over the edge when an opportunity to make a huge mistake presents itself.
The rest of cast is nearly as spectacular with the J.K. Simmons turning in the best performance in the film as J. Jonah Jamason. When he appeared on screen things lite up even more and he was on fire making everyone in the audience laugh and myself nearly p** my pants. Harris as Aunt May and Robertson as Uncle Ben were excellent choices and gave the film a great deal of its credibility and finesse. Letting what happens to Ben and Peter (I am not telling) was wonderful and the best punctuation to what makes Peter do what he does and brings complete credibility to the story. I am not a huge Dunst fan, but she was just fine as the love of Peter Parker's life and a person much like Peter only neither was conscious of the fact. This to me is a more real version of "true love".
The script was far stronger than I expected with some wonderful dialog; verbal exchanges, solid plot points and pacing. Many a good parenting lesson can be found in this film as well as interesting thoughts about the choices that we make in life that we might think are no big deal when in the heat of passion, but may well come back to haunt us if we don't think before we act/speak: which is the trust of the film in my humble opinion.
The direction from Raimi was also much better than I anticipated coming from someone who is known (and loved) for his over the top camp and action. Many of the fight and action sequences where more "over done" than I like, but they were solid and much like a comic of the Silver Age from whence the story comes so it fit the film fine. Nice cinematography without the CGI taking over and detracting from the realism, in fact it made much of the web swinging truly believable. A few points made things a bit hard to "believe", but over all I think most folks will be able to suspend their disbelief.
Danny Elfman. Need I say more? He is the man when it comes to "super hero" music and is the closest thing to John Willams and the late great Bernard Herman there is today. He subtly sets the mood and most of the audience probably doesn't even realize it. Tomorrow is my day off and I will be purchasing the score to add to my collection!
- Sean_Thorniley
- 30 apr 2002
- Permalink
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- El hombre araña
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 139.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 407.774.549 USD
- Fine settimana di apertura Stati Uniti e Canada
- 114.844.116 USD
- 5 mag 2002
- Lordo in tutto il mondo
- 825.802.095 USD
- Tempo di esecuzione2 ore 1 minuto
- Colore
- Mix di suoni