VALUTAZIONE IMDb
7,1/10
21.682
LA TUA VALUTAZIONE
Un probo generale e i suoi figli. La vendetta di una regina vinta e madre straziata. L'odio di un sovrano debole e sciocco. In una Roma barbarica e nel contempo moderna, si susseguono delitt... Leggi tuttoUn probo generale e i suoi figli. La vendetta di una regina vinta e madre straziata. L'odio di un sovrano debole e sciocco. In una Roma barbarica e nel contempo moderna, si susseguono delitti atroci e sanguinosi.Un probo generale e i suoi figli. La vendetta di una regina vinta e madre straziata. L'odio di un sovrano debole e sciocco. In una Roma barbarica e nel contempo moderna, si susseguono delitti atroci e sanguinosi.
- Candidato a 1 Oscar
- 4 vittorie e 19 candidature totali
Trama
Lo sapevi?
- QuizWriter, producer, and director Julie Taymor used anachronistic props and clothes throughout this movie (chariots, tanks, swords, and machine guns) because she wanted to symbolically depict 2,000 years of warfare and violence.
- BlooperWhen Tamora leaves the party/orgy to join Aaron on the balcony, her hands are clasped across her chest. In the next shot she is holding a cigarette.
- ConnessioniFeatured in Siskel & Ebert & the Movies: Simpatico/The Third Miracle/Titus (2000)
Recensione in evidenza
Taken from the Shakespeare play 'Titus Andronicus', A very dark humored and brutal work originally, Julie Taymor isolates and drives upon the very force that brought William Shakespeare to his immortal success: Shock your audience.
A Roman General(Titus) after loosing many of his sons as soldiers in battle returns to a war-hungry Rome days after the death of Julius Ceasar. You're introduced to the story as the two sons of the Emperor petition to succeed their Father. Superficially this story is an all-out-tragedy. Underneath, however, it's a causticly ironic tale to see a man forge the tools of his own suffering through his own arrogant and selfish misdoings, then to eventually find shame and humility.
This movie is so packed with metaphor most viewers find it intimidating. It's an amazingly seamless telling of a story using time-specific visual references to outline the characters and events. i.e. the nazi-esque motorcade, biker costumes appear similar to the Italian fascist movement, evident paranoia. While the rival motorcade appears symbolic of John Kennedy and symbiotic trust.
The costume design is fabulous, obvious 1960's Glam/GlamRock design influences carefully illustrate the vanity and narcissism of Roman culture at the time using flashy wool-lined synthetics. I openly covet the cape Titus wears. Shakespeare took particular pleasure mocking a society with conveniently and easily deniable Gods, such that the Gods themselves treat their fates as tragic playthings.
And I digress... my main point is Shakespeare built his fame on being what has always been considered taboo and edgy: sex, violence, death and profanity. Julie Taymor having not missed a beat with the visuals, which are terrible and powerful at times, only seek to punctuate tragedy, much unlike its 1999 counterpart 'Titus Andronicus' which focused more on hate and revenge making for very unreasonable 1 dimensional characters.
My advice: Watch this movie more than once. Every time I do I glean more from it. Tony Hopkins and Alan Cumming both give some of the best performances of their careers, Moreover one of the best directed films ever IMHO.
A Roman General(Titus) after loosing many of his sons as soldiers in battle returns to a war-hungry Rome days after the death of Julius Ceasar. You're introduced to the story as the two sons of the Emperor petition to succeed their Father. Superficially this story is an all-out-tragedy. Underneath, however, it's a causticly ironic tale to see a man forge the tools of his own suffering through his own arrogant and selfish misdoings, then to eventually find shame and humility.
This movie is so packed with metaphor most viewers find it intimidating. It's an amazingly seamless telling of a story using time-specific visual references to outline the characters and events. i.e. the nazi-esque motorcade, biker costumes appear similar to the Italian fascist movement, evident paranoia. While the rival motorcade appears symbolic of John Kennedy and symbiotic trust.
The costume design is fabulous, obvious 1960's Glam/GlamRock design influences carefully illustrate the vanity and narcissism of Roman culture at the time using flashy wool-lined synthetics. I openly covet the cape Titus wears. Shakespeare took particular pleasure mocking a society with conveniently and easily deniable Gods, such that the Gods themselves treat their fates as tragic playthings.
And I digress... my main point is Shakespeare built his fame on being what has always been considered taboo and edgy: sex, violence, death and profanity. Julie Taymor having not missed a beat with the visuals, which are terrible and powerful at times, only seek to punctuate tragedy, much unlike its 1999 counterpart 'Titus Andronicus' which focused more on hate and revenge making for very unreasonable 1 dimensional characters.
My advice: Watch this movie more than once. Every time I do I glean more from it. Tony Hopkins and Alan Cumming both give some of the best performances of their careers, Moreover one of the best directed films ever IMHO.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 2.007.290 USD
- Fine settimana di apertura Stati Uniti e Canada
- 22.313 USD
- 26 dic 1999
- Lordo in tutto il mondo
- 2.259.680 USD
- Tempo di esecuzione2 ore 42 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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