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Parigi, 1900: una coppia viene orribilmente uccisa da un uomo mascherato con un artiglio di metallo che gli strappa il cuore. L'unica sopravvissuta e testimone del massacro è una giovane rag... Leggi tuttoParigi, 1900: una coppia viene orribilmente uccisa da un uomo mascherato con un artiglio di metallo che gli strappa il cuore. L'unica sopravvissuta e testimone del massacro è una giovane ragazza.Parigi, 1900: una coppia viene orribilmente uccisa da un uomo mascherato con un artiglio di metallo che gli strappa il cuore. L'unica sopravvissuta e testimone del massacro è una giovane ragazza.
- Premi
- 1 candidatura
Daniel Auber
- Luca
- (as Daniele Auber)
Trama
Lo sapevi?
- QuizOriginally intended by Dario Argento as a comeback for colleague (though not friend) Lucio Fulci. Unfortunately, only a few weeks before filming was about to begin, Fulci died and on short notice, the directing job was handed over to special effects expert Sergio Stivaletti.
- BlooperAt 1:04:12, Volkoff put a pin through the picture of Sonia he just clipped. Seven seconds later, as Alex watch him secretly through the door, he does exactly the same action with the pin.
- ConnessioniFeatured in I tre volti del terrore (2004)
- Colonne sonoreLa donna è mobile
(uncredited)
from "Rigoletto"
Libretto by Francesco Maria Piave
Music by Giuseppe Verdi
Recensione in evidenza
The Wax Mask marks the coming together of two of the huge heavyweights of the Italian horror industry - Dario Argento and Lucio Fulci! The two great directors worked on the script together, and the movie is helmed by a man that has worked on the special effects in a number of Argento's movies: Sergio Stivaletti. That's three experienced men in the world of horror on the team, and with that in mind; The Wax Mask is a huge disappointment. Although there are certainly lots of good elements about this film, there's also lots of bad, and the latter drags the film down. The acting is terrible, worse than any performance in an Argento or Fulci film (and come on, that's saying something) and the dubbing is even worse than that (again, that's saying something). The script is another bad element of the film, which is ironic when you consider the talent involved in writing it. There are many moments in the movie you really do wish that the characters would shut up and spare you the horrors of listening to what they're going to say next. Quite a few moments like that, in fact.
That being said, there is certainly much to like about this movie. The atmosphere is the first point of interest, as it is decidedly macabre and fascinating. The wax museum at the centre of the tale makes for a great location for a horror movie. There's a very understated malevolence about statues in the human image, and this film makes best use of that fact. Adding to the atmosphere is the superb musical score, which is haunting in the extreme. The film also features the talents of the very beautiful Valery Valmond, and the even more so Romina Mondello! Neither of them impresses with their acting, but they make for very nice eye candy! The film develops itself very intriguingly throughout, and this is kept up right up until the finish, when it crumbles into pieces by way of a very corny finale. The ending begs a million questions and as the plot wasn't exactly watertight throughout, this is definitely not good. Still, fans of Italian horror (like me) will enjoy themselves despite the flaws; and on the whole I recommend this movie to fans of this type of film.
That being said, there is certainly much to like about this movie. The atmosphere is the first point of interest, as it is decidedly macabre and fascinating. The wax museum at the centre of the tale makes for a great location for a horror movie. There's a very understated malevolence about statues in the human image, and this film makes best use of that fact. Adding to the atmosphere is the superb musical score, which is haunting in the extreme. The film also features the talents of the very beautiful Valery Valmond, and the even more so Romina Mondello! Neither of them impresses with their acting, but they make for very nice eye candy! The film develops itself very intriguingly throughout, and this is kept up right up until the finish, when it crumbles into pieces by way of a very corny finale. The ending begs a million questions and as the plot wasn't exactly watertight throughout, this is definitely not good. Still, fans of Italian horror (like me) will enjoy themselves despite the flaws; and on the whole I recommend this movie to fans of this type of film.
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Dettagli
Botteghino
- Budget
- 3.000.000 USD (previsto)
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