Un ragazzo ricatta il suo vicino di casa dopo averlo sospettato di essere un criminale di guerra nazista.Un ragazzo ricatta il suo vicino di casa dopo averlo sospettato di essere un criminale di guerra nazista.Un ragazzo ricatta il suo vicino di casa dopo averlo sospettato di essere un criminale di guerra nazista.
- Premi
- 6 vittorie e 10 candidature
Trama
Lo sapevi?
- QuizSir Ian McKellen admitted he was surprised to be asked to play 75-year-old Kurt Dussander, since he was only 57 at the time of filming.
- BlooperWhen Todd is walking down the hall to give Kurt Dussander the costume, the dolly track is visible on the floor in the hall.
- Citazioni
[last lines]
Edward French: Now, wait a minute. You're going to tell people that I did something to you, Todd?
Todd Bowden: I don't want to drag you down with me, but I will. I'm better at this then you are.
Edward French: Better at what? I'm trying to help you, Todd. Can't you see that?
Todd Bowden: You've helped enough.
Edward French: I am not going to do nothing.
Todd Bowden: Well, you'll fucking have to! If you ever tell anyone about this... the things I'm gonna say about you... they'll never go away. Not for you. Not for your life or career. Think of your job. Think of your son. Even if no one believes me, the police and media will make a background check on you and they will find something. Some dirt such as... the real reason why your wife left you.
[after a short pause]
Todd Bowden: So... what's it gonna be? Do we have a deal?
Edward French: You can't do this, Todd.
Todd Bowden: [coldly] You have no idea what I can do.
- Curiosità sui creditiThe film has a 1997 copyright date in the credits.
- Versioni alternativeAccording to the Technical Specifications link for this film, there is a one minute longer version available in Argentina (total time 1 hr 52 min (112 min)).
- Colonne sonoreTristan Und Isolde
Written by Richard Wagner
Performed by Carlos Kleiber and The Bayeurth Festival Orchestra
Courtesy of Koch International by arrangement with Source/Q
Anyhoo...
There have been many films and books that attempt to explain the horror that we humans are capable of. While I haven't read the Stephen King nouvelle "Apt Pupil", I can tell you this film adaptation kept my attention and tossed around some new ideas I hadn't really considered.
If you haven't already seen it, search for the Stanley Milgram experiment. It was a psychological test done by a Yale student back in the 1960s offering one of the most chilling explanations for the phenomenon of Nazism, a convincing illustration of how humans can do horrific things. The gist is that we convince ourselves that we're doing what we're supposed to be doing ("just following orders" or "everyone told me to do it"). The video is online on dailymotion.
"Apt Pupil" surprised me by taking a very different approach which I won't ruin for you. I'll just say that it weaves a complex Machiavellian scheme, where evil is deliberate and conscious of itself. It finds its footing by creating a balance of power, reminiscent of the "mutual assured destruction" philosophy in the 80s that led the USA and Russia to stockpile enough nukes to send us to the Smurf universe.
OK, enough background. Let's talk about the film already. If the premise doesn't capture you instantly, the impressive directing and musical score should suck you in with its heavy, foreboding mood. Ian McKellan (probably best known as Gandalf from The Lord of the Rings but also an accomplished Shakespearean actor) is excellent in the role of an ex- Nazi... a menacing enigma somewhere between a serial killer and a cranky grandfather.
Brad Renfro appears on screen as the perfect naïve kid with a perpetual deer-in-the- headlights expression, sort of like John Cusack in the 80s but without the laughs. The film focuses mainly on the transformation of Renfro's character. It's here where I was unconvinced, and I docked the film a point or 2. Renfro's character mutates so suddenly and drastically you'd think he sucked down some radioactive sludge. I feel a lot of his "experiments with evil" were uncharacteristic and thrown in for shock value. No matter how curious a person is, nobody goes from Pollyanna to animal mutilations in just a month or two. It was this seemingly random, inexplicable moral decay which I felt was just injected for cheap shock value. If you can get past that, the real theme emerges.
The root of human evil, according to "Apt Pupil," is not random moral decay but actually a complex struggle for power. When this theme emerged in the latter half, that's when I perked up and paid attention. The story then takes on a suspenseful air, and the kid & the Nazi get into an interesting game of cat & mouse.
Overall, I'll stick with the Stanley Milgram experiment for the most convincing explanation of human atrocities. But "Apt Pupil" definitely delivers some food for thought. Another film that provides insight is the criminally underrated "Exorcist III" with George C. Scott and Brad Dourif playing mind games in an insane asylum. Also check out the documentary "Aileen: Life and Death of a Serial Killer," or on the lighter side, "Dr. Strangelove" makes an interesting commentary on why humans commit genocide. Who knows why humans kill, maim and torture. But as long as we keep investigating there may be hope for us.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Apt Pupil
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 14.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 8.863.193 USD
- Fine settimana di apertura Stati Uniti e Canada
- 3.583.151 USD
- 25 ott 1998
- Lordo in tutto il mondo
- 8.863.193 USD
- Tempo di esecuzione1 ora 51 minuti
- Mix di suoni
- Proporzioni
- 2.39 : 1