Un professore universitario turbato diventa ossessionato dall'idea che sua moglie emotivamente distante abbia una relazione con suo padre invalido.Un professore universitario turbato diventa ossessionato dall'idea che sua moglie emotivamente distante abbia una relazione con suo padre invalido.Un professore universitario turbato diventa ossessionato dall'idea che sua moglie emotivamente distante abbia una relazione con suo padre invalido.
Frank Finlay
- Nino Rolfe
- (filmato d'archivio)
- (non citato nei titoli originali)
Stefania Sandrelli
- Teresa Rolfe
- (filmato d'archivio)
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizIn the scene in the movie theatre, the film being shown is another Tinto Brass film, La chiave (1983). He did this same thing in Snack Bar Budapest (1988).
- Citazioni
The Porking Attendant: Huh, you want some advice? Don't go trying to find out what's going on with your wife. You can live with lies,
[shakes his head]
The Porking Attendant: but the truth will kill ya.
- Versioni alternativeThere are 2 UK DVD releases of the film. The first is from Nouveaux Pictures. That is a shorter print, known as the 'Producer's Cut'. This was cut by 8 seconds by the BBFC for an 18 certificate. The later release from Argent Films is the longer 'Director's Cut'. 35 seconds have been edited through cutting and reframing a sequence which explicitly shows vaginal penetration with a cigar. This was to achieve an 18 certificate. An R18 certificate was available without the edits, but it would have restricted sales of the DVD to licensed. sex shops.
- ConnessioniFeatures La chiave (1983)
Recensione in evidenza
I have never seen an erotic movie like this before, nor have I ever found any to be as satisfying, even though I had to put up with English subtitles. The Tinto Brass perspective on female anatomy is quite uncommon in American porn.
Instead of numerous scenes of topless skinny women with fake boobs, Tinto gives us a good look at some rather curvaceous derrières and, for variation, a few close-up views of women self stimulating some rather hairy vaginas. While breasts aren't the main focus, and they aren't the biggest boobs you've seen, they do appear natural! You should also note that male anatomy is revealed more in this film than in soft porn; there a many close up shots of male penises in female hands. Unlike hardcore, however, fellatio is not depicted, nor does the camera zoom in on penetration. I especially liked the fact that there is no semen or feces, staples of some hardcore films which disgust me.
As in many erotic stories, the basic idea is to show a clear contrast between the intimacy of true love and the moral depravation of lust and wanton sex, in this case with the spotlight on voyeurism. To paraphrase the principal male character, Dodo, voyeurism is more than an idle spectator's indulgence of his/her lustful desires. It is a mutual endeavor to lay bare intimate sexual secrets in all their carnal essence and vulnerability, a revolt against a hypocritical society that represses a vital part of life out of pure ignorance. While this may be well stated, the film fails to prove this point with its numerous unrealistic scenes of people acting shamelessly in both public and private settings.
Love is portrayed by the relationship between Dodo and his wife Silvia. In a playful foreplay scene, Silva dresses in front of Dodo, allowing us to get a good look at Katarina Vasilissa, a very pretty, tall blond. Her 23 years at the time of shooting stood up well to close inspection from the camera. She acted reasonably well, and the sex between her and Dodo appears intimate, however, I wasn't left with the impression that she was truly in love. This may be the reason the film only earned a rating of 6.
Moral depravation is portrayed by the relationship between Dodo's father and his nurse, Fausta, whom he hires more for sexual favors than for medical treatment. This humorous part of the story is too slapstick for my taste. A forgivable flaw, however, since Tinto gives you a good feel for Christina Garavaglia's well rounded buttocks! As for the overall production, what I liked most was the Jazz music soundtrack. On the other hand, most settings were rather mundane, and I didn't like the lighting at all. It wasn't consistent from scene to scene, and all too often the characters were set against a bright background, which actually makes it harder to see them clearly.
So, to sum it up, if well rounded buttocks and hairy vaginas are your thing, if you want plenty of sex without going hardcore, and if you find tall blonds attractive, than this film may be worth a look.
Instead of numerous scenes of topless skinny women with fake boobs, Tinto gives us a good look at some rather curvaceous derrières and, for variation, a few close-up views of women self stimulating some rather hairy vaginas. While breasts aren't the main focus, and they aren't the biggest boobs you've seen, they do appear natural! You should also note that male anatomy is revealed more in this film than in soft porn; there a many close up shots of male penises in female hands. Unlike hardcore, however, fellatio is not depicted, nor does the camera zoom in on penetration. I especially liked the fact that there is no semen or feces, staples of some hardcore films which disgust me.
As in many erotic stories, the basic idea is to show a clear contrast between the intimacy of true love and the moral depravation of lust and wanton sex, in this case with the spotlight on voyeurism. To paraphrase the principal male character, Dodo, voyeurism is more than an idle spectator's indulgence of his/her lustful desires. It is a mutual endeavor to lay bare intimate sexual secrets in all their carnal essence and vulnerability, a revolt against a hypocritical society that represses a vital part of life out of pure ignorance. While this may be well stated, the film fails to prove this point with its numerous unrealistic scenes of people acting shamelessly in both public and private settings.
Love is portrayed by the relationship between Dodo and his wife Silvia. In a playful foreplay scene, Silva dresses in front of Dodo, allowing us to get a good look at Katarina Vasilissa, a very pretty, tall blond. Her 23 years at the time of shooting stood up well to close inspection from the camera. She acted reasonably well, and the sex between her and Dodo appears intimate, however, I wasn't left with the impression that she was truly in love. This may be the reason the film only earned a rating of 6.
Moral depravation is portrayed by the relationship between Dodo's father and his nurse, Fausta, whom he hires more for sexual favors than for medical treatment. This humorous part of the story is too slapstick for my taste. A forgivable flaw, however, since Tinto gives you a good feel for Christina Garavaglia's well rounded buttocks! As for the overall production, what I liked most was the Jazz music soundtrack. On the other hand, most settings were rather mundane, and I didn't like the lighting at all. It wasn't consistent from scene to scene, and all too often the characters were set against a bright background, which actually makes it harder to see them clearly.
So, to sum it up, if well rounded buttocks and hairy vaginas are your thing, if you want plenty of sex without going hardcore, and if you find tall blonds attractive, than this film may be worth a look.
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Dettagli
Botteghino
- Budget
- 2.700.000 USD (previsto)
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Proporzioni
- 1.85 : 1
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By what name was L'uomo che guarda (1994) officially released in Japan in Japanese?
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