Aggiungi una trama nella tua linguaThird installment in the "That's Entertainment" series, featuring scenes from "The Hollywood Revue of 1929," "Brigadoon," "Singin' In The Rain," and many more MGM films.Third installment in the "That's Entertainment" series, featuring scenes from "The Hollywood Revue of 1929," "Brigadoon," "Singin' In The Rain," and many more MGM films.Third installment in the "That's Entertainment" series, featuring scenes from "The Hollywood Revue of 1929," "Brigadoon," "Singin' In The Rain," and many more MGM films.
- Premi
- 1 candidatura
- Self in Film Clip
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- Performer in Clip from 'Hollywood Revue of 1929'
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- Performer in Clips from 'Easter Parade'
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- Performer in Clip from 'Ziegfeld Follies'
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- Performer in Clip from 'Hollywood Revue of 1929'
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- Performer in Film Clip
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- Chris Maule
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- Self - Newsreel Clip
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Trama
Lo sapevi?
- QuizFinal screen appearance of Gene Kelly.
- Citazioni
[last lines]
Gene Kelly: What a time it was! Life was simpler then and so was the movie business. MGM's dream factory created a rich, romantic, compelling world of illusion. And although we may not see anything like it again, we're blessed with memories and miles and miles of film. In the words of Irving Berlin, "The song has ended, but the melody lingers on."
- Curiosità sui creditiProduction stills from MGM musicals are shown under the end credits.
- Versioni alternativeHome video and DVD release contains several additional musical excerpts.
- Colonne sonoreHere's to the Girls
(1945) (uncredited)
Music by Roger Edens
Lyrics by Arthur Freed
Performed by Fred Astaire, Lucille Ball, and Chorus
From Ziegfeld Follies (1945)
The best of the three is the first, not only being first-class entertainment but also being nostalgically affectionate and very moving (especially Liza Minnelli talking about her mother Judy Garland). Part 2 is a disappointment, due to the badly written hosting segments, a too sprawling structure, those unnecessary travelogue segments and a couple of scenes too short and hastily cut, but has a lot of interest points and a lot of treasures (including the best title sequence of the three films).
Part 3 is not as good as Part 1, though there are a couple of things it actually does better, but it is better than Part 2. There is not a huge amount wrong actually, the 'Brigadoon' dance sequence does look phoney which jars with the lavishness of the rest of the film and while the hosting is charming, subtly witty and affecting it was sad to see Gene Kelly in one of his last appearances on film looking so frail and ill, lacking his usual exuberance (before looking it up, and finding that it happened after the film's release, did think that it was due to having a stroke). While it was interesting seeing so much footage that didn't make it into the films they were meant to be part of, there could have been more of the classic moments.
Where it improves over Part 1 is that it has the best hosting segments of the three, both in the writing and pacing. Here they were the most informative, thought-provoking and said the most about the commitment and difficulties behind the scenes of making these scenes and films possible and personalities behind the stars which were glossed over in comparison in the previous two films. Also it is the film with the best editing. A vast majority of the scenes are used to their full potential instead of being too short and it is not as hasty or jumpy. It also returns to the more logical, ordered and thematic kind of structure the first film had, a welcome return indeed.
Like the first two films, a delightful couple of hours, a nostalgic trip down memory lane it is affectionate, hugely entertaining and also moving and makes one want to watch or re-watch the films included. What immediately captivated was seeing the who's who of musical/dance/singing talent being featured. The production values are lavish and just beautiful to look at, the music dazzles and is full of emotions and the choreography is often enough to make the jaw drop. Scenes are mostly great, with far fewer missteps than with Part 2 (though there are only a few there), the only notable one is the scene from 'Brigadoon'.
Judy Garland's scenes (especially the 'Annie Get Your Gun' and 'Easter Parade' scenes, though her rapport with Mickey Rooney is charming too) are clear standouts, as are Eleanor Powell, Debbie Reynolds, "Can't Help Loving Dat Man". Debbie Reynolds and Ann Miller at this point show all the shining qualities that made them such stars, it was nice to see Mickey Rooney too but he doesn't look at his best either if not as sad as Kelly.
In conclusion, a real treat. The first 'That's Entertainment' is the best of the three, but this is almost as good and even makes improvements in a couple of areas. 8/10 Bethany Cox
- TheLittleSongbird
- 28 ago 2016
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Érase una vez en Hollywood III
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 280.163 USD
- Fine settimana di apertura Stati Uniti e Canada
- 36.220 USD
- 8 mag 1994
- Lordo in tutto il mondo
- 280.163 USD
- Tempo di esecuzione1 ora 53 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1