Often the symbol of decadence, Beverly Hills took a cinematic beating in the early 90s through films like THE TAKING OF BEVERLY HILLS (1991) and this cheap Frank Stallone action flick. Actually, calling it "cheap" is an insult to cheap films. This film is on the level of Al Adamson cheap. We're talking one long shot of a white limo driving down the road while characters voice over as much exposition dialogue that the shot will allow cheap. So cheap that a bomb consists of nothing more than a lump of clay with a digital watch face pressed in it. And yes, so cheap that William Smith's trademark gravely voice is dubbed. You get the point. Yet at the same time, they managed to shoot on location in Israel for the opening.
Top billed Stallone stars as Hack Stone (yes, Hack Stone), but only appears in roughly 10 minutes of the first hour of the film. A majority of the time spent concentrating on Abdul (Vassoughi) and his Palestinian terrorist group as they hide out in an old bean factory. TERROR tries hard to elicit the thrills of DIE HARD but on a stretched budget of $10. When Stallone finally shows up for work in the last half hour, he enters the abandoned factory with only a rope and an M-16. I guess anything else would be unnecessary. And he manages to take out the entire terrorist unit without even using the rope! The film's sole highlight is the completely foul mouthed, over the top performance by Cameron Mitchell. As Police Capt. Stills, Mitchell seems to be making it up as he goes along, to great effect. While holding a press conference, an airplane flies overhead and Mitchell stops what he is saying to mutter, "Goddamn airplane!" Later he yells at a plain clothes cop, "Who the f#*k told you to wear that outfit?" When the cop replies, "You did," Mitchell barks out, "Well you know I have no f#*king sense of style!" Then again, maybe it was scripted that way. The screenplay by director Myhers (who co-scripted the Don Knotts/Tim Conway vehicles THE PRIZE FIGHTER and THE PRIVATE EYES) is laughable. "Come on man, don't be an a#*hole," utters Stallone when he finally confronts Abdul.
