Un burocrate in un mondo retro-futuristico cerca di correggere un errore amministrativo e diventa un nemico dello stato.Un burocrate in un mondo retro-futuristico cerca di correggere un errore amministrativo e diventa un nemico dello stato.Un burocrate in un mondo retro-futuristico cerca di correggere un errore amministrativo e diventa un nemico dello stato.
- Candidato a 2 Oscar
- 9 vittorie e 6 candidature totali
Trama
Lo sapevi?
- QuizTerry Gilliam was asked to do a film class during the filming of this movie at the University of Southern California. Terry agreed, and took advantage of the situation by preparing to bring an "audio visual aid", which was his cut of the movie, which would have been allowed. Unfortunately, two days before the event, students advertised a free screening of the movie. When he arrived, it was announced that Universal Pictures would not allow him to show it. During his speech to the class, he was interrupted by studio executives' phone calls. They eventually allowed him to show a clip. He showed the entire movie, and repeated the screenings for over two weeks. It was during one of these screenings, that Los Angeles, California movie critics saw it, and awarded it the Best Picture of the Year award, which was responsible for getting it released the way Gilliam wanted it.
- BlooperWhen Harry Tuttle escapes from Sam Lowry's flat, he is wearing a hood covering his head. When Harry starts to zip-line off the precipice, he is replaced by a stunt double wearing a baseball cap.
- Citazioni
Jill Layton: Care for a little necrophilia? Hmmm?
- Curiosità sui creditiThe only credits at the start of the film were the preliminary studio credits, a credit for Gilliam, and the title. All other credits are at the end. (Although commonplace today, the lack of full opening credits was still unusual in 1985). All versions of the film, including the "Love Conquers All" edit follow this format.
- Versioni alternativeThere are at least three different versions of Brazil. The original 142 minutes European release, a shorter 132-minutes prepared by Gilliam for the American release and another different version, nicknamed the Sheinberg Edit or 'Love Conquers All' version, from Universal's then boss Sid Sheinberg, against whom Terry Gilliam had to fight to have his version released.
- ConnessioniFeatured in What Is Brazil? (1985)
- Colonne sonoreHava Nagila
(played after the restaurant bombing)
Recensione in evidenza
A virtual celebration of writer/director Terry Gilliam's singular creative vision and seemingly limitless imagination, Brazil is a unique movie experience. And it is kind of hard to put the label of any one particular genre on the film; it's generally referred to as "dystopian science fiction" (which certainly isn't wrong), but it's also a satire, a drama, a black comedy and perhaps even a fantasy film. Like many other dystopian sci-fi films (e.g. Fahrenheit 451, Equilibrium, The Hunger Games), Brazil depicts a totalitarian society, but that's about as far as the similarities with other films go.
The whole design of Brazil's crazy world is unlike anything I've ever seen in other movies (with the exception perhaps of those made by the same filmmaker). Where films with similar themes typically go for a futuristic look that is defined by all the technological advancements the writers and filmmakers can dream of, Terry Gilliam chooses the complete opposite direction. In his film, technology seems to have made no progress since somewhere around the forties or fifties, and what technology there is doesn't exactly look very reliable. And unlike other dystopian films, it's not primarily the bleak aspects of a totalitarian society Gilliam wants to explore; in his film, he wants to show how hilariously insane, inept and ridiculous many of the mechanisms and instruments of oppression truly are. In that sense, Brazil is mainly a satire (at least that's how I perceive it), and it is often either darkly funny or downright hilarious.
There is simply not a dull moment in the film: it's a wild ride that never lets up and almost every image on the screen practically bursts with clever (often hilarious) details; from the way food is served in restaurants to how the benefits of plastic surgery are presented, Gilliam's imagination can only be marveled at. His vision of a bureaucracy gone mad is probably the most entertaining nightmare ever put on film (I'm talking about the director's cut, of course). A masterpiece that gets even better after repeat viewings: 10 stars out of 10.
Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/
The whole design of Brazil's crazy world is unlike anything I've ever seen in other movies (with the exception perhaps of those made by the same filmmaker). Where films with similar themes typically go for a futuristic look that is defined by all the technological advancements the writers and filmmakers can dream of, Terry Gilliam chooses the complete opposite direction. In his film, technology seems to have made no progress since somewhere around the forties or fifties, and what technology there is doesn't exactly look very reliable. And unlike other dystopian films, it's not primarily the bleak aspects of a totalitarian society Gilliam wants to explore; in his film, he wants to show how hilariously insane, inept and ridiculous many of the mechanisms and instruments of oppression truly are. In that sense, Brazil is mainly a satire (at least that's how I perceive it), and it is often either darkly funny or downright hilarious.
There is simply not a dull moment in the film: it's a wild ride that never lets up and almost every image on the screen practically bursts with clever (often hilarious) details; from the way food is served in restaurants to how the benefits of plastic surgery are presented, Gilliam's imagination can only be marveled at. His vision of a bureaucracy gone mad is probably the most entertaining nightmare ever put on film (I'm talking about the director's cut, of course). A masterpiece that gets even better after repeat viewings: 10 stars out of 10.
Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/
Lesser-Known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/
- gogoschka-1
- 10 nov 2015
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Dettagli
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9.929.135 USD
- Fine settimana di apertura Stati Uniti e Canada
- 30.099 USD
- 22 dic 1985
- Lordo in tutto il mondo
- 9.949.953 USD
- Tempo di esecuzione2 ore 12 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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