Una nuova arrivata americana in una prestigiosa scuola di danza tedesca si rende conto che la scuola è in realtà un fronte per qualcosa di sinistro in mezzo a una serie di omicidi macabri.Una nuova arrivata americana in una prestigiosa scuola di danza tedesca si rende conto che la scuola è in realtà un fronte per qualcosa di sinistro in mezzo a una serie di omicidi macabri.Una nuova arrivata americana in una prestigiosa scuola di danza tedesca si rende conto che la scuola è in realtà un fronte per qualcosa di sinistro in mezzo a una serie di omicidi macabri.
- Premi
- 1 vittoria e 4 candidature
Miguel Bosé
- Mark
- (as Miguel Bosè)
Eva Axén
- Pat Hingle
- (as Eva Axen)
Trama
Lo sapevi?
- QuizDirector Dario Argento's original idea was that the ballet school would accommodate young girls no older than 12 years. However, the studio and producer Salvatore Argento (his father) denied his request because a film this violent involving children would almost certainly be banned. Dario raised the age limit of the girls to 20 years but did not rewrite the script, hence the naiveté of the characters and the occasionally childlike dialogue. He also put all the doorknobs at about the same height as the actress' heads so they would have to raise their arms in order to open the doors, just like children.
- BlooperDario Argento's face can be seen reflected on the taxi's glass partition in the opening sequence. Assumed by many people to have been a mistake coming from a rushed shoot, Argento has gone on record to say it was intentional.
- Citazioni
Dr. Frank Mandel: Bad luck isn't brought by broken mirrors, but by broken minds.
- Curiosità sui creditiYou have been watching "SUSPIRIA"
- Versioni alternativeThe remixed soundtrack on the Anchor Bay release omits a line of dialogue near the conclusion when Susy is creeping down the secret hallway. It cuts out Tanner's faintly-heard declaration "All right, we must come to a decision. The situation can no longer be tolerated."
- ConnessioniFeatured in Ling ye (1981)
- Colonne sonoreMarkos
Adapted from "Music in Similar Motion" by Philip Glass
Arranged by Claudio Simonetti, Fabio Pignatelli, Agostino Marangolo and Massimo Morante
Performed by Goblin
Recensione in evidenza
Having heard such mixed things about "Suspiria," I was actually somewhat pleasantly surprised. My main interest in seeing the movie was because of Joan Bennett and Alida Valli.
The sets are quite marvelous and the opening sequence appropriately gripping. I can't say that I was scared by the film. The maggot sequence was actually pretty funny. One minute they're dropping all over the place and the next there's poor Joan Bennett (I read somewhere that she did the film so she could go abroad) in her best finishing school posture and accent explaining away the problem. Don't get me wrong, but there are some genuinely creepy bits. The scene with Jessica Harper walking down the hall and seeing the old woman and the little boy and then her dance class with the sadistic Alida Valli character was unnerving.
The script needed some work. It is, as others have said, a very dreamlike/nightmarish film, but I need some sort of narrative cohesion in my movies. I also have to agree with the reviewer here who questioned the whole sleep apnea thing.
The acting is . . . uneven. Jessica Harper does fairly well as the young woman who's come to the dancing school and discovers there's much more going on. I'm not sure what to say about Bennett and Valli. I've seen it suggested that their performances were supposed to be like that--why, I don't know--but it would be to their credit if that were the case, because both of them gave much better performances in their careers. Still, glad I saw it and I will probably watch it again.
The sets are quite marvelous and the opening sequence appropriately gripping. I can't say that I was scared by the film. The maggot sequence was actually pretty funny. One minute they're dropping all over the place and the next there's poor Joan Bennett (I read somewhere that she did the film so she could go abroad) in her best finishing school posture and accent explaining away the problem. Don't get me wrong, but there are some genuinely creepy bits. The scene with Jessica Harper walking down the hall and seeing the old woman and the little boy and then her dance class with the sadistic Alida Valli character was unnerving.
The script needed some work. It is, as others have said, a very dreamlike/nightmarish film, but I need some sort of narrative cohesion in my movies. I also have to agree with the reviewer here who questioned the whole sleep apnea thing.
The acting is . . . uneven. Jessica Harper does fairly well as the young woman who's come to the dancing school and discovers there's much more going on. I'm not sure what to say about Bennett and Valli. I've seen it suggested that their performances were supposed to be like that--why, I don't know--but it would be to their credit if that were the case, because both of them gave much better performances in their careers. Still, glad I saw it and I will probably watch it again.
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Suspiria?Powered by Alexa
Dettagli
Botteghino
- Lordo in tutto il mondo
- 47.000 USD
- Tempo di esecuzione1 ora 39 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti