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LA TUA VALUTAZIONE
Emmanuelle viene inviata a Bangkok per un incarico di giornalista. Mentre è lì, intraprende la propria esplorazione dei segreti del piacere sensuale.Emmanuelle viene inviata a Bangkok per un incarico di giornalista. Mentre è lì, intraprende la propria esplorazione dei segreti del piacere sensuale.Emmanuelle viene inviata a Bangkok per un incarico di giornalista. Mentre è lì, intraprende la propria esplorazione dei segreti del piacere sensuale.
Giuseppe Marrocco
- Restaurant Guest
- (non citato nei titoli originali)
Anna Maria Perego
- Guest at Restaurant
- (non citato nei titoli originali)
Lanfranco Spinola
- Guest at Restaurant
- (non citato nei titoli originali)
Sandra Wolff
- Guest at Restaurant
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizWhen Black Emanuelle (1975) was a smash hit, Laura Gemser signed a contract with director Joe D'Amato (aka Aristide Massaccesi) for five more Emanuelle films. Gemser said years later that being nude and filming sex scenes for Black Emanuelle were awkward for her because she was very shy, but they got much worse working for D'Amato. He was an infamous director of sleazy exploitation films in 1970s Italy, and churned out hundreds of low budget films that left audiences in awe of how perverse and depraved they were. He ended up having Gemser filming every possible sex (straight and lesbian) and nude scene he could think of and filmed her from every possible angle,
- BlooperIn the English print opening credits, Venantino Venantini's surname is misspelled 'Venantim'.
- Versioni alternativeThe version distributed by City Nights Films (which is the version most often shown on US cable television) replaces the title and end credit sequences of Laura Gemser wandering around various locales with a sequence of titles on a black background. The love scenes are also majorly (and quite sloppily) cut, as are some more violent sequences.
- ConnessioniFeatured in Joe Bob's Drive-In Theater: Episodio datato 2 luglio 1994 (1994)
Recensione in evidenza
The exotic locale gave this a bit more to work with.
The obvious titillation scenes seemed to be the main point here. (Loved the massage scene.) Then big Joe just found ways to connect them. That's what he did best.
Gabriel Tinti, (Goddess Gemser's real life, and late, husband) makes an appearance as her paramour here. As he did in many of these films. He was a decent actor actually. I like seeing him as the straight man in her life.
I liked seeing Ivan Rassimov as the prince. He really played a great authority type. It's strange that he and Gemser didn't star in more films together seeing as they did a lot of similar work.
Call this a soft x film pretending to be a documentary.
The obvious titillation scenes seemed to be the main point here. (Loved the massage scene.) Then big Joe just found ways to connect them. That's what he did best.
Gabriel Tinti, (Goddess Gemser's real life, and late, husband) makes an appearance as her paramour here. As he did in many of these films. He was a decent actor actually. I like seeing him as the straight man in her life.
I liked seeing Ivan Rassimov as the prince. He really played a great authority type. It's strange that he and Gemser didn't star in more films together seeing as they did a lot of similar work.
Call this a soft x film pretending to be a documentary.
- haildevilman
- 27 giu 2006
- Permalink
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- Tempo di esecuzione1 ora 32 minuti
- Mix di suoni
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- 1.85 : 1
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What is the Spanish language plot outline for Emanuelle nera: Orient reportage (1976)?
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