Durante un picnic estivo in campagna, alcune studentesse e l'insegnante di una scuola femminile australiana svaniscono senza lasciare traccia. La loro assenza tormenta le persone lasciate al... Leggi tuttoDurante un picnic estivo in campagna, alcune studentesse e l'insegnante di una scuola femminile australiana svaniscono senza lasciare traccia. La loro assenza tormenta le persone lasciate alle spalle.Durante un picnic estivo in campagna, alcune studentesse e l'insegnante di una scuola femminile australiana svaniscono senza lasciare traccia. La loro assenza tormenta le persone lasciate alle spalle.
- Ha vinto 1 BAFTA Award
- 4 vittorie e 11 candidature totali
Anne-Louise Lambert
- Miranda St Clare
- (as Anne Lambert)
Tony Llewellyn-Jones
- Tom
- (as Anthony Llewellyn-Jones)
Trama
Lo sapevi?
- QuizRussell Boyd reportedly enhanced the film's diffuse and ethereal look with the simple technique of placing a piece of bridal veil over the camera lens.
- BlooperAs the drag pulls out of Woodend, power poles are seen to the left of the screen, also, a television antenna is also seen on the roof of a house in the same scene.
- Versioni alternativeThe Director's Cut released in 1998 (available on Criterion DVD) is seven minutes shorter than the original version.
- ConnessioniEdited into Picnic at Wolf Creek (2006)
- Colonne sonoreEine Kleine Nachtmusik, 2nd Movement
Written by Wolfgang Amadeus Mozart
Recensione in evidenza
I first saw PAHR while in high school, and it was the beginning of a long and drawn-out love affair with the film. The look, feel and sound of it drew me in at once, and the open-endedness of it appealed to my romantic teenage notions, striking me as being terribly, terribly profound. I searched out the book, and the sequel (both out of print in the US) and had a good long obsession over the film.
Years later, I still appreciate it deeply, but I realize now that if I were to see it for the first time today, I might not be quite so entranced. Yes, it is moody and beautiful, full of deliciously gossamar images, beautiful actresses, a haunting soundtrack, and a hypnotically slow and deliberate pace... but I can now see that it is a very youthful effort on Wier's part. It is decidedly a young director's film, firmly mired in the style of its era (the 70s). The heavy-handedness of the direction is evident in many ways, mostly in the repeated metaphors of Miranda as a swan, an angel, etc.... It has anachronistic costumes, makeup and hair, although the sets design is attractive and accurate enough.
However, let it be noted that the film is far more about symbolism and atmosphere than anything else, and on that front, it succeeds admirably. Among the highlights:
The repressed Victorian schoolgirls, whose burgeoning sexual longings are channeled into torrid, purple verse and close romantic friendships
The famous corset-lacing scenelet
The implied relationship between Mrs. Appleyard and the "masculine" Miss McCraw
The disappearance of only the "pure": Miranda (love), Marion (science), Miss McCraw (math), and the rock's rejecting Edith (gluttony), Irma (worldliness), and all men.
One might go on about the sexual imagery of the rock itself, with its monoliths and chasms, but I will refrain. Because after you've seen the movie, you realize how many times these things have been hammered into your head.
I still love this film dearly, despite the obviousness of it all. I wish that a soundtrack were available, as the original music is lovely. If you know a teenager, or are one, this is the movie for you. May your love affair with it go on as long as mine.
Years later, I still appreciate it deeply, but I realize now that if I were to see it for the first time today, I might not be quite so entranced. Yes, it is moody and beautiful, full of deliciously gossamar images, beautiful actresses, a haunting soundtrack, and a hypnotically slow and deliberate pace... but I can now see that it is a very youthful effort on Wier's part. It is decidedly a young director's film, firmly mired in the style of its era (the 70s). The heavy-handedness of the direction is evident in many ways, mostly in the repeated metaphors of Miranda as a swan, an angel, etc.... It has anachronistic costumes, makeup and hair, although the sets design is attractive and accurate enough.
However, let it be noted that the film is far more about symbolism and atmosphere than anything else, and on that front, it succeeds admirably. Among the highlights:
The repressed Victorian schoolgirls, whose burgeoning sexual longings are channeled into torrid, purple verse and close romantic friendships
The famous corset-lacing scenelet
The implied relationship between Mrs. Appleyard and the "masculine" Miss McCraw
The disappearance of only the "pure": Miranda (love), Marion (science), Miss McCraw (math), and the rock's rejecting Edith (gluttony), Irma (worldliness), and all men.
One might go on about the sexual imagery of the rock itself, with its monoliths and chasms, but I will refrain. Because after you've seen the movie, you realize how many times these things have been hammered into your head.
I still love this film dearly, despite the obviousness of it all. I wish that a soundtrack were available, as the original music is lovely. If you know a teenager, or are one, this is the movie for you. May your love affair with it go on as long as mine.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Picnic at Hanging Rock
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 440.000 A$ (previsto)
- Lordo Stati Uniti e Canada
- 49.582 USD
- Fine settimana di apertura Stati Uniti e Canada
- 27.492 USD
- 28 giu 1998
- Lordo in tutto il mondo
- 83.078 USD
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By what name was Picnic ad Hanging Rock (1975) officially released in India in English?
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