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Aggiungi una trama nella tua linguaThe story of a Ronin (i.e. a masterless samurai) who wanders the countryside of Japan with his small child, having various adventures.The story of a Ronin (i.e. a masterless samurai) who wanders the countryside of Japan with his small child, having various adventures.The story of a Ronin (i.e. a masterless samurai) who wanders the countryside of Japan with his small child, having various adventures.
Trama
Lo sapevi?
- QuizAkihiro Tomikawa, who portrays Ogami Itto's son, Daigoro, only ever played this one character for his on-screen acting career. He appears as Daigoro in all six 'Lone Wolf & Cub' feature films, and then in 1980's 'Shogun Assassin', which is recut footage from the first two films in the series.
- BlooperAfter disposing of the ronin on the village, Ogami collects Daigoro, places him the cart and leaves the village. He is not seen to re-assemble the hidden weaponry in the cart.
- Citazioni
Ogami Itto: I am the Second designated by the Shogunate... Ogami Itto.
- Versioni alternativeThe 1999 UK video was cut by 6 secs by the BBFC to edit a scene where a woman is stripped topless, and the Artsmagic DVD featured the same print. The 2009 Eureka release (featured in the "Lone Wolf & Cub Collection") is fully uncut.
- ConnessioniEdited into Shogun il giustiziere (1980)
Recensione in evidenza
The first entry in a series of master pieces. Based very strongly upon the manga series `Lone Wolf and Cub' is most likely the best film series derived from comics. And truly great films as well. One cannot base one story on a single comic. There are so many elements in each. There is a basic story, but often times there are mixed with others. Little things are thrown in as well. Normally it would make any less a film seem crammed or just forced in. But it is pulled off brilliantly.
This film, the first entry is largely a set up for the sequels but still brilliant, from its beautiful camera shots to the extremely gory ascetic fights. It tells the story of how the main character Ogami Itto was exiled from his royal position as the Shoguns decapitator. It flashes from past to present until the entire past story is told. The ending fight is a great climax.
The sword work although at times seems fake is brilliantly choreographed. The gore in the film is not overly done, but rather thrown in to give it an artistic feel, as if you're watching a moving painting. Often times one may think every scene could very well be a panting.
Some aspects of the plot may seem odd to most western audiences. The scene where Ogami gives his son a choice between a ball and a sword. Or rather life or death, may strike many people as cold. However one must understand bushido and know that the way of the samurai is life in death. Ask yourself what would be worse taking your son on a trip as you kill men beyond number, or giving somewhat of a choice.
This film is truly beautiful, and hold up today as not just one of the greatest samurai films ever made, but films period.
This film, the first entry is largely a set up for the sequels but still brilliant, from its beautiful camera shots to the extremely gory ascetic fights. It tells the story of how the main character Ogami Itto was exiled from his royal position as the Shoguns decapitator. It flashes from past to present until the entire past story is told. The ending fight is a great climax.
The sword work although at times seems fake is brilliantly choreographed. The gore in the film is not overly done, but rather thrown in to give it an artistic feel, as if you're watching a moving painting. Often times one may think every scene could very well be a panting.
Some aspects of the plot may seem odd to most western audiences. The scene where Ogami gives his son a choice between a ball and a sword. Or rather life or death, may strike many people as cold. However one must understand bushido and know that the way of the samurai is life in death. Ask yourself what would be worse taking your son on a trip as you kill men beyond number, or giving somewhat of a choice.
This film is truly beautiful, and hold up today as not just one of the greatest samurai films ever made, but films period.
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