Dolce veleno

Eight years after "Psycho", Anthony Perkins, who seemed to quickly lose his way in ill-suited romantic dramas of the mid-'60s, finally gets a role here well-tailored to his wild-eyed personality, that of an introvert with simmering disorders forced by circumstance into playing "normal". A former teen arsonist in Massachusettes is released from the institution as a young man and is given a job at the lumber mill; he's perpetually wrapped up in CIA fantasies and conspiracy theories, and is thrilled when he meets up with a 17-year-old beauty from the local high school who is happy to play along with his games. Adapted from Stephen Geller's book "She Let Him Continue", this is a peculiar, well-made and written cult movie which works itself under your skin. Perkins lets himself relax a bit on-camera and gives one of his most notable performances, and Tuesday Weld (despite being a few years too old for her role) rarely strikes a false note as his new girlfriend with a somewhat sordid past herself (one that mirrors her mother's, whom she hates). The concluding events aren't really satisfying (with echoes of "Psycho" besides), and the circular plot-device posed at the tag doesn't work at all, but the performances really drive this thing, making it an engrossing and memorable sleeper. **1/2 from ****