L'urlo del silenzio

There is no doubt about it, but when Hollywood decides to make a cinematic masterpiece, and at the same time draws upon indigenous American social and cultural mores, as exemplified by a writer of the talent of Carson McCullers, the result can be both breath-taking and almost overwhelming. It is partly their very `Americaness' that makes films like THE HEART IS A LONELY HUNTER so unique and special to someone like myself who is not American. And this film in particular shows a side of the American psyche which is all too often neglected and unacknowledged in movies. The novel on which it is based is, sadly perhaps, too complex and long to adapt to the screen without sacrificing some aspect of the many subplots it contains, and although I regret the loss of the radical political dimension, the subtle and heart-wrenching way loneliness, racism, impoverishment, snobbery, and disadvantage are conveyed are so powerfully treated that the end result is a film of almost unbearable sadness and melancholy... and yet... And yet there is an element of tremendous hope also at work; of the human spirit overcoming huge odds and learning life's lessons as the various characters go along and work out their individual destinies. Superb ensemble acting from all concerned, and technical credits of the highest order make this one of the most deeply satisfying films I have ever seen in my life. A masterpiece, and one that could only have been made in the USA.