La Gioconda senza il sorriso

it is a beautiful film. against itself.because the cliché, the seal of period, the dialogs as cold swords are only details. the final taste, the waves of the past strips, the failure and price of normal existence, the life and the love as isles of ash and smoke are pieces of a touching message. it is first movie by Malvina Urșianu and, in fact, it is only a map of her filmography. not only for the themes but for the image, cast and exploration of delicate territories. for a special manner to guide actors. so, against many not very good critics, I admit, I love this film. for the performance of actors. for Silvia Popovici as Irina , for the science to transform a film for intellectuals in more than a fresco or tool of propaganda but as honest picture of almost hidden reality.