Aggiungi una trama nella tua linguaThe four-or-five-times-a-week adventures of a motel owner and her son, daughter and staff. Drama was never far away from the ringing of the reception bell.The four-or-five-times-a-week adventures of a motel owner and her son, daughter and staff. Drama was never far away from the ringing of the reception bell.The four-or-five-times-a-week adventures of a motel owner and her son, daughter and staff. Drama was never far away from the ringing of the reception bell.
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- QuizATV's budget for the show was so slender that some castmembers were seen on-screen in their own clothes that they'd worn to attend the studio recordings.
- BlooperThe March 1975 civil ceremony wedding of a fairly anonymous motel owner to a businessman - Meg Richardson and Hugh Mortimer - at Birmingham Register Office sees the city centre thronged with well-wishers; similarly the later affirmation/blessing at Birmingham Cathedral has a packed congregation, outside police supervision and reporters. Whilst in reality this reflects the interest of the general public in the show and its production, in narrative terms it is completely nonsensical.
- ConnessioniFeatured in A Change of Sex: Julia - My Body, My Choice (1980)
Recensione in evidenza
At its best probably in the 1960s, Crossroads was always terrific fun.
The programme had an innocence and lightness of touch in its 60s days that it lost in the 70s and great fun was to be had as sets occasionally wobbled and studio arc lights fell down! The 1960s characters were great - and included such legendaries as the Richardsons and Hugh Mortimer, Diane, Tish Hope, Marilyn Gates (mark 1!) Mr Lovejoy and Mr Booth and Amy Turtle.
The show was daring - a storyline about a single mother, a waitress at the motel, was strong stuff back then. But murder was more difficult. In a 1960s story involving the character Gerald Bailey (whose wife, Ruth, later married Meg's brother) great pains had to be taken so as not to "distress" viewers in a storyline originally envisaged as murder, but later reconfigured to "sudden death".
However, by the late 1960s, attempted murder WAS allowed as we saw the character Malcolm Ryder trying to poison the show's heroine, Meg Richardson - his wife in the plot at that time! The 70s and 80s episodes are also great fun. The 70s episodes have added value as we see all sorts of middle aged people wearing the garish and flared style of clothes which were so cutting edge and trendy amongst the young hippies of the 1967/1968 Summer Of Love. Younger 70s characters, like Martin Bell, look positively dowdy in comparison to the 60s fashion following older set!
The 70s and 80s episodes saw a continuation of cutting edge soap story lines - I particularly recall the introduction of Benny in the 1970s (learning difficulties) and the terrific Downs Syndrome and racism story lines in the 1980s.
In the 1980s, the show altered dramatically and it seemed a terrible shame to dispatch Meg, but Crossroads gave excellent value with the introduction of chararacters such as Valerie Pollard and Nicola Freeman and a brief return for Amy Turtle! I followed the show from start to finish and enjoyed it all, though I do feel now that the 70s episodes are rather over-hyped (so much 70s stuff really belongs to the 60s!). From wonky but lovable 60s soap to shoulder padded, witty but gentle late 80s ending, Crossroads was required viewing for me for an awful lot of years.
Happy memories!
The programme had an innocence and lightness of touch in its 60s days that it lost in the 70s and great fun was to be had as sets occasionally wobbled and studio arc lights fell down! The 1960s characters were great - and included such legendaries as the Richardsons and Hugh Mortimer, Diane, Tish Hope, Marilyn Gates (mark 1!) Mr Lovejoy and Mr Booth and Amy Turtle.
The show was daring - a storyline about a single mother, a waitress at the motel, was strong stuff back then. But murder was more difficult. In a 1960s story involving the character Gerald Bailey (whose wife, Ruth, later married Meg's brother) great pains had to be taken so as not to "distress" viewers in a storyline originally envisaged as murder, but later reconfigured to "sudden death".
However, by the late 1960s, attempted murder WAS allowed as we saw the character Malcolm Ryder trying to poison the show's heroine, Meg Richardson - his wife in the plot at that time! The 70s and 80s episodes are also great fun. The 70s episodes have added value as we see all sorts of middle aged people wearing the garish and flared style of clothes which were so cutting edge and trendy amongst the young hippies of the 1967/1968 Summer Of Love. Younger 70s characters, like Martin Bell, look positively dowdy in comparison to the 60s fashion following older set!
The 70s and 80s episodes saw a continuation of cutting edge soap story lines - I particularly recall the introduction of Benny in the 1970s (learning difficulties) and the terrific Downs Syndrome and racism story lines in the 1980s.
In the 1980s, the show altered dramatically and it seemed a terrible shame to dispatch Meg, but Crossroads gave excellent value with the introduction of chararacters such as Valerie Pollard and Nicola Freeman and a brief return for Amy Turtle! I followed the show from start to finish and enjoyed it all, though I do feel now that the 70s episodes are rather over-hyped (so much 70s stuff really belongs to the 60s!). From wonky but lovable 60s soap to shoulder padded, witty but gentle late 80s ending, Crossroads was required viewing for me for an awful lot of years.
Happy memories!
- vintageTVaddict
- 3 apr 2008
- Permalink
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Crossroads Motel
- Luoghi delle riprese
- Ramada Hotel, Penns Lane, Walmley, Sutton Coldfield, West Midlands, Inghilterra, Regno Unito(Crossroads motel: exterior scenes, 1980s)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione30 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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By what name was Crossroads (1964) officially released in India in English?
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