VALUTAZIONE IMDb
6,5/10
1319
LA TUA VALUTAZIONE
Un venditore ambulante s'innamora della fidanzata del neoeletto sindaco della città e resta coinvolto in un giro di criminalità organizzata, mazzette e politici corrotti.Un venditore ambulante s'innamora della fidanzata del neoeletto sindaco della città e resta coinvolto in un giro di criminalità organizzata, mazzette e politici corrotti.Un venditore ambulante s'innamora della fidanzata del neoeletto sindaco della città e resta coinvolto in un giro di criminalità organizzata, mazzette e politici corrotti.
Fred Aldrich
- Policeman
- (non citato nei titoli originali)
Murray Alper
- Hood
- (non citato nei titoli originali)
Joanne Arnold
- Gloria
- (non citato nei titoli originali)
Albert Cavens
- Man at Campaign Headquarters
- (non citato nei titoli originali)
Ellen Corby
- Martha
- (non citato nei titoli originali)
Paul Cristo
- Man at Campaign Headquarters
- (non citato nei titoli originali)
Sam Flint
- Man at Campaign Headquarters
- (non citato nei titoli originali)
Curt Furberg
- Man at Campaign Headquarters
- (non citato nei titoli originali)
Rudy Germane
- Hood
- (non citato nei titoli originali)
Frank Gerstle
- Dave Dietz
- (non citato nei titoli originali)
Kenneth Gibson
- Man at Campaign Headquarters
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizArlene Dahl offered to play cards with Rhonda Fleming to determine who would be the first on the poster. Dahl won the game, and in return demanded that Fleming be the first in the credits of the film. Fleming was very touched by this gesture and the two actresses became good friends.
- BlooperVery early in the film, just after Dorothy Lyons has been released from prison, Ben Grace is in police Lt. Dietz's office discussing her. The lieutenant is perusing Miss Lyons' criminal file which the viewer can briefly view. At the top of the document a spelling error displays her name as "Dorthy Lyons".
- Citazioni
Solly Caspar: Let's see if we can beat him down.
[after throwing a body out of an upper story window]
- ConnessioniFeatured in Saving Cain: Robert Blees on 'Slightly Scarlet' (2009)
- Colonne sonoreFor He's A Jolly Good Fellow
(uncredited)
Traditional
Heard at the announcement of the election results
Recensione in evidenza
The 1956 film "Slightly Scarlet" at first glance looking back from our sophisticated perspective today seems to be a bit of a tongue-in cheek joke.
Directed by Allan Dwan from a Robert Blees screenplay adapted from James M. Cain's novel "Love's Lovely Counterfeit", the 99-minute film is a great combination of color and art direction in a film noir.
Not a highly regarded film noir, in Technicolor and Superscope its palette utilizes a wide range of color to support the individual themes and characterizations.
Our main characters have color scheme that establish them and develop with the story.
Arlene Dahl as Dorothy wears black as she is released from prison and even sports a black bathing suit later in the film.
Rhonda Flemming as June initially appears in Spring-like colors of off-white and yellow, with colors matching her mood as the film progresses. She wears white and blues when she meets Ben Grace for the first time, then black and off-white when they kiss and she begins to fall in love with him. When Dorothy is arrested Rhonda wears a grey sweater and skirt but by the end of the film June wears the same black color as Dorothy emphasizing her relationship to her bad sister.
Although the pivotal action of the film rests on Ben Grace, it is through June that we understand the important elements of the story, and the value of good and bad in this noir world as well as our own.
A study in duality, it falls short by not delivering what it promises but only shifts the pivotal actions onto the male character in the film.
In more than one scene characters tell Ben Grace that he is taking advantage of the situations around him to unfair terms.
Police man Dietz (Frank Gerstle), who Grace gets put into a high-ranking position accuses Ben of playing both ends toward the middle.
A great line from Sole Caspar to Ben Grace sums up his character completely: "Genius you're just a chiseler out for a soft spot. You're not crooked and you're not straight. You take what you can get where you can get it but you don't want any trouble. You'll die at age 66 with three grand in the bank but you'll never be an operator." Looking back its moments of plot change create humor because of the style of acting and the overall writing in the script.
But there is still ample example of real noir elements despite the color of the film.
The title suggests the slightly scarlet is a pun on the pure heart of the lead female as measured against the overall 'sick' nature of her sister, the one who steals.
The quality of the motivation to steal of the second female lead as compared against the organized mob activities of the lead crook is an interesting one. There is the opportunity foe the woman to become the girlfriend of the mob boss, and she seems perfectly matched for the role.
Directed by Allan Dwan from a Robert Blees screenplay adapted from James M. Cain's novel "Love's Lovely Counterfeit", the 99-minute film is a great combination of color and art direction in a film noir.
Not a highly regarded film noir, in Technicolor and Superscope its palette utilizes a wide range of color to support the individual themes and characterizations.
Our main characters have color scheme that establish them and develop with the story.
Arlene Dahl as Dorothy wears black as she is released from prison and even sports a black bathing suit later in the film.
Rhonda Flemming as June initially appears in Spring-like colors of off-white and yellow, with colors matching her mood as the film progresses. She wears white and blues when she meets Ben Grace for the first time, then black and off-white when they kiss and she begins to fall in love with him. When Dorothy is arrested Rhonda wears a grey sweater and skirt but by the end of the film June wears the same black color as Dorothy emphasizing her relationship to her bad sister.
Although the pivotal action of the film rests on Ben Grace, it is through June that we understand the important elements of the story, and the value of good and bad in this noir world as well as our own.
A study in duality, it falls short by not delivering what it promises but only shifts the pivotal actions onto the male character in the film.
In more than one scene characters tell Ben Grace that he is taking advantage of the situations around him to unfair terms.
Police man Dietz (Frank Gerstle), who Grace gets put into a high-ranking position accuses Ben of playing both ends toward the middle.
A great line from Sole Caspar to Ben Grace sums up his character completely: "Genius you're just a chiseler out for a soft spot. You're not crooked and you're not straight. You take what you can get where you can get it but you don't want any trouble. You'll die at age 66 with three grand in the bank but you'll never be an operator." Looking back its moments of plot change create humor because of the style of acting and the overall writing in the script.
But there is still ample example of real noir elements despite the color of the film.
The title suggests the slightly scarlet is a pun on the pure heart of the lead female as measured against the overall 'sick' nature of her sister, the one who steals.
The quality of the motivation to steal of the second female lead as compared against the organized mob activities of the lead crook is an interesting one. There is the opportunity foe the woman to become the girlfriend of the mob boss, and she seems perfectly matched for the role.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Slightly Scarlet
- Luoghi delle riprese
- Aziende produttrici
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- Tempo di esecuzione1 ora 39 minuti
- Proporzioni
- 2.00 : 1
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By what name was Veneri rosse (1956) officially released in India in English?
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