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La storia di Calamity Jane, del suo saloon e della sua storia d'amore con Wild Bill Hickok.La storia di Calamity Jane, del suo saloon e della sua storia d'amore con Wild Bill Hickok.La storia di Calamity Jane, del suo saloon e della sua storia d'amore con Wild Bill Hickok.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 2 vittorie e 2 candidature totali
Allyn Ann McLerie
- Katie Brown
- (as Allyn McLerie)
Victor Adamson
- Barfly
- (non citato nei titoli originali)
Fred Aldrich
- Chicagoan
- (non citato nei titoli originali)
Leon Alton
- Townsman
- (non citato nei titoli originali)
Monya Andre
- Woman at Fort Dance
- (non citato nei titoli originali)
Beulah Archuletta
- Indian Woman in Saloon Balcony
- (non citato nei titoli originali)
Emile Avery
- Barfly
- (non citato nei titoli originali)
Mary Bayless
- Woman at Fort Dance
- (non citato nei titoli originali)
George Bell
- Barfly
- (non citato nei titoli originali)
Ray Bennett
- Officer at Fort Dance
- (non citato nei titoli originali)
Arthur Berkeley
- Bartender
- (non citato nei titoli originali)
Trama
Lo sapevi?
- BlooperAfter leaving the ball at the fort, we cut to a shot of Calamity's bare back as she is undressing. Once she gets the dress off she is shown wearing undergarments that clearly cover most of her back.
- Citazioni
[the singer is a man in drag]
Wild Bill Hickok: She ain't very good lookin'
Calamity Jane: That ain't all she ain't.
- Versioni alternativeThere is an Italian edition of this film on DVD, distributed by DNA Srl: "AMORE SOTTO COPERTA (1948) + CALAMITY JANE (Non sparare baciami, 1953)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnessioniFeatured in The Doris Mary Anne Kappelhoff Special (1971)
- Colonne sonoreThe Deadwood Stage (Whip-Crack-Away)
Written by Sammy Fain
Lyrics by Paul Francis Webster
Sung and whistled by chorus behind credits, then sung by Doris Day and chorus
Recensione in evidenza
Calamity Jane with Doris Day was my first experience with musicals. i was so entranced I talked my mother into letting me stay to watch it again. I was left with an unknown women who had come to watch the next showing. (Something unheard of in this day!) The sheer joy of the singing, dancing and innocence of a time past is something that is sorely missed today.
Doris Day's Calamity Jane is a story of love between men and women and women and women during a time when this love was innocent and people did not worry that someone might look at it in a sexual way. Women could hold hands and hug to support each other in happiness as well as grief.
Songs like 'Secret Love' and 'Take Me Back to the Black Hills' are beautiful even to the audiences today. this type of music will never die.
Doris Day's Calamity Jane is a story of love between men and women and women and women during a time when this love was innocent and people did not worry that someone might look at it in a sexual way. Women could hold hands and hug to support each other in happiness as well as grief.
Songs like 'Secret Love' and 'Take Me Back to the Black Hills' are beautiful even to the audiences today. this type of music will never die.
- buggestwug
- 6 mar 2006
- Permalink
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 2.923 USD
- Tempo di esecuzione1 ora 41 minuti
- Proporzioni
- 1.37 : 1
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Divario superiore
By what name was Non sparare, baciami! (1953) officially released in India in English?
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