Il ruvido poliziotto Jim Wilson viene disciplinato dal suo capitano e viene mandato a nord, in una città di montagna innevata, per aiutare lo sceriffo locale a risolvere un caso di omicidio.Il ruvido poliziotto Jim Wilson viene disciplinato dal suo capitano e viene mandato a nord, in una città di montagna innevata, per aiutare lo sceriffo locale a risolvere un caso di omicidio.Il ruvido poliziotto Jim Wilson viene disciplinato dal suo capitano e viene mandato a nord, in una città di montagna innevata, per aiutare lo sceriffo locale a risolvere un caso di omicidio.
- Premi
- 1 vittoria
- Julie Brent
- (as Pat Prest)
- Town Resident
- (non citato nei titoli originali)
- Man
- (non citato nei titoli originali)
- George
- (non citato nei titoli originali)
- Newsboy
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizA hand-held camera was used in many scenes to give a "live action" feel to those sequences. This was extremely rare in feature films of the time.
- BlooperAfter Walter Brent knocks the lamp over, starting a fire, Mary Malden brings a lantern from the kitchen and places it on the end table where the lamp had been. A few minutes later, however, when she brings the tea tray, the table is on its side and Jim Wilson hurries to right it before she trips on it.
- Citazioni
Mary Malden: Tell me, how is it to be a cop?
Jim Wilson: You get so you don't trust anybody.
Mary Malden: [who is blind] You're lucky. You don't have to trust anyone. I do. I have to trust everybody.
- ConnessioniFeatured in Music for the Movies: Bernard Herrmann (1999)
Found 'On Dangerous Ground' to be a very good film that could have been a great one if it was a little more consistent all the way through. It is a very good representation of Ray, it is a great representation for composer Bernard Hermann who pens one of his best non-Hitchcock scores and it is a great representation for Ryan in a role that fits him perfectly. Have seen better from Ida Lupino though, from personal opinion of course.
Positives are numerous and they outweighs the negatives by quite some way. Just loved the stylish and quite eerie way it was photographed which couldn't have been more perfect for the darkness of the story. The landscapes are just as striking and the photography is clearly in love with it without going into self-indulgence land. Hermann's score is remarkable, it has a very haunting atmosphere enhanced by the truly ominous orchestration. As said, to me it's among his best scores for a film that isn't from Hitchcock. The script, especially in the first half, is thought probing and taut as needed for a film of this type.
The first half of 'On Dangerous Ground' is absolutely brilliant, taut, full of grit and edge and nail-bitingly suspenseful. The subject matter is a dark, grim one and the first half matched that perfectly. Ray's direction is never less than assured and keeps the suspense going. Ward Bond is compelling in his role, but as far as the performances go the film belongs to Ryan, his intensity is absolutely riveting.
Didn't however find the second half quite as strong. It is still good certainly, nicely paced, exceptionally well made, scored, directed and acted and is absorbing. It just lacks the hard-boiled edge of the first half.
If the romance was more developed, it was interesting enough but slightly bland, and gelled within the story a little better it would have been even better. Lupino has charm and pathos but could have done with more steel, like the romance she doesn't quite fit within the rest of the film, but that is just personal taste.
All in all, very good. 8/10
- TheLittleSongbird
- 2 dic 2019
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Dettagli
- Tempo di esecuzione1 ora 22 minuti
- Colore
- Proporzioni
- 1.37 : 1