Inferno di fuoco

I have heard of Marie Windsor, but never saw her in a film prior to this. Because she toiled at poverty-row studios I guess I had a prejudice against her without ever having seen her, but boy! She was terrific. Her character as Doll in this western with a religious twist was strongly written and strongly played. William Elliot seemed just right in his role as a bad boy trying to walk the straight-and-narrow. This really is a unique film in the history of westerns and the Trucolor makes this a time capsule of poverty-row color technology. Essentially a two-color process, it shows up in red-orange and green, although the skies appear as blue. The print streamed on Netflix was in excellent shape, with no excessive lines or dirt present, and the overall experience was one of gratitude that they have managed to save so many of these low-budget studio films. To the casual viewer who thinks only the majors could achieve quality, the modern-day viewing of some of these B films proves that they too could achieve quality if not consistently then at least occasionally.