VALUTAZIONE IMDb
8,0/10
41.848
LA TUA VALUTAZIONE
Un investigatore privato sfugge al suo passato per gestire una stazione di servizio in una piccola città, ma il suo passato lo raggiunge. Ora deve tornare nel mondo della grande città di per... Leggi tuttoUn investigatore privato sfugge al suo passato per gestire una stazione di servizio in una piccola città, ma il suo passato lo raggiunge. Ora deve tornare nel mondo della grande città di pericolo e corruzione.Un investigatore privato sfugge al suo passato per gestire una stazione di servizio in una piccola città, ma il suo passato lo raggiunge. Ora deve tornare nel mondo della grande città di pericolo e corruzione.
- Premi
- 1 vittoria
Brooks Benedict
- Kibitzer in Blue Sky Club
- (non citato nei titoli originali)
Oliver Blake
- Tillotson - Night Clerk
- (non citato nei titoli originali)
Eumenio Blanco
- Mexican Waiter
- (non citato nei titoli originali)
Wesley Bly
- Harlem Club Headwaiter
- (non citato nei titoli originali)
Mildred Boyd
- Woman at Harlem Club
- (non citato nei titoli originali)
Hubert Brill
- Car Manipulator
- (non citato nei titoli originali)
James Bush
- Doorman
- (non citato nei titoli originali)
Ted Collins
- Man at Harlem Club
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizRobert Mitchum told Roger Ebert he smoked so much that when the camera was rolling and Kirk Douglas offered him a pack and asked, "Cigarette?" Mitchum, realizing he'd carried a cigarette into the scene, held up his fingers and replied, "Smoking." His improvisation saved the take and they kept it in the movie.
- BlooperLeonard Eels' apartment at 114 Fulton Street would be part of the block then occupied by the main branch of the San Francisco Public Library (now the Asian Art Museum).
- Versioni alternativeAlso available in a computer colorized version.
- ConnessioniEdited into American Cinema: Film Noir (1995)
- Colonne sonoreThe First Time I Saw You
(uncredited)
Music by Nathaniel Shilkret
From Alla conquista dei dollari (1937)
Used as main theme in score
Recensione in evidenza
Tremendously stylish, brilliantly scripted and wonderfully directed noir classic about a man who cannot escape from his past. Rarely does the genre get away from the grimy city streets with it's dark corridors and alleyways only partially lit by un-realistic streams of bright light. In this film we not only see the underworld gangs, the bars and floozies, the heavies and the fatales, but we also see the bright beautiful countryside, the streams and the rocks - a complete otherworld.
Mitchum is superb as the man who has escaped the city to live a new life in the country only to be dragged back by powerful forces. This broadening of the cinematic landscape makes the movie more affecting than your assorted Bogarts' & Ladds'. As with 'I am a Fugitive from a Chain Gang' I feel much more sympathy for the lead actor who gets dragged back into the bear pit to wrestle for his life and soul.
'Out of the Past' also has some of the finest dialogue and narration I have ever heard, probably matched only by 'The Maltese Falcon'. 'She was like an autumn leaf blowing from gutter to gutter', is one gem that sticks in my mind.
The mood of the film is pleasantly melancholic and the portrayal of the fatale figure (Jane Greer) is particularly sympathetic. In most noir movies the male perspective of the double-crossing woman predominates (not that there's anything wrong with that, it's usually very funny). Here however, whilst Greer presents one of the blackest of women you at least know why she does what she does and can sympathise with her plight. She is trapped too.
Tourneur, tragically made few films but was a master at getting messages deep into your psyche, into your soul. 'Cat People 'and 'I Walked With a Zombie' both had otherworlds where the demons lived. We all have otherworlds too, places we'd rather not go very often, but as with Mitchum we are sometimes confronted with those demons and have to do battle once again. When I go next I hope to be wearing my hat at an exquisite angle and have my trench coat well belted.
Mitchum is superb as the man who has escaped the city to live a new life in the country only to be dragged back by powerful forces. This broadening of the cinematic landscape makes the movie more affecting than your assorted Bogarts' & Ladds'. As with 'I am a Fugitive from a Chain Gang' I feel much more sympathy for the lead actor who gets dragged back into the bear pit to wrestle for his life and soul.
'Out of the Past' also has some of the finest dialogue and narration I have ever heard, probably matched only by 'The Maltese Falcon'. 'She was like an autumn leaf blowing from gutter to gutter', is one gem that sticks in my mind.
The mood of the film is pleasantly melancholic and the portrayal of the fatale figure (Jane Greer) is particularly sympathetic. In most noir movies the male perspective of the double-crossing woman predominates (not that there's anything wrong with that, it's usually very funny). Here however, whilst Greer presents one of the blackest of women you at least know why she does what she does and can sympathise with her plight. She is trapped too.
Tourneur, tragically made few films but was a master at getting messages deep into your psyche, into your soul. 'Cat People 'and 'I Walked With a Zombie' both had otherworlds where the demons lived. We all have otherworlds too, places we'd rather not go very often, but as with Mitchum we are sometimes confronted with those demons and have to do battle once again. When I go next I hope to be wearing my hat at an exquisite angle and have my trench coat well belted.
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- La banda degli implacabili
- Luoghi delle riprese
- East side of Sonora Pass, California, Stati Uniti(Water fall and stream shot)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Proporzioni
- 1.37 : 1
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