VALUTAZIONE IMDb
7,2/10
5157
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe true story of a prosecutor's fight to prove the innocence of a man accused of a notorious murder.The true story of a prosecutor's fight to prove the innocence of a man accused of a notorious murder.The true story of a prosecutor's fight to prove the innocence of a man accused of a notorious murder.
- Candidato a 1 Oscar
- 3 vittorie e 2 candidature totali
E.J. Ballantine
- McDonald - 'Morning Record' Editor
- (non citato nei titoli originali)
Rollin Bauer
- Detective
- (non citato nei titoli originali)
Royal Beal
- Johnson - Police Ballistics Expert
- (non citato nei titoli originali)
Wyrley Birch
- Father George A. Lambert
- (non citato nei titoli originali)
Robin Bryant
- Woman
- (non citato nei titoli originali)
Helen Carew
- Annie
- (non citato nei titoli originali)
John Carmody
- Thomas Callahan - Witness
- (non citato nei titoli originali)
William Challee
- Whitney - Harvey's Assistant
- (non citato nei titoli originali)
Clay Clement
- Judge Tate
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizSome of the people appearing were local townspeople, not professional actors, which certainly added to the authentic look and feel of the film. Reputedly their legal agreements caused a problematic rights situation when attempts were made to release the film on home video in later years (although televised broadcasts were not seemingly a problem). The film was scheduled for a VHS release in the 1990s but was abruptly canceled just before its scheduled release date. It was released for a very brief time on DVD in 2006, which resulted in an almost immediate recall. It was finally released on DVD with no further problems in 2008.
- BlooperAfter the prosecutor declared his belief in the defendant's innocence the Judge requested his presence in chambers, This would not be allowed without the defendant's attorney also being present in an in camera proceeding. The Latin phrase 'In camera' is a legal term that means 'in private.'
- Citazioni
[Camera close-up on an open book]: The primary duty of a lawyer exercising the office of public prosecutor is not to convict, but to see that justice is done. -The Lawyers' Code of Ethics.
- Curiosità sui creditiOpening credits are listed in the form of pages of a book.
- ConnessioniFeatured in Doogie Howser, M.D.: Presumed Guilty (1991)
- Colonne sonoreAmerica, the Beautiful
(uncredited)
Music by Samuel A. Ward
Played during the opening sequence and at the end
Recensione in evidenza
Boomerang! (1947)
In some ways this is an intensely well made and satisfying film, and when you have Dana Andrews in the lead role combined with Elia Kazan directing, and throw in first rate character actor Lee J. Cobb, you have something worth watching.
It's nice early Kazan, but it stumbles at times, and never lifts off, never gels. Here's why.
First of all, it's based (very closely) on fact, and sometimes the facts are dramatic but not necessarily good drama. Hamlet, if it were straight documentary truth, would probably shock more and enchant less. And so here, we start with a horrifying crime which takes the viewer quite by surprise. Then, in a continuing voice-over documentary style, we are launched on a huge manhunt. Facts are gathered, suspects suspected, policework unleashed, all acted and congealed very intelligently. A large twist occurs (with something of a stutter, dramatically), and then we are in a different kind of drama, a courtroom battle, with Andrews playing the unlikely role of prosecutor looking for the actual truth in a case rather than a conviction.
And then the court battle ends, and the movie sort of drizzles to a stop. And you might well say (as I did), "How like life." Or something equally unexciting. It's not a like a neo-realist hyper real movie, using amateur actors and so on. No, it's just an adapted true life crime story that might have been something more. For two sides to this coin, I'd first mention Kazan's own "On the Waterfront" which uses a real life kind of scenario but turns it into a dramatic masterpiece. And then some harder hitting reality movie like "The Phenix City Story" (1955) shows what a dramatic version of the truth, unchanged, might look like.
Of course, Kazan and crew are experts, and this is no dud. Andrews, if he is your taste, is in great form, really, within his shifting role. And the supporting cast does wonders, as cops, and as regular people, which this movie is ultimately about. Recommended, yes, but with expectations in line with, uh, reality.
In some ways this is an intensely well made and satisfying film, and when you have Dana Andrews in the lead role combined with Elia Kazan directing, and throw in first rate character actor Lee J. Cobb, you have something worth watching.
It's nice early Kazan, but it stumbles at times, and never lifts off, never gels. Here's why.
First of all, it's based (very closely) on fact, and sometimes the facts are dramatic but not necessarily good drama. Hamlet, if it were straight documentary truth, would probably shock more and enchant less. And so here, we start with a horrifying crime which takes the viewer quite by surprise. Then, in a continuing voice-over documentary style, we are launched on a huge manhunt. Facts are gathered, suspects suspected, policework unleashed, all acted and congealed very intelligently. A large twist occurs (with something of a stutter, dramatically), and then we are in a different kind of drama, a courtroom battle, with Andrews playing the unlikely role of prosecutor looking for the actual truth in a case rather than a conviction.
And then the court battle ends, and the movie sort of drizzles to a stop. And you might well say (as I did), "How like life." Or something equally unexciting. It's not a like a neo-realist hyper real movie, using amateur actors and so on. No, it's just an adapted true life crime story that might have been something more. For two sides to this coin, I'd first mention Kazan's own "On the Waterfront" which uses a real life kind of scenario but turns it into a dramatic masterpiece. And then some harder hitting reality movie like "The Phenix City Story" (1955) shows what a dramatic version of the truth, unchanged, might look like.
Of course, Kazan and crew are experts, and this is no dud. Andrews, if he is your taste, is in great form, really, within his shifting role. And the supporting cast does wonders, as cops, and as regular people, which this movie is ultimately about. Recommended, yes, but with expectations in line with, uh, reality.
- secondtake
- 20 giu 2011
- Permalink
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Dettagli
Botteghino
- Budget
- 1.140.000 USD (previsto)
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Boomerang, l'arma che vendica (1947) officially released in India in English?
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