Love that opening where a snooty Dale's car splashes poor Roy. But race driver Evans will be sorry when she looks for her new hat. It's a fun Rogers entry for this now Front Row geezer, more plot heavy than most. Seems two outfits are looking for a valuable crest stolen from Dale's murdered dad. But it's not just the crest that's valuable, there's something more. But what. And who's that second, mysterious party looking for it, plus why do those dead bodies keep turning up. Roy and Sheriff Gabby sure got their work cut out.
Some good hard riding and fast shooting, especially when Roy's Indian allies circle a big house while shooting inside at the bad guys. No overturned stagecoach or surrounded cavalry unit here. I guess someone in production got a big chuckle out of that switcheroo. However the one flying-fist scene is lamely done even for a matinée. Then too, don't look for scenic shots. Instead, it's familiar greater LA locations. But really, what's with that musical number done up with costumed pirates. After all, it's Sons Of The Pioneers, not Sons Of Blackbeard. Anyway, kick back and enjoy. Dale was never lovelier, Gabby never more engaging, and Roy never more King of the Cowboys. Now where is that dog-gone crest and why's it so valuable. The answer may surprise you.