The Mad Doctor

Quite a few reviews here have mentioned the ' relationship ' between Basil Rathbone's character and Martin Kosleck's character as being coded homosexuals. I thoroughly endorse this as I watched this film quite by accident on YouTube and I was surprised to see just how intimate in speech and gesture this couple were. The fact that they were both killers and that women had been murdered for their rich lifestyle reminded me of other homosexual killers in both ' Rope ' and ' Compulsion. ' and how somehow they got certificates in the UK admitting children with adults to see them. In the UK the film was called ' A Date with Destiny ' and not the horror signifier of ' The Mad Doctor ' which would have called out for an H certificate for adults only. Rathbone believes he has been saved from evil by falling in love with his last prospective victim, and his male partner, quite rightly becomes as righteously cross as an abandoned ' wife ' or ' husband. ' A Queer film indeed which has not as far as I can tell by historians of Queer and Gay cinema been noticed. America has been fiercely aggressive towards positive gay endings, even to today so any representation on screen of a possible gay character or two in a partner relationship has had to follow the tropes of abandonment, death or imprisonment. For a gay audience these negatives had to be also positives simply because homosexuality was overtly or implicitly seen on the screen. I could take a swipe at a few recent examples but I will concentrate on this 1941 film. Tim Whelan directs it well in Film Noir mode, and there are outstanding shots of New York during this period. The editing excellent and the acting exceptionally good, Ellen Drew as the last potential victim is perfect, shading her role from black mood to light laughter with professional expertise. I must mention Barbara Jo Allen as a friend who has a lot of great lines, delivered to perfection. A definite Paramount Eve Arden, lightening the film whenever she is in a scene. To sum up a taut thriller with touches of horror this deserves in my opinion a ten. A vastly underrated film on all levels. One final observation: the BBFC was very reluctant to give out H certificates during WW2, so that may explain the change of the film's title.