VALUTAZIONE IMDb
6,6/10
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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn Paris, a young American is in debt to a nightclub owner who forces him to woo an heiress in hopes of reaping her fortune.In Paris, a young American is in debt to a nightclub owner who forces him to woo an heiress in hopes of reaping her fortune.In Paris, a young American is in debt to a nightclub owner who forces him to woo an heiress in hopes of reaping her fortune.
André Cheron
- Croupier
- (as Andre Cheron)
George Beranger
- Hat Clerk
- (as Andre Beranger)
Bill Robinson
- Self
- (scene tagliate)
Demetrius Alexis
- Gambler
- (non citato nei titoli originali)
Lynn Bari
- Cafe Patron
- (non citato nei titoli originali)
Eugene Borden
- Waiter
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizTwo scenes featuring Bill Robinson (aka "Bojangles Robinson") were cut from the final version of the film: a solo tap dance performance in black tie by the dancing legend and a duet in beachcomber outfits with Geneva Sawyer. Both scenes are included in a DVD released by Fox as part of "Tyrone Power, Matinee Idol."
- BlooperThe Russian National Anthem that is sung by the waiter is incorrect. For 1937, the year the film is set in, the National Anthem of Russia would have been "Worker's Marseillaise", instead of "God, save the Tsar". Likewise, aristocracy would have been expelled or executed from the fledgling Russian Provisional Government.
- Citazioni
Alexis: Love not only comes, it goes. Comes and goes. Comes...
Laura Ridgeway: Yes, I know... like your accent.
- ConnessioniFeatured in Hidden Hollywood: Treasures from the 20th Century Fox Film Vaults (1997)
Recensione in evidenza
Tyrone Power and Loretta Young always worked beautifully together when paired together. Anything that has Adolphe Menjou in it in a type of role that he played so well immediately has me sold, in fact there is a very talented cast here. Haven't seen an awful lot of Edward H. Griffith's work it has to be confessed, the little that has been seen didn't wow me. Do like romance and comedy a lot when done right, and both have been done very well and more individually and worked brilliantly together numerous times too.
'Cafe Metropole' is an example of both romance and comedy being done very well individually and also an example of both working harmoniously together. Anybody that loves Power, Young and their chemistry together should love it, as it is a very good representation of all three. 'Cafe Metropole' is a lot of fun and very charming with a lot to like, as far as Griffith's films go of the ones seen this compares very favourably indeed as at its best it did wow me in the way that others of his didn't.
Is it perfect? No. Some of the second half is not as good as the first. It does get quite silly and some of Laura's decision making didn't seem probable to me and strains credulity. Count me in as another person that didn't buy her not particularly realistic attitude when she falls in love with him when most would balk when learning the truth about someone they cared for. It made me come over as quite silly and naive.
Still, there is so much done right in 'Cafe Metropole'. Power may not be remotely believable as a Russian, then again the premise doesn't call for him to be that, but he more than makes up for it with his dashing charm, his charisma (neither lightweight or too heavy) and witty comic timing. The character of Laura may be problematic in the second half, but Young is throughout incredibly charming and sparkles in the delivery of the comedy. She and Power work beautifully together, one can feel the love between them. Menjou does suave and smarmy so well as usual and Charles Winninger and Helen Westley have very funny moments and great chemistry. Gregory Ratoff is amusing though his role is not large.
Griffith's direction of the films seen is some of his more inspired, as he keeps the pace going at a lively pace, stops the film from getting too frothy and the comedy isn't done with too heavy a hand. 'Cafe Metropole' looks stylish and elegant with Power and Young looking lovely in their beautiful clothes. The script sparkles, with the romantic parts being truly adorable and easy to get behind and the comedy bursting with wit. The story strains credulity later on, but the first half especially is immensely engaging and has so much charm and heart.
To conclude, really enjoyed it. 8/10
'Cafe Metropole' is an example of both romance and comedy being done very well individually and also an example of both working harmoniously together. Anybody that loves Power, Young and their chemistry together should love it, as it is a very good representation of all three. 'Cafe Metropole' is a lot of fun and very charming with a lot to like, as far as Griffith's films go of the ones seen this compares very favourably indeed as at its best it did wow me in the way that others of his didn't.
Is it perfect? No. Some of the second half is not as good as the first. It does get quite silly and some of Laura's decision making didn't seem probable to me and strains credulity. Count me in as another person that didn't buy her not particularly realistic attitude when she falls in love with him when most would balk when learning the truth about someone they cared for. It made me come over as quite silly and naive.
Still, there is so much done right in 'Cafe Metropole'. Power may not be remotely believable as a Russian, then again the premise doesn't call for him to be that, but he more than makes up for it with his dashing charm, his charisma (neither lightweight or too heavy) and witty comic timing. The character of Laura may be problematic in the second half, but Young is throughout incredibly charming and sparkles in the delivery of the comedy. She and Power work beautifully together, one can feel the love between them. Menjou does suave and smarmy so well as usual and Charles Winninger and Helen Westley have very funny moments and great chemistry. Gregory Ratoff is amusing though his role is not large.
Griffith's direction of the films seen is some of his more inspired, as he keeps the pace going at a lively pace, stops the film from getting too frothy and the comedy isn't done with too heavy a hand. 'Cafe Metropole' looks stylish and elegant with Power and Young looking lovely in their beautiful clothes. The script sparkles, with the romantic parts being truly adorable and easy to get behind and the comedy bursting with wit. The story strains credulity later on, but the first half especially is immensely engaging and has so much charm and heart.
To conclude, really enjoyed it. 8/10
- TheLittleSongbird
- 8 lug 2020
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Café Metropole
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 23 minuti
- Colore
- Proporzioni
- 1.37 : 1
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By what name was Caffè metropole (1937) officially released in Canada in English?
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