Aggiungi una trama nella tua linguaA small boy is instrumental in a famous Civil War victory.A small boy is instrumental in a famous Civil War victory.A small boy is instrumental in a famous Civil War victory.
- Candidato a 1 Oscar
- 1 candidatura in totale
George 'Spanky' McFarland
- Spanky
- (as Spanky McFarland)
Billie 'Buckwheat' Thomas
- Buckwheat
- (as Billie Thomas)
Carl 'Alfalfa' Switzer
- Alfalfa
- (as Carl Switzer)
James P. Burtis
- Boat Captain
- (as James Burtis)
Willie Best
- Henry
- (as William Best)
Ernie Alexander
- Boat Passenger
- (non citato nei titoli originali)
Hooper Atchley
- Slavemaster at Meeting
- (non citato nei titoli originali)
Harry Bernard
- Bit
- (non citato nei titoli originali)
John 'Uh huh' Collum
- Kid Army Member
- (non citato nei titoli originali)
Jack Cooper
- Bit
- (non citato nei titoli originali)
Al Corporal
- Man on Boat
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe initials of R. P. W. C. R. C. W. M. R. (Spanky's Confederate Army) stands for "The Royal Protection of Women and Children, Regiment Club of the World and Mississippi River".
- Citazioni
Spanky Leonard: [Shortly after Spanky & Marshall Valiant go to a card playing room, for Spanky to complete his shoe shining mission, that he just started. Just as Spanky starts to continue his shoe-shining hobby that he had just started, Simmons dropped a Poker card, on purpose, to cheat] You dropped this card, mister.
Simmons: That's not my card.
Spanky Leonard: Oh, yes sir, I saw you drop it.
- ConnessioniEdited from Il cavaliere della libertà (1930)
- Colonne sonoreEzekiel's Wheel
(uncredited)
Traditional
Recensione in evidenza
The Our Gang series of shorts took place in more urban settings, and there were few overtly racist moments in those shorts - all the kids were playing together, in the same spaces, going in and out of the same doors, in and out of each other's homes, and no reference made to segregation or Jim Crow, etc. There was stereotyping, for sure - the black American kids, the Italian kids, the Asian kids, the fat kids, etc. But the lack of those overt racist moments is probably why these shorts have translated well enough for modern viewing.
But this full-length feature throws all that out the window: here is a story set in the South and presenting enslaved black Americans as happy, sweet simpletons, treated wonderfully by their owners. It's not "Birth of a Nation" bad - more "Song of the South" bad. There's even a conversation 10 minutes into the movie between two slave owners, bragging at how well fed and cared for their slaves are. Buckwheat, here an enslaved child, overhears the violence these owners say they would do on a re-captured runaway slave, and as he is run-away, he is terrified. It's supposed to be a funny moment - but to any halfway caring human being, knowing what really did happen to re-captured run- away slaves, the incredible violence and humiliation that was all too real, it's painful now to watch this scene, to watch this reality made light of. It would be like watching an old movie making fun of the Holocaust. Lots of other cringe-worthy moments as well, like Spanky proudly proving he's a "Southern Gentleman" to Alfalfa by showing off "his" slave, smiling happy Buckwheat.
So, why did I give it a 7? Because it is a PERFECT example of how, 70 years after the Civil War - and beyond - the myths of the happy slave, the genteel white slave owner, the "noble" and brave fighters for the Southern "cause" and the boorish, cowardly Northerners was/is perpetuated in the USA, this time with the overwhelming cuteness and charm of Spanky and Buckwheat, probably the two most popular members of the Little Rascals (they were always my favorites).
But this full-length feature throws all that out the window: here is a story set in the South and presenting enslaved black Americans as happy, sweet simpletons, treated wonderfully by their owners. It's not "Birth of a Nation" bad - more "Song of the South" bad. There's even a conversation 10 minutes into the movie between two slave owners, bragging at how well fed and cared for their slaves are. Buckwheat, here an enslaved child, overhears the violence these owners say they would do on a re-captured runaway slave, and as he is run-away, he is terrified. It's supposed to be a funny moment - but to any halfway caring human being, knowing what really did happen to re-captured run- away slaves, the incredible violence and humiliation that was all too real, it's painful now to watch this scene, to watch this reality made light of. It would be like watching an old movie making fun of the Holocaust. Lots of other cringe-worthy moments as well, like Spanky proudly proving he's a "Southern Gentleman" to Alfalfa by showing off "his" slave, smiling happy Buckwheat.
So, why did I give it a 7? Because it is a PERFECT example of how, 70 years after the Civil War - and beyond - the myths of the happy slave, the genteel white slave owner, the "noble" and brave fighters for the Southern "cause" and the boorish, cowardly Northerners was/is perpetuated in the USA, this time with the overwhelming cuteness and charm of Spanky and Buckwheat, probably the two most popular members of the Little Rascals (they were always my favorites).
- jcravens42
- 8 feb 2017
- Permalink
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By what name was General Spanky (1936) officially released in Canada in English?
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