Aggiungi una trama nella tua linguaA professor tires of the direction his life is going and wants to move west, but his girlfriend doesn't understand why he is so dissatisfied.A professor tires of the direction his life is going and wants to move west, but his girlfriend doesn't understand why he is so dissatisfied.A professor tires of the direction his life is going and wants to move west, but his girlfriend doesn't understand why he is so dissatisfied.
Foto
Astrid Allwyn
- Ray
- (non citato nei titoli originali)
Eleanor Bullen
- Woman in Speakeasy
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James Burke
- Welfare Island Guard
- (non citato nei titoli originali)
Jill Dennett
- Molly
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Helena Phillips Evans
- Mrs. Haron
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Patricia Farley
- Bee
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Edgar Kennedy
- Guard
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Trama
Lo sapevi?
- QuizBased on the 1932 Rose Porter play CHRYSALIS, with Humphrey Bogart and Elisha Cook Jr. in the March/Raft roles.
- ConnessioniReferenced in Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood (2008)
Recensione in evidenza
Frederick March loves Miriam Hopkins and she loves him. He wants to get married. She thinks marriage kills love. He wants to go work on Boulder Dam, but she wants her life in the East, so she tells him she's pregnant. He believes her, and is ready to change everything, until she confesses she is not... and he walks out in disgust that she would lie about this.
The story shifts to show another couple, George Raft and Helen Mack; they want to get married, but he has a record, and they don't want the baby to have to deal with a jailbird father. Then each of them wind up in jail....
Released in the last few months before the Code became enforced, this is as pre-code as a story can get, albeit one without naked women. Written by William Buchman and Thomas Mitchell, it's a meditation on the destruction that overwhelming love can yield. Although director James Flood handles this briskly and efficiently, he doesn't bring much to it; Raft and Miss Mack, however, are terrific in their desperation.
If you mention Thomas Mitchell to me, I think of his great performances in the late 1930s and 1940s. He was a wonderful character actor, who could bring a realistic comic touch to any role. I was surprised to realize he has six writing credits for movies, although five of them are for versions of his Nroadway play LITTLE ACCIDENTS.
The story shifts to show another couple, George Raft and Helen Mack; they want to get married, but he has a record, and they don't want the baby to have to deal with a jailbird father. Then each of them wind up in jail....
Released in the last few months before the Code became enforced, this is as pre-code as a story can get, albeit one without naked women. Written by William Buchman and Thomas Mitchell, it's a meditation on the destruction that overwhelming love can yield. Although director James Flood handles this briskly and efficiently, he doesn't bring much to it; Raft and Miss Mack, however, are terrific in their desperation.
If you mention Thomas Mitchell to me, I think of his great performances in the late 1930s and 1940s. He was a wonderful character actor, who could bring a realistic comic touch to any role. I was surprised to realize he has six writing credits for movies, although five of them are for versions of his Nroadway play LITTLE ACCIDENTS.
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Dettagli
- Tempo di esecuzione1 ora 10 minuti
- Colore
- Proporzioni
- 1.37 : 1
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