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LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaFame proves to be too overwhelming when Scott becomes a national hero.Fame proves to be too overwhelming when Scott becomes a national hero.Fame proves to be too overwhelming when Scott becomes a national hero.
Harold Minjir
- Sutter, the Ghost Writer
- (as Harold Minjer)
J. Carrol Naish
- Lt. Blake
- (scene tagliate)
- (as J. Carroll Naish)
Joseph E. Bernard
- Photographer
- (non citato nei titoli originali)
Lilian Bond
- Edna Jackson, Boynton's Secretary
- (non citato nei titoli originali)
Symona Boniface
- Autograph Seeker
- (non citato nei titoli originali)
Frederick Burton
- Admiral
- (non citato nei titoli originali)
Berton Churchill
- Admiral Blaine
- (non citato nei titoli originali)
Georgie Cooper
- Mrs. Simmick
- (non citato nei titoli originali)
Cecil Cunningham
- Autograph Seeker with Sheet Music
- (non citato nei titoli originali)
Jay Eaton
- Dinner Guest
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizIn this early 1930s Pre-Code film, a "double entendre" is used when Scotty and Janet discuss the clock in their honeymoon suite. As Janet gets off the bed and exits to the bathroom, she turns around, begins to take off her robe, and seductively tells Scotty not to forget to wind the clock. A careful listener can hear a message with a totally different meaning. In case you missed it the first time, the gag line is repeated at other times throughout the film.
- Citazioni
Janet Porter McClenahan: I'd ask you in, but, I'm not dolled up for company.
Scott 'Scotty' McClenahan: Oh, I'm not company. I'm just a poor guy looking for peace and quiet.
Scott 'Scotty' McClenahan: Well, come on in. But, just for a minute. It's almost 12 o'clock and this is a highly respectable neighborhood.
Scott 'Scotty' McClenahan: [Jokingly] Oh, I've heard differently.
- Colonne sonore(I Wish I Was in) Dixie's Land
(uncredited)
aka "Dixie"
Music by Daniel Decatur Emmett (1860)
Played at the parade for Scotty
Recensione in evidenza
One of a flock of films that Douglas Fairbanks, Jr. made for Warner Brothers in the early Thirties, It's Tough To Be Famous takes a look at the cult of celebrity and those who profit off it. In his memoirs, Salad Days, Fairbanks was not especially crazy about this film, but he did some others that he felt were far worse.
Fairbanks himself acknowledged that the story came from the life of Charles Lindbergh and the cult of celebrity that came around him after his flight in 1927. Doug plays Scotty McLennan who is a naval commander and skipper of a submarine that went down in the Atlantic. As rescue vessels race to her, the only question is will the oxygen hold out long enough to reach the submerged vessel on the bottom.
As captain, Fairbanks orders his men to go up with oxygen masks out the torpedo tube and elects to stay behind and man the tubes. But fortunately before he suffocates, outside rescue arrives and he's saved and proclaimed a hero who, but for that timely intervention would have sacrificed his life for his crew.
The rest of the film is what happens afterward, the marriage he was going to have with Mary Brian becomes a public one, his life becomes run by people he's hired to exploit his name.
Oddly enough nine years later Warner Brothers would make a film about a real hero who turned his back on such lures of easy money to trade in on his good name. Gary Cooper as Sergeant York got an Oscar for playing the self effacing York as only the self effacing Cooper could have.
In real life you consent to your exploitation. This is true of celebrity heroes from Buffalo Bill to Michael Phelps. Some like Sergeant York and Neil Armstrong completely resisted the lure of fame and easy money.
Walter Catlett has a nice part in a very typical Walter Catlett role as a publicity agent, something he took a patent out on in the way he played those kind of roles.
It's Tough To Be Famous is not a bad film, but it's hardly the Sweet Smell Of Success which really takes a look at the cult of celebrity and how so many crave to be one.
Fairbanks himself acknowledged that the story came from the life of Charles Lindbergh and the cult of celebrity that came around him after his flight in 1927. Doug plays Scotty McLennan who is a naval commander and skipper of a submarine that went down in the Atlantic. As rescue vessels race to her, the only question is will the oxygen hold out long enough to reach the submerged vessel on the bottom.
As captain, Fairbanks orders his men to go up with oxygen masks out the torpedo tube and elects to stay behind and man the tubes. But fortunately before he suffocates, outside rescue arrives and he's saved and proclaimed a hero who, but for that timely intervention would have sacrificed his life for his crew.
The rest of the film is what happens afterward, the marriage he was going to have with Mary Brian becomes a public one, his life becomes run by people he's hired to exploit his name.
Oddly enough nine years later Warner Brothers would make a film about a real hero who turned his back on such lures of easy money to trade in on his good name. Gary Cooper as Sergeant York got an Oscar for playing the self effacing York as only the self effacing Cooper could have.
In real life you consent to your exploitation. This is true of celebrity heroes from Buffalo Bill to Michael Phelps. Some like Sergeant York and Neil Armstrong completely resisted the lure of fame and easy money.
Walter Catlett has a nice part in a very typical Walter Catlett role as a publicity agent, something he took a patent out on in the way he played those kind of roles.
It's Tough To Be Famous is not a bad film, but it's hardly the Sweet Smell Of Success which really takes a look at the cult of celebrity and how so many crave to be one.
- bkoganbing
- 20 gen 2010
- Permalink
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- It's Tough to Be Famous
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- Tempo di esecuzione1 ora 19 minuti
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- 1.37 : 1
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By what name was I guai della celebrità (1932) officially released in Canada in English?
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