Aggiungi una trama nella tua linguaA cautionary tale. Ellen's past as a "party girl" is carefully hidden but may be exposed when another party girl tricks her fiance into marriage.A cautionary tale. Ellen's past as a "party girl" is carefully hidden but may be exposed when another party girl tricks her fiance into marriage.A cautionary tale. Ellen's past as a "party girl" is carefully hidden but may be exposed when another party girl tricks her fiance into marriage.
Earl Burtnett
- Orchestra Leader
- (as Earl Burtnett and His Biltmore Orchestra and Trio)
Eddie Bush
- Member of Biltmore Trio - Guitar
- (non citato nei titoli originali)
Louise Carver
- Masseuse
- (non citato nei titoli originali)
Paul Gibbons
- Member of Biltmore Trio - Steel Guitar
- (non citato nei titoli originali)
Henry Roquemore
- Party Guest
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThe film holds the record for longest UK film ban. The BBFC banned the film in 1930. It was finally released, with a PG rating, in 2003.
- Citazioni
Diana Hoster: [answering phone from a massage table, butt-naked--literally; this is pre-code] Di Hoster speaking, in the flesh.
- ConnessioniFeatured in Hollywood Uncensored (1987)
- Colonne sonoreOh! How I Adore You
Words and Music by Harry Stoddard and Marcy Klauber
Copyright 1930 by Shapiro, Bernstein & Co
Recensione in evidenza
This tight little programmer (clocking in at just over 1 hour) is a real curio, Pre-Code of course. The film is designed to 'expose' the sordid underbelly of escort services who are only too happy to entertain men in high places(quite literally in this flick) for a fee. Like most movies of this genre, we are treated to a written prologue attesting to the scourge of the subject matter and how these sordid goings-on could be happening in our own town. This frequent framing device at the time would justify the seedy plot, in this case depicting between men of prestige and prosperity with call girls.
Marie Prevost is hot to trot in a secondary role as one of the 'ladies in waiting.' Miss Prevost did make the transition to sound almost seamlessly as an appealing blend between Betty Boop and Clara Bow. Yet, her fluctuating weight would unfortunately relegate her casting to this caliber of portrayals for the rest of her career.
Judith Barrie is the lead 'party girl' here who leads Douglas Fairbanks Jr. character, scion to millions of dollars, down that reckless road to potential ruin. Miss Barrie handles her role with zest and a very contemporary feel. It's a shame she would abandon Hollywood (or vice versa) in two years.
Then there's Doug Fairbanks Jr. who always adds a note of prestige to any frame he appears in. On the threshold of stardom ('LITTLE CAESAR' would be beckoning soon) the swashbuckler's son is treating this role of a young bon vivant who is caught up in Miss Barrie's web of deceit and degradation like a walk in the park. Well, this is a Personality Pictures production, after all. This would be equivalent to summer stock for an A list actor waiting for that phone call from his agent with that really plum role at a 'major' studio.
Of course, there is an obvious moral to our story which is hastened after an on screen tragedy which is quite jolting.
Yet, when the lights come back on, it's still hard to forget those vehicles, packed with eager customers, transported by elevator directly to the 'party girls' living room, the ultimate drive-in escort service.
Marie Prevost is hot to trot in a secondary role as one of the 'ladies in waiting.' Miss Prevost did make the transition to sound almost seamlessly as an appealing blend between Betty Boop and Clara Bow. Yet, her fluctuating weight would unfortunately relegate her casting to this caliber of portrayals for the rest of her career.
Judith Barrie is the lead 'party girl' here who leads Douglas Fairbanks Jr. character, scion to millions of dollars, down that reckless road to potential ruin. Miss Barrie handles her role with zest and a very contemporary feel. It's a shame she would abandon Hollywood (or vice versa) in two years.
Then there's Doug Fairbanks Jr. who always adds a note of prestige to any frame he appears in. On the threshold of stardom ('LITTLE CAESAR' would be beckoning soon) the swashbuckler's son is treating this role of a young bon vivant who is caught up in Miss Barrie's web of deceit and degradation like a walk in the park. Well, this is a Personality Pictures production, after all. This would be equivalent to summer stock for an A list actor waiting for that phone call from his agent with that really plum role at a 'major' studio.
Of course, there is an obvious moral to our story which is hastened after an on screen tragedy which is quite jolting.
Yet, when the lights come back on, it's still hard to forget those vehicles, packed with eager customers, transported by elevator directly to the 'party girls' living room, the ultimate drive-in escort service.
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Dettagli
- Tempo di esecuzione1 ora 7 minuti
- Colore
- Proporzioni
- 1.37 : 1
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Divario superiore
By what name was Party Girl (1930) officially released in Canada in English?
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