VALUTAZIONE IMDb
7,7/10
16.669
LA TUA VALUTAZIONE
La vita ordinata di un professore anziano gira pericolosamente fuori controllo quando si innamora di una cantante di nightclub.La vita ordinata di un professore anziano gira pericolosamente fuori controllo quando si innamora di una cantante di nightclub.La vita ordinata di un professore anziano gira pericolosamente fuori controllo quando si innamora di una cantante di nightclub.
Eduard von Winterstein
- Der Schuldirektor
- (as Eduard V. Winterstein)
Roland Varno
- Lohmann
- (as Rolant Varno)
Carl Balhaus
- Ertzum
- (as Karl Balhaus)
Károly Huszár
- Der Wirt
- (as Karl Huszar-Puffy)
Die Weintraub Syncopators
- Group Cast Performers
- (as The Weintraub Syncopators)
Friedrich Hollaender
- Pianist
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizThere are various accounts of why Marlene Dietrich was cast as Lola Lola, but the one given by director Josef von Sternberg in his autobiography is that Dietrich came to test for the film with a bored, world-weary attitude because she was convinced she wasn't going to get the role and was merely going through the motions - and Sternberg hired her because that world-weary attitude was precisely what he wanted for the character.
- BlooperWhen the professor returns to the night club and sees Lola again, he gets covered in her makeup and moves to the mirror to clean himself up, which he does not completely manage. Yet, when confronting the captain, his clothes are completely clean. After he has thrown him out of doors, the stains reappear.
- Versioni alternativeSimultaneously shot in two versions (English and German) with the same cast; the German (with English subtitles) version is more popular because of the heavy German accents of the cast in the English language version. English lyrics for the songs were written by Sam Lerner.
- ConnessioniEdited into The Double-Headed Eagle: Hitler's Rise to Power 1918-1933 (1973)
- Colonne sonoreIch bin von Kopf bis Fuß auf Liebe eingestellt
(uncredited)
Written by Friedrich Hollaender
Performed by Marlene Dietrich
Recensione in evidenza
This will basically be reinforcing what was said in my review for the German-language version, being the same film but this time in English.
Despite Marlene Dietrich actually appearing in several silent films in her native Germany, it was 'The Blue Angel' that made her a star and rose her to international fame. It was also the film that started the famous and iconic 7-film collaboration of Dietrich and director Josef Von Sternberg. 'The Blue Angel' may not be the best film of theirs, but is still very good and a knockout first collaboration for them.
It is agreed that the German-language version is superior. The English-language version is still very good and retains all the things that makes 'The Blue Angel' in German as good as it is. The English "dubbing" doesn't always sound natural and felt rushed at times, with the actors not being at ease with the language entirely.
As a film, 'The Blue Angel's' only real drawback is to do with pacing, taking a little too long to get going and then later on parts feel rushed, abruptly introduced and not quite developed enough.
Most memorable about 'The Blue Angel' is Dietrich on cruel and seductive form while singing her songs with sincerity, standing out especially being her iconic rendition of "Falling in Love Again" with her in a top hat and black stockings perched on the bar stool. Her character may not be likable but it's a complex one and Dietrich succeeds in making her real.
It is easy to overlook Emil Jannings, in his first talking picture, however, the story of 'The Blue Angel' really being his, detailing of an enamoured man led to his downfall. It is a performance however underserving of overlooking, for it is a great performance full of wonderful moments (like his facial expression in the mirror and at the end), succeeding in making a real character in a way that's eccentric and poignant.
Kurt Gerrer, who met a tragic end just over a decade later, is also good.
Sternberg directs as sumptuously as to be expected and with adroit atmosphere. 'The Blue Angel' looks good, aside from occasional choppy editing, especially in the clever and luminous use of light and shadow lighting and cinematography that's atmospheric and classy. The music fits beautifully and enhances the mood, "Falling in Love Again" being a signature song of Dietrich's for very good reason.
Further good things are a script that has a good balance of the comedic and the tragic, done amusingly and movingly, and a story that's disturbing and emotional, especially the heart-wrenching ending.
Overall, very good film and more than just historical interest. 8/10 Bethany Cox
Despite Marlene Dietrich actually appearing in several silent films in her native Germany, it was 'The Blue Angel' that made her a star and rose her to international fame. It was also the film that started the famous and iconic 7-film collaboration of Dietrich and director Josef Von Sternberg. 'The Blue Angel' may not be the best film of theirs, but is still very good and a knockout first collaboration for them.
It is agreed that the German-language version is superior. The English-language version is still very good and retains all the things that makes 'The Blue Angel' in German as good as it is. The English "dubbing" doesn't always sound natural and felt rushed at times, with the actors not being at ease with the language entirely.
As a film, 'The Blue Angel's' only real drawback is to do with pacing, taking a little too long to get going and then later on parts feel rushed, abruptly introduced and not quite developed enough.
Most memorable about 'The Blue Angel' is Dietrich on cruel and seductive form while singing her songs with sincerity, standing out especially being her iconic rendition of "Falling in Love Again" with her in a top hat and black stockings perched on the bar stool. Her character may not be likable but it's a complex one and Dietrich succeeds in making her real.
It is easy to overlook Emil Jannings, in his first talking picture, however, the story of 'The Blue Angel' really being his, detailing of an enamoured man led to his downfall. It is a performance however underserving of overlooking, for it is a great performance full of wonderful moments (like his facial expression in the mirror and at the end), succeeding in making a real character in a way that's eccentric and poignant.
Kurt Gerrer, who met a tragic end just over a decade later, is also good.
Sternberg directs as sumptuously as to be expected and with adroit atmosphere. 'The Blue Angel' looks good, aside from occasional choppy editing, especially in the clever and luminous use of light and shadow lighting and cinematography that's atmospheric and classy. The music fits beautifully and enhances the mood, "Falling in Love Again" being a signature song of Dietrich's for very good reason.
Further good things are a script that has a good balance of the comedic and the tragic, done amusingly and movingly, and a story that's disturbing and emotional, especially the heart-wrenching ending.
Overall, very good film and more than just historical interest. 8/10 Bethany Cox
- TheLittleSongbird
- 16 mar 2017
- Permalink
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- The Blue Angel
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- Budget
- 500.000 USD (previsto)
- Lordo in tutto il mondo
- 4.410 USD
- Tempo di esecuzione1 ora 44 minuti
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- 1.20 : 1
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By what name was L'angelo azzurro (1930) officially released in India in English?
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