VALUTAZIONE IMDb
7,7/10
12.137
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.
- Premi
- 1 candidatura
Francis Lederer
- Alwa Schön
- (as Franz Lederer)
Gustav Diessl
- Jack the Ripper
- (as Gustav Diesel)
Michael von Newlinsky
- Marquis Casti-Piani
- (as Michael v. Newlinsky)
Sig Arno
- Der inspizient - the Stage Manager
- (as Siegfried Arno)
Karl Etlinger
- Verteidiger
- (non citato nei titoli originali)
Trama
Lo sapevi?
- QuizDespite being replaced by Louise Brooks at the last minute for the role of Lulu in Il vaso di Pandora (1929), Marlene Dietrich managed to snag another coveted role. Her removal from "Pandora's Box" freed her up to play one of her most iconic roles, Lola Lola in Josef von Sternberg's L'angelo azzurro (1930).
- BlooperWhile the actual identity of Jack The Ripper may never be known he would've most likely been at least sixty years old if he were still alive in 1929.
The actor playing him is clearly in his early thirties.
- Citazioni
Dr. Ludwig Schön: I'm getting married!
Lulu: You won't kiss me just because you're getting married?
- Versioni alternativeA 133-minute version, distributed by Janus Films from Film Museum München, was broadcast in America on the IFC channel in 2006. It has an unidentified orchestral score, including a 2-minute overture at the start, and it listed the credits in German, some of which were translated into English. With German inter-titles and English subtitles. This version was released on a British Region 2 DVD).
- ConnessioniEdited into Histoire(s) du cinéma: Fatale beauté (1994)
Recensione in evidenza
Louise Brooks may have never studied acting, but every actor should study her. How much they can learn is questionable though. This dancer/chorus girl turned film star was one of those rare creatures who probably couldn't have told you what she was doing, even if she thought long and hard about it (and Brooks was an intelligent, articulate woman.)
Like a great natural athlete, she simply could do it, and do it better than almost anyone else. Pandora's Box is the greatest existing record of her technique and remarkable talents.
On the surface, a run of the mill story of a femme fatale who destroys the men around her, this G. W. Pabst film is complicated, dark, moody, and seemingly packed with contradictory messages. Well acted and well directed by Pabst, it nonetheless would have been forgotten decades ago, had it not been for its star.
Brooks was one of the most beautiful, most photogenic woman to ever appear on the screen. From some angles, her face is so remarkable it almost doesn't seem real.
Her personality exceeds her beauty and it was the perfect personality to capture the childish, petulant, self centered, yet sweetly innocent kid who is the embodiment of every pretty girl who wants what she wants, regardless of the consequences.
Pabst' film, based on two German stage plays, is also a fascinating look at male sexual obsession, at men unable to control their lust who want to destroy the object of that lust before she destroys them.
Yet all the messages aside, it is simply Brooks totally natural performance that in the end will be remembered here.
Ironically, Brooks was really no more than a starlet in her American silent film days and it took her three European films to elevate her name above the title. And those films were hardly seen in the U.S. in their day. Yet today, women whose names were household words in America in the silent era, like Coleen Moore and even Clara Bow, are all but forgotten, while the Brooks legend grows stronger each year.
While Brooks has benefitted from a well written biography and the adoration of much of the press, a close examination of Pandora's Box proves she was much more than just hype.
This movie is one of the great treasures of the cinema, and Louise Brooks is one of the most talented and most fascinating actresses to ever appear in movies, on either side of the Atlantic.
Like a great natural athlete, she simply could do it, and do it better than almost anyone else. Pandora's Box is the greatest existing record of her technique and remarkable talents.
On the surface, a run of the mill story of a femme fatale who destroys the men around her, this G. W. Pabst film is complicated, dark, moody, and seemingly packed with contradictory messages. Well acted and well directed by Pabst, it nonetheless would have been forgotten decades ago, had it not been for its star.
Brooks was one of the most beautiful, most photogenic woman to ever appear on the screen. From some angles, her face is so remarkable it almost doesn't seem real.
Her personality exceeds her beauty and it was the perfect personality to capture the childish, petulant, self centered, yet sweetly innocent kid who is the embodiment of every pretty girl who wants what she wants, regardless of the consequences.
Pabst' film, based on two German stage plays, is also a fascinating look at male sexual obsession, at men unable to control their lust who want to destroy the object of that lust before she destroys them.
Yet all the messages aside, it is simply Brooks totally natural performance that in the end will be remembered here.
Ironically, Brooks was really no more than a starlet in her American silent film days and it took her three European films to elevate her name above the title. And those films were hardly seen in the U.S. in their day. Yet today, women whose names were household words in America in the silent era, like Coleen Moore and even Clara Bow, are all but forgotten, while the Brooks legend grows stronger each year.
While Brooks has benefitted from a well written biography and the adoration of much of the press, a close examination of Pandora's Box proves she was much more than just hype.
This movie is one of the great treasures of the cinema, and Louise Brooks is one of the most talented and most fascinating actresses to ever appear in movies, on either side of the Atlantic.
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 53.485 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9.950 USD
- 18 giu 2006
- Lordo in tutto il mondo
- 62.971 USD
- Tempo di esecuzione1 ora 49 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.33 : 1
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