Aggiungi una trama nella tua linguaTwo love triangles intersect in ancient Pompei.Two love triangles intersect in ancient Pompei.Two love triangles intersect in ancient Pompei.
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- QuizFor a while in the late summer and fall of 1913 there were two major Italian productions on this subject playing simultaneously in the US, this one produced by Ambrosio, and Jone ovvero gli ultimi giorni di Pompei (1913), produced by Pasquali.
- BlooperExtras are "killed" by falling pieces of a set during the explosion scene, then appear to either get back up or adjust themselves so that they won't be trampled by other extras.
- Versioni alternativeKino International Corp. copyrighted a version in 2000 with a piano music score compiled and arranged by Beatrice Jona Affron and performed by Martha Koeneman. It was produced for video by Bret Wood and runs 88 minutes.
- ConnessioniFeatured in Cinema Europe: The Other Hollywood: Where It All Began (1995)
- Colonne sonoreGiselle
Written by Adolphe Adam (as Adam)
Arranged by Beatrice Jona Affron
Performed by Martha Koeneman
Excerpts in the 2000 alternate version score
Recensione in evidenza
I love silent films. Not just the later polished ones of the 1920s, but even the early and very early ones. So, because I have seen any where from 1000-2000 silents, I can see the context for films like "The Last Days of Pompeii". And so, while some might say 'wow--that movie was boring', I actually marvel at what a HUGE accomplishment the film was when it debuted. You see, lengthy films like this one were pretty much unheard of and a long film might be 15-20 minutes long (like "The Great Train Robbery" or "The Voyage To The Moon"). So, at almost an hour and a half in length, this WAS a radical departure for films. I have seen documentaries that have proclaimed that "Birth of a Nation" was THE first full-length film, but "The Last Days of Pompeii" debuted two years earlier. As for the sets, while the backgrounds were often giant paintings, often they were not and the realism was great for 1913. There were real live lions and a nice crowd scene. The costuming was also GENERALLY good for its time, but what's with including all these ridiculously attired Egyptians in Italy?! It's as if someone said "We're running short on costumes--quick, dress some of the extras up as Egyptians!". Another problem with the film is that plot. While the story of the blind girl and the lovers is mildly interesting--it's only mildly interesting. The narrative isn't enthralling, though the sad ending was...well...sad.
Rating this film is tough. When seen today, its deficiencies are obvious. But, in 1913, it created quite a stir--and rightfully so. There also is the historical importance of the film to think about...so coming up with a numerical score is problematic. I'd give it an 8 simply because of its originality and scope.
By the way, if you are looking to see the best film about Pompeii, see the made for TV movie "Pompeii: The Last Day" (2003). It's simply outstanding in every way and quite touching as it dramatizes (in a very realistic way) the final moments of some of the volcano's victims.
Rating this film is tough. When seen today, its deficiencies are obvious. But, in 1913, it created quite a stir--and rightfully so. There also is the historical importance of the film to think about...so coming up with a numerical score is problematic. I'd give it an 8 simply because of its originality and scope.
By the way, if you are looking to see the best film about Pompeii, see the made for TV movie "Pompeii: The Last Day" (2003). It's simply outstanding in every way and quite touching as it dramatizes (in a very realistic way) the final moments of some of the volcano's victims.
- planktonrules
- 26 ago 2011
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- Data di uscita
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- The Last Days of Pompeii
- Azienda produttrice
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- Tempo di esecuzione1 ora 28 minuti
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- Mix di suoni
- Proporzioni
- 1.33 : 1
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By what name was Gli ultimi giorni di Pompei (1913) officially released in Canada in English?
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