Blue Rose by Peter Straub The Monster by Joe Haldeman Lacunae by Karl Edward Wagner Pale Trembling Youth by W.H. Pugmire and Jessica Amanda Salmonson Muzak for Torso Murders by Marc Laidlaw Goodbye, Dark Love by Roberta Lannes Out There by Charles L. Grant Little Cruelties by Steve Rasnic Tem The Man with the Hoe by George Clayton Johnson They're Coming for You by Les Daniels Vampire by Richard Christian Matheson Lapses by Chelsea Quinn Yarbro The Final Stone by William F. Nolan Irrelativity by Nicholas Royle The Hands by Ramsey Campbell The Bell by Ray Russell Lost Souls by Clive Barker Reaper by Robert Bloch The Transfer by Edward Bryant Pain by Whitley Strieber
Dennis William Etchison was an American writer and editor of fantasy and horror fiction. He is a multi-award winner, having won the British Fantasy Award three times for fiction, and the World Fantasy Award for anthologies he edited.
Despite all the big names here, including Clive Barker, Peter Straub, Ramsey Campbell, Whitley Strieber and so forth, this is a pretty mediocre collection. Joe Haldeman's "The Monster" was my favorite while Strieber's "Pain" ended the volume painfully (sorry for the pun); I never got into Strieber's UFO conspiracy stuff.
Etchison divided the volume into four sections: "Bringing it all back home," "They're coming for you," "Walking the Headlights" and "Dying all the time" but I still have no ideas regarding the supposed thematic justification for this. This was first published in 1986 and all of the stories were first published in the mid 80s. I am not a big short story fan, but I have read much better collections. 2 meh stars.
This is a good, well-rounded anthology of (mostly) original horror stories from the mid-1980's. The book is divided into four sections: Bringing It All Back Home, They're Coming For You, Walking the Headlights, and Dying All the Time. I recommend the stories by Joe Haldeman, Karl Edward Wagner, Charles L. Grant, William F. Nolan, Ramsey Campbell, Clive Barker, Robert Bloch, and Edward Bryant. Also, there's an interesting Peter Straub novella, Blue Rose.
-Aunque representativa a la hora de ofrecer trabajos y autores del subgénero, menos potente en su generalidad que volúmenes anteriores de esta serie de antologías.-
Género. Relatos.
Lo que nos cuenta. Con Dennis Etchinson como responsable de la selección de los trabajos (y de la introducción que mezcla crónica y ensayo), todos escritos para esta antología, 20 relatos que ofrecen distintas aproximaciones al terror y que nos contarán, entre otras cosas, lo que descubre un autor que se infiltra en el mundo de la prostitución con la intención de documentarse para su próximo libro, los asuntos sucios que se resuelven en la Manhattan sobrenatural, las confusiones de una mujer entre su marido y su amante, el descubrimiento del hipnotismo por parte de un muchacho malvado, el trato de un escritor con La Muerte y su incapacidad para cumplirlo, los recuerdos de un soldado que prestó servicio en Vietnam y que está encerrado en un correccional psiquiátrico, las consecuencias del trato que hace una mujer casi sin querer, los efectos de una nueva droga muy especial, una experiencia aterradora en un local londinense o la relación cercana entre un asesino en serie y su amorosa mamá, entre otros temas.
¿Quiere saber más de este libro, sin spoilers? Visite:
Some stories stronger than others, a real time capsule of decent and varied 1980s horror. I found it especially odd to read the short biography of Clive Barker, which contained no mention of Hellraiser! This was published shortly before that film arrived. Good collection though.
For the most part, very strong stories approaching the concept of horror from many different angles. At little dismayed that some of the amazon reviews I saw were apparently disappointed there wasn't actually more "cutting" in a collection titled "Cutting Edge." Probably the only story I didn't finish was - please don't shoot me - William F. Nolan's story. That one felt contrived, and forced.
Another placeholder review until I actually get to the book proper.
Read Chelsea Quinn Yarbro's "Lapses" here: a good, solid story told in a fragmented way, as a woman traveling for business suffers a hideous event with her car (a live dog thrown from the open back of a pickup onto her windshield) and then finds her mind, sense of place and identity slowly begin to fray and unravel in unnerving and nightmarish ways as she endeavors to make her way home. Nicely done.
Thankfully picked up - and devoured - early enough in my horror writing career, this turned me towards a whole slew of writers I'd never read before and contains some terrific, challenging fiction.
Virtually every story is worthy of a read but I do have some standouts:
Lacunae, by Karl Edward Wagner Goodbye, Dark Love, by Roberta Lannes (still, in 2011, one of my favourite short stories ever) Vampire, by Richard Christian Matheson Lost Souls, by Clive Barker
A terrific collection, a milestone of the genre (I'd say), well worth a read.
i won’t bore you with a story-by-story review because in fact every story in here is fucking awful. the clive barker piece is automatically the best of the bunch bc he can write, but it’s not even a good barker story. if you don’t tap out during the opener “blue rose” - a fucking FIFTY PAGE peter straub novella - karl edward wagner’s miserable “lacunae” is lying in wait ... a wildly but not interestingly transphobic bit of ~transgression~ that is as dull as this kind of outsider-gaze stuff usually is. elsewhere lie multiple stories about evil parasitic whores, including whitley streiber’s dismal closer “pain,” about S/m as uhhhh apocalyptic ruin. women do be fucking disgusting creatures.
anyway this kind of brainless, perspectiveless, genre-recitation bullshit is why i largely avoid horror fiction — so much of it is truly unreadable, empathy-free trash written to fulfill market expectations and avoid any kind of recognizably human experience. skip it !!!!
Irregular colección de relatos de terror. Algunos muy buenos y algunos que pasan sin pena ni gloria. A destacar el relato de Barker:, " Almas perdidas" donde aparece por primera vez el detective de lo sobrenatural Harry D'amour. Uno de los personajes de Barker que aparece en sus novelas. El mejor relato es " La guadaña" de Robert Bloch, donde la muerte le ofrece la posibilidad a un hombre de alargar su vida si cada año le trae una victima que supla su turno.
I actually didn't expect much from this book. I was negatively biased by its Goodreads rating. I knew it wasn't a popular book right away too (only 18 reviews! (about to be 19 with mine)).
I was surprised by the content. I certainly didn't think the stories would be that sick and twisted. They are truly terrifying. Even if some of them are not that good, the horror approach is definitely there.
Now lemme list the ones that deserve a special mention:
Blue Rose - A great one to begin this book. It's the longest, too. Children can be the devil. Won't say more.
The Monster - Really good and really graphic.
Lacunae - So good! Talking about trans people in the 80s? Yup. And that ending is siiiick.
They're Coming for You - Whoa, what a ride! Talk about unexpected endings.
Lapses - Really entertaining. I could feel the anxiety along with the main character.
And there are many more. Yes, it definitely got me in the mood for the spooky season.
Oh, and unpopular opinion: the one by Clive Barker, which according to the reviews is one of the best of the bunch, was among the ones I liked least. Oops.
I say give it a go if you're into horror. Though I don't know how easy it'll be to find it.
3.5 stars, rounded down because I honestly didn’t retain all that much from these short stories. They span topics and perspectives, and remind horror readers that the definition of the beloved genre doesn’t always cling to monsters in the dark—but in all honesty, I wasn’t terribly impressed by a majority of these stories. Barker is one of my favorite authors, and I’ve enjoyed Straub and Bloch—Strieber has been on my list for awhile and I will be sure to revisit him after reading “Pain”, the closing story in this collection—but even their stories left something to be desired in my opinion. Foe the most part, I wasn’t impressed by these stories. Maybe I’m missing something more grandiose here.
Favorites: “The Monster” by Joe Halderman “Lapses” by Chelsea Quinn Yarbro “The Bell” by Ray Russell “Reaper” by Robert Bloch “Pain” by Whitley Strieber
Excellent mid-1980's original horror anthology edited by Dennis Etchison, one of horror's greatest short-story writers. Stand-outs include "The Monster," a rare foray into horror from Joe Haldeman (The Forever War, Forever Peace) that embeds its supernatural horror in Viet Nam.
There's also a superior tale of religious angst and the common fear of getting lost in Ramsey Campbell's "The Hands." Les Daniels journeys into short fiction for a weirdly hilarious take on ghostly vengeance, "They're Coming for You." Chelsea Quinn Yarbro offers a disturbing tale of disintegrating memories and consciousness in "Lapses." In all, a solid anthology with very few misfires. Highly recommended.
A fairly entertaining anthology of horror! Each of the stories kept my interest, some more-so than others. My particular favorites were: “They’re Coming for You” by Les Daniels “The Hands” by Ramsey Campbell “Reaper” by Robert Bloch. “Pain” by Whitley Strieber.,
I picked this from my library for the Karl Edward Wagner story. It’s a Kane in the 80’s story and hard to find. The rest of the book is a mixed bag, but with names like Robert Bloch, Ramsey Campbell and Clive Barker, you can’t go wrong. Just a bit too uneven and pretentious to rate over 3 stars
Pues no hay mucho que agregar. Relatos muy buenos la mayoría y de los mejores escritores. Solo con la condición de que te guste el género para que lo puedas disfrutar.
La temática de los relatos de esta antología es muy variada. Desde asesinos hasta fantasmas y monstruos, de pactos con el diablo a la Parca, de vampiros a extrañas terapias sadomasoquistas.
Algunos relatos me han gustado muchísimo, otros me han parecido simplemente entretenidos y otros me resultaron algo confusos y no me enteré bien de qué iban.
Mis favoritos son:
-Almas perdidas, de Clive Barker
-Rosa azul, De Peter Straub
-La última piedra, de William F. Nolan
-La guadaña, de Robert Bloch
En "Almas perdidas" nos reencontramos con el detective privado Harry D'Amour (El Señor de las Ilusiones, El Gran Espectáculo Secreto) que está dando caza a un demonio. En "Rosa azul" un niño hipnotiza a su hermano menor, pero la cosa se le va de las manos y decide llevarlo hasta el límite. El relato guarda una estrecha relación con la novela "Koko" de Peter Straub.
En "La última piedra" alguien está recreando los asesinatos de Jack el Destripador, y en "La guadaña" un hombre hace un trato con la Muerte: vivirá un año más por cada persona que mate.
Estos cuatro relatos son auténticas joyas, el resto son bastante olvidables.
Ok. Después de una relectura pude apreciar mucho màs esta antologia de relatos de terror. Tenemos aquì varios autores muy grosos como Clive Barker, Peter Straub y Ramsey Campbell (entre otros) y nos presenta varias historias muy interesantes entre las que destaco:
Almas perdidas por Clive Barker (Aqui tenemos una historia del detective de lo paranormal "Harry D'Amour" y con el dato de que solo se publico en español justamente esta colecciòn) Rosa Azul por Peter Straub (Relato corto muy "perturbador" que al parecer sirve de precuela para otro libro llamado KoKo) El Monstruo por Joe Haldeman (A mi parecer es el relato lovecraftniano de la colecciòn) Vienen a por ti Les Daniels (Muy bueno incluso teniendo muy poquitas paginas) La ùltima piedra por William Nolan (Nos cuenta una historia dònde "reaparece" un mítico asesino) La guadaña por Robert Bloch (En uno de los ùltimos relatos se aborda la pregunta: "Que pasarìa si pudieras hacer un trato para vivir màs ?" Este es de lo màs reflexivos y con un buen final.
Una recopilación con sus altibajos pero con una muy interesante mezcla de narrativas, recomendable para quienes no hayan salido del horror clásico aun y quieran acercarse a las corrientes mas modernas (aunque no contemporáneas)