Under the Radar

This is a bit of a Frankenstein's monster kind of issue. Some of the articles were originally written for our last issue (Issue 70). But the My Favorite Movie theme of that issue took over, pushing out most articles not centered on the silver screen,

1. Black Belt Eagle Scout: “Spaces” 2. Weyes Blood: “It's Not Just Me, It's Everybody” 3. The WAEVE: “Undine” 4. Murray A. Lightburn: “Once Upon a Time in Montreal” 5. John Cale: “NOISE OF YOU” 6. Caroline Rose: “Miami” 7. Lael Neale: “In Verona” 8.

PUBLISHERS: Mark Redfern and Wendy Lynch Redfern SENIOR EDITOR/MUSIC EDITOR: Mark Redfern [email protected] CREATIVE DIRECTOR: Wendy Lynch Kedtern [email protected] MARKETING AND ADVERTISING SALES: Mark Nockels mark.nockels@underther

In a sea of hot indie bands producing cool new dance music, it can be hard for seasoned bands to cut through the saturation with something fresh. Maintaining relevance is hard, especially if your band has been on the radar of every indie music public

Portland, Oregon may have seemed an unlikely spot for the Chicago-based duo of Whitney (Julien Ehrlich, Max Kakacek) to decamp to record their fourth album and truthfully that wasn't the plan. In the aftermath of the breakup of Ehrlich's long-term re

On Squeeze, SASAMI (aka Sasami Ashworth) takes an about-turn from her softer edge self-titled debut from 2019, plunging into noise-heavy, nu metal and explaining to one newspaper that she was doing this to appropriate from white male culture. Speakin

Despite a pointed line like “I know you're out there, out there, getting fucked in someone else's bed,” Asha Lorenz from lauded, North London five-piece, Sorry, wasn't aware she'd penned a break up album until everyone else pointed it out to her. “At

Heavy Heavy NINJA TUNE Guy NINJA TUNE Exodus the North Star BIG DADA Fold OUTLIER All Our Friends Are Vampires NINJA TUNE Flowers At Your Feet BIG DADA Dreamer NINJA TUNE Forever Forever BRAINFEEDER ■

To conclude, we ask Jason Williamson of Sleaford Mods some questions about endings and death. The British post-punk duo is Williamson on vocals, with Andrew Fearn providing arresting backing music to Williamson's honest, topical, and often very funny