January-February-March 2022

Dance Australia

Australia's most respected Dance magazine
  • Dance Australia3 min read
    On Memory And Illusion
    ALTHOUGH it is described as a solo, the elusive nature of Martin del Amo’s new piece is suggested by the fact that it will actually be performed by himself and another dancer, Miranda Wheen. Calle Mirage, it is set to an enigmatic Morton Feldman scor
  • Dance Australia5 min read
    Dancer Exploited
    IN such a competitive profession, how do you hold the line on pay and conditions when there are other dancers lined up to take your place? It is a slippery slope for pre-professional and early career dancers. According to Julie Englefield, from Ausd
  • Dance Australia3 min read
    Where To Go For Help
    M.D. Where can dancers turn if they have concerns or questions about employment conditions and rights? Ausdance: If they are a member of Ausdance, they can contact us via our website (https://ausdance.org.au) or call us. If they’re not a member, they
  • Dance Australia6 min read
    Underpaid And Undervalued
    ENDING exploitation can be difficult because often it has become so entrenched and accepted that those involved may not realise they are being exploited. There is a Catch-22 in the scarcity of adequately paid dance work, which is filled by the elite
  • Dance Australia1 min readCrime & Violence
    Meaa’s “Know Your Worth” Campaign
    • Launch of national dance survey on pay and conditions, including harassment, bullying and body shaming, to determine areas for change and improvement. Open to all dancers whether members or not. • Establishment of digital community for discussion a
  • Dance Australia2 min read
    Knowledge Is Power
    NEGOTIATING employment contracts and conditions of work as independent artists can be a minefield. Yet the “gig economy”, according to the Actuaries Institute, has seen a nine-fold increase in Australia in the past six years. Many performers and work
  • Dance Australia5 min read
    Keeping ‘The Rite’ Right
    RESTAGING a Pina Bausch work is no simple process. On top of the months of rehearsal, countless hours of organisation and administration must take place behind-the-scenes to bring her choreography to life on stage. But throw in a transnational, multi
  • Dance Australia4 min read
    More Than A Muse
    IN March 2021, following Sydney Dance Company’s long postponed premiere of Impermanence, Barton Barton retired from the company as a dancer. She has continued to be as involved as ever – just now in different capacities. She was involved behind the s
  • Dance Australia1 min read
    Early Years
    Barton’s early movement training was in callisthenics, which she did at a national level for 10 years. She started ballet at 16 at Terri Charlesworth Ballet School (then associated with the Graduate College of Dance in Perth). She later moved to WAAP
  • Dance Australia6 min read
    Back To The Studio
    DANCERS, companies and teachers have shown tremendous resilience, ingenuity and adaptability throughout the pandemic and the subsequent lockdowns. It will continue to be a challenge as we all adapt to the new normal. These notes are some general cons
  • Dance Australia1 min read
    Accessing Additional Support
    Reach Out, an online mental health resource for teenagers and their parents: https://about.au.reachout.com/home Raising Children Network, an Australian parenting website: https://raisingchildren.net.au. Emerging Minds: https://emergingminds.com.au. T
  • Dance Australia3 min read
    The Australian Ballet
    GIVEN that the final two programs of the Australian Ballet’s planned 2021 Sydney season had been cancelled due to pandemic restrictions, the unexpected introduction of the AB’s Celebration Gala, held in Sydney and Melbourne at the end of the year, wa
  • Dance Australia4 min read
    Tasdance
    WITH Launceston-based Tasdance celebrating its 40th year last year and with a clear homage to three previous iterations of Illuminations (1992, 1993 and 2006), the Illuminate project, held on November 19 and 20, ignited fond memories and the imaginat
  • Dance Australia1 min read
    The 2022 Syllabus Guide
    PLUS: our updated and comprehensive list of syllabus organisations, including clever new start-ups. ■
  • Dance Australia4 min read
    New Kids On The Block
    AUSTRALIA has an extensive number of syllabus organisations (see our guide). Some syllabus organisations are steeped in traditions that span hundreds of years, such as Vaganova, Cecchetti and the Royal Academy of Dance (RAD). Each of these organisati
  • Dance Australia3 min read
    Sandra Elliott
    Our mission at Acrobatic Arts is to be at the forefront of the AcroDance industry in safety, progressional development, teacher support and inclusion. One feature of our exams is that students can expect a class setting with the examiner directing th
  • Dance Australia3 min read
    Christine Walsh AM
    Regular examination or assessment is a valuable and necessary tool in a student’s training as short-term goal to work towards and ultimately to achieve. It provides a yardstick for the students in relation to the reality of their current progress and
  • Dance Australia3 min read
    Mrs Lesley Scott
    Being an examiner is one of the most rewarding experiences you will ever have. The teachers and students are the ones who do all the hard work, and I am the lucky one to witness the results. It is such a pleasure to see the students, who have obvious
  • Dance Australia3 min read
    Helen Rawlings
    Connecting with dance students and teachers Australia-wide brings such a huge variation in perspective. Each time I read a student’s submission I feel myself learning something new, regularly having moments of “aha!”. Like teaching face to face, ther
  • Dance Australia3 min read
    Rory Williamson
    One of ADV’s stand out features is its approach to assessments. While still a formal examination environment, students are assessed in a more welcoming fashion. Nametags are preferred over numbers, a wholistic approach is taken to dance education wit
  • Dance Australia2 min read
    Leah Belford
    My job as an examiner is so varied and always exciting. However, what I love most about it are the people we meet and the children we get to see. We get to witness their sense of achievement as they complete their exams and the joy on their faces. In
  • Dance Australia3 min read
    Mary Easton
    I think the most enjoyable part of my job is being able to share my passion for dance and to see students succeed and grow, whatever their individual ability levels. From a syllabus point of view, it is so exciting and rewarding to see them progress
  • Dance Australia2 min read
    Dianne Pokorny
    After I finished dancing professionally, I was drawn to teaching. I knew I wanted to share my love of dance and pass on my knowledge so this is where this journey began. I was trained in the Cecchetti Method, so I went back to my roots. Cecchetti Bal
  • Dance Australia3 min read
    Sharon Alback
    I have been part of the Comdance examination system for 70 years, first as a student, then as a teacher and now as the most senior examiner. Over this time the society has grown from a small number of teachers in four Australian States with the exami
  • Dance Australia3 min read
    Patricia Yvonne Overington
    FOR this life member of Education in Dance Theatre Arts (EDTA), examining students and seeing their response to all aspects of the syllabus is a privilege and honour. “You are placed in a position of trust to evaluate the ability of candidates presen
  • Dance Australia3 min read
    Lindsay Ellman-Brown,
    When I applied in 1998, I had to pass two auditions to be accepted onto the training course. The first consisted of teaching a class in my own school in Harare, Zimbabwe, in front of an examiner and then having an interview with that examiner. The se
  • Dance Australia3 min read
    Christine Denny
    CHRISTINE Denny has many favourite memories of examining Tapatak Oz and they all came during TAP CHAT! , a moment at the end of the exam when the examiner chats with the students about why they love tap. One student, when asked why he loved tap danci
  • Dance Australia1 min read
    But Wait, There’s More!
    e: [email protected] w: www.ballet.org.au  e: [email protected] w: https://bbo.dance/ & https://bbo.dance/australasia  e: [email protected] w: www.bdadance.com.au  e: [email protected]  e: [email protected] w: www.ch
  • Dance Australia1 min read
    Coming Soon!
    Our annual compendium of advice and wisdom from the experts. • Choreography in the Tik Tok age • At home with Australian Ballet stars Ako Kondo and Chengwu Guo ■
  • Dance Australia3 min read
    Bethany Cordwell
    What drew you to costume design? I was always very creative and worked with my hands – whether it was painting, sewing, drawing or making costumes out of strange materials. I have always been drawn to costume design because of its innate storytelling