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Last Visit
Last Visit
Last Visit
Ebook67 pages26 minutes

Last Visit

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In Chad Abushanab’s debut poetry collection, The Last Visit, he carefully and compassionately explores a family broken by alcoholism and abuse. These poems trace the trajectory of an adolescent living with a violent father struggling with addiction, and recount both the abused child’s perspective and his attempts to reckon with his past as he reaches adulthood, chronicling his own struggles with substance abuse and the reverberations of trauma in his life. Amid the violence and hurt, Abushanab’s verse renders moments of compassion—even the least sympathetic figures are shown to be grappling with their flaws, and the narrator struggles to find compassion and move beyond the memories and habits that haunt him. These well-crafted poems explore how the past shapes us and how difficult it can be to leave behind.
LanguageEnglish
Release dateMar 15, 2019
ISBN9781938769818
Last Visit

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    Book preview

    Last Visit - Chad Abushanab

    Negatives under Microscope

    I’m focused on the space inside your eyes—

    first pupil, then iris, now cellular disruption—

    in search of some clear catalyst, some reason

    for these scars, for this crooked helix on my chest.

    I want the DNA for empty bottles.

    I need to know what made your cruelties grow

    unwieldy, like cancers let loose upon a body.

    I’ve scoured the entire frame, pushed past

    the edge of every family negative

    believing the secret’s hidden, like a code

    between the plastic and the acetate.

    I stare for hours at a single portrait,

    deducing from a smile the hell behind your face.

    At times I think I smell the whisky sweet

    perfume of you, as though each image captured

    something of how you lived, how you breathed.

    But then each clue turns out a part of me:

    a hair, a thumbprint left while leafing through

    the pile of specimens, a flake of skin,

    a barely visible scratch I made in haste—

    more me than you, more you than science,

    naked and pinned down beneath the lens,

    as though our cause is finally in the frame,

    begging for exposure, for the light.

    The Factory

    Hulks in shadows just outside of town:

    a rusted mess, a postindustrial tomb.

    Poorwills roost in smokestacks falling down

    and cry out something awful in the gloom.

    Elsewhere, men with bloody lungs keep

    coughing up clots like overripe berries.

    Their wives beside them pretend to be asleep,

    imagine different endings to their stories.

    Plastic Men

    After each fight, Mom took us both

    to Wilson’s Five & Dime to pick

    some cheap toys. Our father’s slurred voice

    became a ghost of breath beneath

    the long tin ventilation shafts.

    Mom waited by the counter,

    spoke to the clerk about discontinued

    spools of thread, buttons she’d meant

    to sew on weeks ago. She wore

    green bruises below her eyes.

    Her split lip kept her dabbing blood

    with Kleenex—a poppy flowered rag.

    Digging through crates of army men,

    we looked for figures of tragedy:

    missing arms, hands broken at the wrist,

    the grenadier who’d gripped the bomb

    too long. Back home, we’d line up the

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