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Spellwright
Spellwright
Spellwright
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Spellwright

Rating: 3.5 out of 5 stars

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“Think that words can’t hurt you? Sometimes they can kill. The spells of textual magic in this enthralling tale will demonstrate just how.” —Terry Brooks, New York Times–bestselling author of the Sword of Shannara trilogy

Nicodemus is a young, gifted wizard with a problem. Magic in his world requires the caster to create spells by writing out the text . . . but he has always been dyslexic, and thus has trouble casting even the simplest of spells. And his misspells could prove dangerous, even deadly, should he make a mistake in an important incantation.

Yet he has always felt that he is destined to be something more than a failed wizard. When a powerful, ancient evil begins a campaign of murder and disruption, Nicodemus starts to have disturbing dreams that lead him to believe that his misspelling could be the result of a curse. But before he can discover the truth about himself, he is attacked by an evil that has already claimed the lives of fellow wizards. He must flee for his own life if he’s to find the true villain.

But more is at stake than his abilities. For the evil that has awakened is a power so vast that if unleashed it will destroy Nicodemus . . . and the world.

“Superbly tells the story of a young man searching for his place in the world.” —Booklist, starred review

“The innovative spell craft will please fantasy readers.” —Publishers Weekly

“Clever and original.” —Tad Williams, New York Times–bestselling author of Shadowmarch

“A letter-perfect story: an absorbing read.” —Robin Hobb, New York Times–bestselling author of the Farseer trilogy
LanguageEnglish
Release dateMar 2, 2010
ISBN9781429945219
Spellwright
Author

Blake Charlton

Severe dyslexia kept Blake Charlton from reading fluently until he was twelve. Because of this, everyone – including Blake – believed that he would never attend college. Ten years later he graduated summa cum laude from Yale University. Blake is currently studying at Stanford Medical School. Spellwright is his first novel.

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Rating: 3.415204678362573 out of 5 stars
3.5/5

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  • Rating: 3 out of 5 stars
    3/5
    Spellwright is the introductory novel of Nicodemus, a young aspiring wizard who has been branded a cacographer because of his disability. Simply put, he has magical dyslexia - in a world where spells are visible as strings of floating, physical text, a mere touch by Nicodemus can cause a spell to be misspelled, gaining new meaning and often as not warping it from simple to potentially dangerous.

    As with many fantasy novels, there is a prophesy, and depending on interpretation Nicodemus could be a savior - or the equivalent of the antichrist.

    I have to confess, I've wanted to read this book since it came out a few years ago, and anticipation breeds its own expectations that reality can rarely match. As is oft said, I wish Goodreads would let us use 1/2 stars. Charlton's book is right on the cusp between 3 and 4 stars, but ultimately I couldn't round up.

    The cons, for me, were twofold. First, mechanically, I found the text to be agonizing to follow in some places. It is almost worst that this is an inconsistant problem, because the rest of the time you can get a sense of Charlton's emerging voice. Future books will not suffer this problem, and you can tell. Charlton can tell a story, but that fact is buried in this first novel, and only shining on occasion.

    Secondly, and perhaps this is another writing advancement that will come in the future, there are far too many info dumps. In fact, this book is an amazing example of show, don't tell. There are so many cases where if Blake had stepped back and given pause, he could have demonstrated his point, leaving the reader to "discover" the truth on their own (and therefore feel both a minor sense of accomplishment, as well as feel more involved in the story).

    I read the book in five days, with a real life interrupting. In my world, that means the book was a quick read, so caveat lector.
  • Rating: 4 out of 5 stars
    4/5
    It took me a little while to get into this, to understand how the text-based magic worked in this world, who the characters were and what the conflict was. But about a third of the way through it all clicked, and now I'm looking forward to the sequel.
  • Rating: 5 out of 5 stars
    5/5
    SPELLWRIGHT, by author and medical student Blake Charlton, focuses on Nicodemus, a cacographer spellwright (one who misspells magical texts by touching them, thereby wreaking occasional havoc). Nicodemus may or may not be the answer in saving the world from the demonic Typhon, but first he must recover the emerald which will cure him of his misspellings.
    There’s no way I can suitably sum up the multiple adventures Nicodemus experiences. There are plenty of well-written combat scenes that never carry on too long. The descriptions of magic and sorcery are sometimes mind-blowing. The intelligence behind this world-building is evident; mythological and scientific references run throughout.
    This is the first book in a new trilogy, and I for one can hardly wait for the next volume! SPELLWRIGHT is intelligent, satisfying, and thought-provoking. I recommend this adventurous book to all fantasy readers.
  • Rating: 3 out of 5 stars
    3/5
    A book which starts out very promising, but then is let down by a much weaker second half.
  • Rating: 4 out of 5 stars
    4/5
    Nicodemus Weal, flawed wizard, must learn if he's a force for good or for evil: to tell the righteous from the tainted and take his place as battle leader in upcoming war. I like the idea of language as Creator, sustainer and end, hero seeking wholeness, very creative world -- cross between myth/fairy tale/fantasy, good suspense, great creatures. I loved the yellling librarians under Book Worm attack!
  • Rating: 1 out of 5 stars
    1/5
    Boring crap, weak characterisation, really annoyingly unimagine take on libramantic magic ... Stumbling worldbuilding. I see no reason to spend more energy on this!
  • Rating: 4 out of 5 stars
    4/5
    What if your "handicap" was instead a higher order ability-- interesting ideas and a solid first in series fantasy.
  • Rating: 5 out of 5 stars
    5/5
    I dithered between rating this as a 4 stars and a 5 stars. In the end I settled on 5, because I really thoroughly enjoyed the book.

    First, some cons.
    The book doesn't have much exposition in it. You are launched immediately into a world where language is magic and expected to just get it. At the beginning the timeline is a little confusing. The prologue makes it seem like the first murder happens some time in the past, but it doesn't. The story is very complex and a little convoluted at times. And the story is somewhat exhausting. There were times when I looked at my progress and went "Dude, that is seriously all I have read???". The last con is that despite everything that happens near the end, the actual ending of the book didn't instill me with an immediate need to get the next one. It wasn't a cliffhanger ending. It was just an ending that left me to pick up the next book at my earliest convenience.

    The story is also edited a little strangely with breaks in it that don't make much sense as there isn't a change in perspective or time. It utilizes visual breaks in the pages where either a further break (swapping POV, ending the chapter) would have been more effective, or a lesser break (new paragraph instead of such a visible break) would have been sufficient.

    A note on the characters in the cons category. I like that Nico is of limited/different ability. I like Shannon's ability to see magical text. I didn't like Nico's attitude through a lot of the book... he seemed stubborn when he didn't need to be. And I feel so bad for poor Dierdre. SAVE HER NICO!

    Now, some pros.
    The book, for a first novel of a non-literary major, is fantastically written. It is not bogged down by a lot of useless exposition, though it does border on too-sparse at times. The story is fantastically in-depth and the literary-based magic system with a dyslexic hero (who isn't really THE hero as we find out at the end) is unique. While the ending itself doesn't have that sense of urgency to dive into Book 2, there were plenty of jaw-dropping moments that kept me reading past my bedtime. Blake Charlton knows how to drop a bomb, he just needed to drop one near the end as well.

    I feel really attached to some of the characters in this book. Especially the nightmares. I want them to not be completely gone.

    I might come back later and edit this to add more, but for now that is it.
  • Rating: 5 out of 5 stars
    5/5
    Whenever I get to the ending of a book it can go either way: I stop reading because is too good for it to end; or I stop reading because I'm tired from it and need a break. Eventually I get back to it, or not. With this one I stopped because it was good. I got tired of being kept at the edge of my seat so I took a break. A very short one.

    I've been on a reading slump because I couldn't find a fantasy book worthy of my limited time. I started reading this at the store because it kept popping up at the corner of my eye when looking for something to read. I tend to judge a book on how it gets me going from the first pages. Sometimes is no good, so I skip to a few pages ahead, no good. Sometimes I give it a chance and keep going a few pages more. With this one I kept reading as soon as I opened the book on the first pages. I had to stop myself and put the book away until I could purchase it.

    I love the characters and the twists that come with them. I love the fact that no character is perfect, and they all have their problems and a road to evolve and grow up into. I love the fact that the main character isn't perfect but isn't too broody and angsty.

    This is the first time I have encountered such use of the magic and spellcasting world. Made me have to re-read sentences, go back pages, to see what I missed or didn't understand as well. Very complex, and believeable due to the fact of where the world itself is based off. Can't wait for more.
  • Rating: 3 out of 5 stars
    3/5
    While some of the themes of this book were typical "coming into his own by finding out the truth of difficult origins", the struggles of this young adult with magical dyslexia were original and felt emotionally true. The storyline becomes a little rushed at the end of the book and the new attachments and changing allegiances not quite believable. I enjoyed it enough that I do think I'll read a sequel if it comes out.
  • Rating: 2 out of 5 stars
    2/5
    The first sentence of this fantasy novel pretty much told (or didn't tell) the story for me. "The grammarian was choking to death on her own words.And they were long sharp words, written in a magical language and crushed into a small, spiny ball." I thought to myself that surely the author would make this unusual imagery clear within the next few pages. No, it wasn't made clear in the next fifty pages, and since I had come no closer to understanding this magical society in that amount of time, I gave up on it. I don't like to think of myself as a quitter, but nothing about the premise of this novel or its characters pulled me in and made me want to keep reading. That's not to say that some readers won't love it, but not me!
  • Rating: 3 out of 5 stars
    3/5
    Blake Charlton's debut novel, Spellwright, is a mixed bag, with some particularly strong points to be found in its characterization and its heavy, almost hard fantasy focus on an often ridiculed method of producing magic: language. While the novel is not without flaws, Charlton makes up for it with strong action sequences that often result in a little of the gosh-wow that many have argued is sorely missing from fantasy's cousin, science fiction.

    Spellwright follows Nicodemus Weal, a wizard in training at an academy. He was once considered to be the Halcyon, a mythical figure prophesied to return to stop the Disjunction--a battle against the demons of the old world from across the ocean. The only problem is that Nicodemus is a cacographer, whose dangerous misspells of common languages makes him potentially dangerous to any other magic user. His cacography makes him anything but the "one." When a grand wizard at the academy is killed by a powerful misspell, Nicodemus and his teacher, Shannon, are the prime suspects. And as politics and prejudice play out in the academy, something with intimate ties to the forgotten, blasphemous magical languages from the old world sets a plan in motion that could destroy the academy and bring about the Disjunction, an event the Nicodemus will be a part of, whether he wants to be or not.

    What sets Charlton's novel apart from other fantasy works is its magic system. Firmly rooted in the author's dyslexic past, the magic system ofSpellwright avoids spoken language and instead places all of the power in the written word. Spells have to literally be written within the body and then passed down through the arms to be cast. Likewise, you have to know the language(s) to be able to use them effectively (and there are many languages). The great part about this is that it creates a lot of fantastic limitations: particularly large and powerful spells take a long time to cast, not knowing how to spell properly can be unintentionally deadly, as is the case with Nicodemus, and magical languages become protected entities from other groups, because without knowing a particular language, you can't see or cast against it.

    Taking a detour from the magic, I think it's important to note that the characterization in Spellwright, while not as well-developed as I would have liked, does show a lot of promise. The fact that the main character and Charlton share a common origin shouldn't be misconstrued as a kind of Mary Sue (or Gary Stu, since Charlton is a man), but instead seen for what it is: an intimate portrayal of a character with a mental disability who must battle against a world that views him not as a person with some value, but as kind of disease. Nicodemus is not difficult to like. His struggles, motivations, and outbursts all make sense. I suspect that many will identify with Nicodemus, even if they have no disabilities (for lack of a better word) themselves; we can empathize with people who have been ostracized for one reason or another. To be critical for a moment, I do think that the characterization that exploded in the last third of the novel should have come more gradually throughout. The ending does feel somewhat rushed in terms of the characters, and it would make more sense for them to develop less abruptly.

    The action, however, will likely be seen as the novel's strongest point. It becomes clear early on that Charlton has thought through how his wizards will fight. A standard wizardly slug match where users just toss fireballs and the like at one another won't do, namely because spells that can do the most damage can't generally be put together on the fly (though some can). We see only a glimpse of the potential in Charlton's magic as a combat system, because the novel itself is not set within the Disjunction, but in a somewhat peaceful time. That glimpse is enough, though. The fights are exciting, the magic equally so, and all the creations that come as a result make for a very fast-paced book.

    The novel's weaknesses seem to be more within the realm of continuity and genre trappings than anythingels. The magic system, while unique and quite intriguing, often isn't set in stone. For example, it's mentioned numerous times that characters cannotspellwright within the walls of the academy, and yet we see numerous characters do just that. Either I missed something, or the author didn't make it clear enough that he meant only certain characters (or something else).

    Finally, while I understand that fantasy is often repetitive, I have to wonder when we're going to see enough of this prophesy business. I like Charlton's novel, but the prophesy subplot plays a crucial role in the overall story, and I feel as though this takes away from the potential of the novel. Here is a book that has a great magic system, an interesting past, and interesting "races," yet it finds itself stuck using the all-too-familiar furniture of a genre burdened with familiar furniture. Prophesies are sort of like the cheap bookshelves you get at Walmart: a lot of people have them, and they're all the same--cheap, colorless, and weak. Move away from prophesy. We need more characters who rise up to the occasion on their own, without prompting from people who think they are something else. There's nothing heroic about someone fulfilling their destiny; it's just...expected.

    Spellwright's prophesy subplot does have a twist in it and much of the novel is spent dispelling the belief that Nicodemus is the Halycon, but the prophesy bit is still there in the background. Fantasy has sort of built up its foundations on recycled themes, and it continues to do so, because that's sort of how it's done; some of these themes, I think, should simply disappear.

    But moving away from that, I'll try to get back on a positive note, because I don't think it's fair to point all the fingers at Charlton, or to try to take away from what works in the novel. Charlton has a lot of potential. He could take the concepts of his novel very far: so much can be done with thecacography and all the unique languages he has created for his magic system. If he keeps pressing the details in his future novels, I think he'll become a strong player in the fantasy realm. Right now,Spellwright is fun, unique, and engaging, despite being a tad cliche. Hopefully we'll seem some improvement in the second book.
  • Rating: 3 out of 5 stars
    3/5
    This was a book with an amazingly original premise that fell tragically short of its potential. The description of spells was nerdy, but detailed and compelling. I thought the pacing of the first half of the book was great with introducing us to campus life and parts of the world and its conflicts. However, after wrapping up the main storyline the author abandons that measured pacing completely.

    The protagonist regains his powers, saves his mentor, loses his powers, then journeys to live and study with the goblins for a year. We find out there's a chick out there gunning for him, mistaking him for an evil force, and this all happens in the last few chapters of the book. It was too much info-dumping for me.
  • Rating: 3 out of 5 stars
    3/5
    This is a strong opening to a new fantasy series which takes the power of language literally. One of the things I most enjoyed was how complete the worldbuilding is and the many different cultures that populate the novel. Nicodemus is a deeply sympathetic character whose cacography (think of dyslexia but with magical ramifications) not only keeps him from being able to cast spells but also makes it difficult for him to even handle magical artifacts. Too often a character is given a disability which is unrelated to the larger quest, but in Spellwright it is deeply connected to the larger quest.

    If you are looking for a new voice in fantasy, give this a try.
  • Rating: 4 out of 5 stars
    4/5
    Nicodemus Weal is a cacographer, the magical equivalent of dyslexia, which makes him misspell magic texts and shortchanges his spellcasting ability. An unknown enemy is searching for a powerful cacographer, and Nicodemus is in grave danger, even while the master that would protect him, Magister Agwu Shannon, is under suspicion of murder.

    This fantasy is an excellent blend of old and new. I loved the inventiveness of magic itself - and gargoyles, constructs, and the like - being built out of text. This gave rise to numerous plays on words and new meanings for such things as "authors" and "grammarians" that were really fun to discover. At the same time, the use of magic, prophecy, and battle of good and evil put this well within the traditional genre. Though given to long, conversational exposition and a long ending that seemed more to set up the next book than wrap up loose ends, this debut shows a lot of talent, and I look forward to reading the next in the series.

Book preview

Spellwright - Blake Charlton

Prolog

The grammarian was choking to death on her own words.

And they were long sharp words, written in a magical language and crushed into a small, spiny ball. Her legs faltered. She fell onto her knees.

Cold autumn wind surged across the tower bridge.

The creature standing beside her covered his face with a voluminous white hood. Censored already? he rasped. Disappointing.

The grammarian fought for breath. Her head felt as light as silk; her vision burned with gaudy color. The familiar world became foreign.

She was kneeling on a stone bridge, seven hundred feet above Starhaven’s walls. Behind her, the academy’s towers stretched into the cold evening sky like a copse of giant trees. At various heights, ribbon-thin bridges spanned the airy gaps between neighboring spires. Before her loomed the dark Pinnacle Mountains.

Dimly, she realized that her confused flight had brought her to the Spindle Bridge.

Her heart began to kick. From here the Spindle Bridge arched a lofty half-mile away from Starhaven to terminate in a mountain’s sheer rock face. It led not to a path or a cave, but to blank stone. It was a bridge to nowhere, offering no chance of rescue or escape.

She tried to scream, but gagged on the words caught in her throat.

To the west, above the coastal plain, the setting sun was staining the sky a molten shade of incarnadine.

The creature robed in white sniffed with disgust. Pitiful what passes for imaginative prose in this age. He lifted a pale arm. Two golden sentences glowed within his wrist.

You are Magistra Nora Finn, Dean of the Drum Tower, he said. Do not deny it again, and do not refuse my offer again. He flicked the glowing sentences into Nora’s chest.

She could do nothing but choke.

What’s this? he asked with cold amusement. Seems my attack stopped that curse in your mouth. He paused before laughing, low and breathy. I could make you eat your words.

Pain ripped down her throat. She tried to gasp.

The creature cocked his head to one side. But perhaps you’ve changed your mind?

With five small cracks, the sentences in her throat deconstructed and spilled into her mouth. She fell onto her hands and spat out the silver words. They shattered on the cobblestones. Cold air flooded into her greedy lungs.

And do not renew your fight, the creature warned. I can censor your every spell with this text.

She looked up and saw that the figure was now holding the golden sentence that ran into her chest. Which of your students is the one I seek?

She shook her head.

The creature laughed. You took our master’s coin, played the spy for him.

Again, she shook her head.

Do you need more than gold? He stepped closer. I now possess the emerald and so Language Prime. I could tell you the Creator’s first words. You’d find them . . . amusing.

No payment could buy me for you, Nora said between breaths. It was different with master; he was a man.

The creature cackled. Is that what you think? That he was human?

The monster’s arm whipped back, snapping the golden sentence taut. The force of the action yanked Nora forward onto her face. Again pain flared down her throat. No, you stupid sow, he snarled. Your former master was not human!

Something pulled up on Nora’s hair, forcing her to look at her tormentor. A breeze was making his hood ruffle and snap. Which cacographer do I seek? he asked.

She clenched her fists. What do you want with him?

There was a pause. Only the wind dared make noise. Then the creature spoke. Him?

Involuntarily, Nora sucked in a breath. No, she said, fighting to make her voice calm. No, I said ‘with them.’

The cloaked figure remained silent.

I said, Nora insisted, ‘What do you want with them?’ Not him. With them.

Another pause. A grammarian does not fault on her pronouns. Let us speak of ‘him.’

You misheard; I— The creature disengaged the spell that was holding her head up. She collapsed. It was different in the dreams, she murmured into the cobblestones.

The creature growled. Different because I sent you those dreams. Your students will receive the same: visions of a sunset seen from a tower bridge, dreams of a mountain vista. Eventually they will become curious and investigate.

Nora let out a tremulous breath. The prophecy had come to pass. How could she have been so blind? What grotesque forces had she been serving?

Perhaps you think Starhaven’s metaspells will protect your students, the creature said. They won’t. They might keep me from spellwriting within your walls, but I can lure the whelps into the woods or onto these bridges. It won’t be hard to do now that the convocation has begun. If I must, I’ll snuff out your students one by one. You could prevent all these deaths by speaking one name.

She did not move.

Tell me his name, the white figure hissed, and I will let you die quickly.

Nora glanced at the railing. An idea bled across her mind like an ink stain. It might work if she moved quickly enough.

No answer? The creature stepped away. Then yours will be a slow death.

Nora felt a tug on the magical sentence running through her chest.

I’ve just infected you with a canker spell. It forces a portion of a spellwright’s body to forge misspelled runes. As we speak, the first canker is forming in your lungs. Soon it will spread into your muscles, compelling you to forge dangerous amounts of text. An hour will see your body convulsing, your arteries bleeding, your stomach ruptured.

Nora pressed her palms against the cold cobblestones.

But the strongest of your cacographers will survive such an infection, the creature sneered. That’s how I’ll find him. He’ll survive the cankers; the others will die screaming. I’ll spare you this torture if you tell me—

But Nora did not wait to hear the rest. Soundlessly she pushed herself up and leaped over the railing. For a moment, she feared a swarm of silvery paragraphs would wrap about her ankles and hoist her back up to the bridge.

But the force of her fall snapped the golden sentence running through her chest . . . and she was free.

She closed her eyes and discovered that her fear of death had become strange and distant, more like a memory than an emotion.

The prophecy had come to pass. The knowledge would perish with her, but that was the price she had to pay: her death would keep a small, flickering hope alive.

Still falling, she opened her eyes. In the east, the crimson sky shone above the mountain’s dark silhouette. The setting sun had shot the peaks full of red-gold light and, by contrast, stained the alpine forests below a deep, hungry black.

CHAPTER

One

Nicodemus waited for the library to empty before he suggested committing a crime punishable by expulsion.

If I edit you, we can both be asleep in an hour, he said to his text in what he hoped was a casual tone.

At twenty-five, Nicodemus Weal was young for a spellwright, old for an apprentice. He stood an inch over six feet and never slouched. His long hair shone jet black, his complexion dark olive—two colors that made his green eyes seem greener.

The text to whom he was speaking was a common library gargoyle. She was a construct, an animated being composed of magical language. And as Starhaven constructs went, she was a very plain spell.

More advanced gargoyles were animalistic mishmashes: the head of a snake on the body of a pig, limbs profuse with talons and tentacles or fangs and feathers. That sort of thing.

But the gargoyle squatting on the table before Nicodemus took the shape of only one animal: an adult snow monkey. Her slender stone torso and limbs were covered with stylized carvings representing fur. Her bare face presented heavy cheeks and weary eyes.

Her author had given her only one augmentation: a short tail from which protruded three hooked paragraphs of silvery prose. As Nicodemus watched the spell, she picked up three books and, using their clasps, hung them on her tail paragraphs.

You edit me? Not likely, she retorted and then slowly climbed onto a bookshelf. Besides, I was written so that I can’t fall asleep until daylight.

But you have better things to do than reshelve books all night, Nicodemus countered, smoothing out his black apprentice’s robes.

I might, the spell admitted, now climbing laterally along the shelf.

Nicodemus cradled a large codex in his left arm. And you’ve let apprentices edit you before.

Rarely, she grunted, climbing up two shelves. And certainly never a cacographer. She pulled a book from her tail and slipped it onto the shelf. You are a cacographer, aren’t you? You misspell magical texts simply by touching them? She looked back at him with narrowed stone eyes.

Nicodemus had anticipated such a question; still, it felt like a kick in the stomach. I am, he said flatly.

The gargoyle climbed another shelf. Then it’s against library rules: constructs aren’t to let cacographers touch them. Besides, the wizards might expel you for editing me.

Nicodemus took a slow breath.

To either side of them stretched rows of bookshelves and scrollracks. They were on the tenth and top floor of the library known as the Stacks—a square building that housed many of Starhaven’s manuscripts.

Presently the building was empty save for Nicodemus and the gargoyle. Some light came from moonbeams falling on the paper window screens, more from the incandescent flamefly paragraphs flitting about above Nicodemus.

He stepped closer to the gargoyle. We’ve been reshelving so long that you’ve slowed down. So it’s only your energetic prose that needs rewriting. I don’t have to touch you to do that. All the other apprentices edited their constructs; that’s why they and their gargoyles finished hours ago.

All the other apprentices weren’t cacographers, the spell replied, reshelving another book. Don’t cacographers always have to stay this late for Stacks duty?

Trying not to scowl, Nicodemus laid his books back down on the table. No, usually we don’t need to rejuvenate our gargoyles. It’s this damn convocation; the wizards are pulling every manuscript they can think of to impress their guests.

The gargoyle grimaced at their pile of unshelved books. So that’s why we’ve four times as much work tonight.

Nicodemus gave the construct his most haggard look. It’s worse than you know. I’ve still got an anatomy text to review and two spelling drills to complete before morning class.

The gargoyle laughed. You want empathy from a primary construct? Ha! You might be a cacographer, but you can still think freely.

Nicodemus closed his eyes and realized that they stung from lack of sleep. Half an hour had already passed since midnight, and he had to wake with the dawn bell.

He looked at the gargoyle. If you let me rejuvenate your energetic prose tonight, I’ll find you a modification scroll tomorrow. Then you can change yourself however you like—wings, claws, whatever.

The textual construct began to climb back toward the table. Wonderful, wings from a cacographer. What good would a scroll written by a retarded—

No, you pile of clichéd prose! Nicodemus snapped. I didn’t say ‘write.’ I said ‘find,’ which means ‘steal.’

Ho ho, the boy has some spirit after all. The gargoyle chuckled. She stopped climbing to look back at him. Steal a scroll from whom?

Nicodemus pulled a lock of black hair away from his face. Bribing constructs was an illegal but common practice in Starhaven. He disliked it, but he disliked the idea of another sleepless night even more. I am Magister Shannon’s apprentice, he said.

Magister Agwu Shannon, the famous linguist? the gargoyle asked excitedly. The expert on textual intelligence?

The same.

A slow stone smile spread across the gargoyle’s face. Then you’re the boy who failed to live up to prophecy? The one they thought was the Halcyon until he turned out to be retarded?

Do we have a deal or not? Nicodemus retorted hotly, his hands clenched.

Still smiling, the gargoyle climbed onto the table. Are the rumors about Shannon true?

I wouldn’t know; I don’t listen to hearsay, Nicodemus growled. And if you speak one word against Magister, heaven help me but I’ll knock you into sentence fragments.

The gargoyle snickered. Such a loyal apprentice, considering you’re offering to steal one of Shannon’s scrolls.

Nicodemus clenched his jaw and reminded himself that, at some point, virtually all apprentices bribed constructs with their mentor’s work. Gargoyle, what do you want?

She answered instantly: Two stone more weight, so the medium-weight gargoyles can’t push me off my sleeping perch. And quaternary cognition.

Nicodemus resisted the urge to roll his eyes. Don’t be ignorant; most humans can’t reach quaternary cognition.

The gargoyle frowned and attached a book to her tail. Tertiary, then.

Nicodemus shook his head. With your executive text, we can’t do better than secondary cognition.

She crossed her arms. Tertiary.

You might as well bargain for the white moon. You’re asking for something I can’t give.

And you’re asking me to be edited by a cacographer. Aren’t cacographers incapable of concentrating long enough to finish a spell?

No, he said curtly. Some of us have that problem, but I don’t. The only thing that defines a cacographer is a tendency to misspell a complex text when touching it. And I wouldn’t have to touch you.

The stone monkey folded her arms. But you’re asking me to deliberately violate library rules.

This time Nicodemus did roll his eyes. You can’t violate library rules, gargoyle; you’ve only got primary cognition. Your rules only forbid my touching you. All I need do tonight is add more energetic language to your body. I can do that without touching you. I’ve done this before and the gargoyle didn’t lose a single rune.

The spell leaned forward and searched his face with blank stone eyes. Two stone more weight and secondary cognition.

Deal, Nicodemus grunted. Now turn around.

The gargoyle’s tail was still attached to a large spellbook. But rather than unfasten it, she stepped on top of the codex and turned to present her back.

Nicodemus’s black apprentice robes had slits sewn into the top of the sleeves, near the shoulder. He slipped his arms out of these and looked down at his right elbow.

Magical runes were made not with pen and paper, but within muscle. Nicodemus, like all spellwrights, had been born with the ability to transform his physical strength into runes made of pure magical energy.

By tensing his bicep, he forged several runes within his arm. He could see the silvery language shine through skin and sinew. Tensing his bicep again, he joined the letters into a sentence, which he let spill into his forearm.

With a wrist flick, he cast the simple spell into the air, where it twisted like a tendril of glittering smoke. He extended his arm and cast the sentence onto the nape of the monkey’s neck.

The spell contained a disassemble command; therefore, where it touched the construct, she began to shine with a silver glow. Nicodemus wrote a second sentence with his left arm and cast it next to his first. A seam of light ran down to the gargoyle’s tail, and the two sides of her back swung open as if on hinges.

A coiling profusion of incandescent prose shone before him.

Different magical languages had different properties, and this gargoyle was made of two: Magnus, a robust silvery language that affected the physical world, and Numinous, an elegant golden language that altered light and other magical text. The gargoyle thought with her Numinous passages, moved with her Magnus.

Nicodemus’s task was to add more energetic Magnus sentences. Fortunately, the structure of these energetic sentences was so simple that even a cacographer could compose them without error.

Careful not to touch the gargoyle, Nicodemus began to forge runes in his biceps and cast them into the gargoyle. Soon the Magnus sentences appeared as a thick rope of silvery light that coursed from his arms into the construct.

Though Nicodemus was a horrible speller, he could write faster than many grand wizards. Therefore he decided to provide the gargoyle with extra energetic text now; she might not submit to another edit later.

After moving his hands closer, Nicodemus tensed every muscle in his arms, from the tiny lumbricals between his hand bones to the rounded deltoid atop his shoulder. Within moments, he produced a dazzling flood of spells that flowed into the gargoyle’s back.

The blaze grew so bright that he began to worry about bringing unwanted attention to the library. He was standing yards away from the nearest window, but a wizard working late might walk past the Stacks and see the glow. If caught, he would be expelled, perhaps even censored permanently.

Just then a loud thud sounded to Nicodemus’s left. Terrified, he stopped writing and turned, expecting to find an enraged librarian bearing down on him.

But he saw only darkened bookshelves and scrollracks. Beyond those was a row of narrow, moonlit windows.

A second thud made Nicodemus jump. It sounded as if it were coming from the library’s roof.

He looked up but saw only ceiling. Then the darkness was filled by a repetitive clomping, as if someone were running. The footsteps passed directly over him and then sped away to the opposite side of the library.

Nicodemus turned to follow the sound with his eyes. When the footsteps reached the roof’s edge, they ceased. A moon-shadow flickered across two of the paper screens.

Then came a low muttering beside him: Ba, ball, balloon, ballistic. Something snickered. Symbolic ballistics. Ha! Symbolic, diabolic. Diabolic, symbolic. Sym . . . bolic is the opposite of dia . . . bolic. Ha ha.

Nicodemus looked down and, to his horror, saw his hand enmeshed in the silver and gold coils of the gargoyle’s text. His cacographic touch was causing the once stable sentences to misspell. He must have accidentally laid his hand on the construct when startled by the footsteps.

Oh, hell! he whispered, pulling his hand back.

When his fingers left the gargoyle, the two sides of her back snapped shut. Instantly, she was on her feet and staring at him with one eye that blazed golden and another that throbbed with silver light. Vertex, vortex, university, she muttered and laughed in a way that showed her sharp primate teeth. Invert, extravert. Ha ha! Aversion, aveeeeersion.

Ohhhhh hell, a wide-eyed Nicodemus whispered, too shocked and frightened to move.

A sudden nauseating wave of guilt washed through him. He might have irreversibly damaged the gargoyle’s executive text.

Then the construct was off, dashing down the aisle. A spellbook was still hooked to her tail. Now, dragging behind her, the book opened and began to lose paragraphs written in several magical languages. Falling from the tortured pages, the paragraphs squirmed as if alive. Two exploded into small clouds of white runes; others slowly deconstructed into nothing.

Wait! Nicodemus yelled, sprinting after the misspelled gargoyle. Gargoyle, stop!

The construct either did not hear or did not care. She leaped up at a window and exploded through its paper screen.

Nicodemus reached the sill in time to watch her fall down ten stories into a dark courtyard filled with elm trees, grass, and ivy.

As the gargoyle dropped, stray paragraphs continued to fall from the spellbook attached to her tail. Radiant words of gold, green, silver, and white fluttered downward and in so doing formed a comet’s tail of radiant language.

Please, heaven, please don’t let Magister Shannon find out about this, Nicodemus prayed. Please!

The gargoyle hit the ground and scampered away, but the still-falling coruscation of paragraphs began to illuminate the stone spires, arches, and arcades of the surrounding buildings. Nicodemus turned to sprint after his mistake.

But as he did so, something caught his eye. What exactly, he couldn’t say. For when he looked back, it had disappeared, leaving only the vague impression that he had seen—standing atop an ornate stone buttress—a hooded figure cloaked entirely in white.

CHAPTER

Two

The creature, now crouching beside a stone chimney, watched the gargoyle scamper through the courtyard.

The construct’s speed implied excessive energetic language; its erratic course, a misspelled executive text. Only a powerful cacographer was likely to produce such a construct.

Meaning my boy is in that library this very instant, the creature muttered while glaring at the Stacks. He had glimpsed his quarry in the library window, but the rain of paragraphs loosed by the gargoyle had obscured everything but the boy’s silhouette.

Suddenly the night resounded with a sharp crack.

The creature turned and saw a silver spell shoot out from behind a stone spire. The spherical text was written in Magnus and so would have a powerful effect on the physical world. Indeed, its blazing sentences seemed designed to blast a human body into a cloud of bone fragments and vaporized blood.

More important, the spell was flying straight for the creature’s head.

He dove right, rolling down the slate roof. There was a crash and needles of pain flew down his back. No doubt the Magnus spell had shattered the chimney into stone splinters.

At the roof’s edge, the creature came out of its roll and crouched. A flying buttress to another building stood roughly ten feet away. He looked back but there was no sign of the guardian spell that must have cast the Magnus attack.

His body was not in danger; guardian spells were slow on rooftops. But they were lightning quick in courtyards and hallways and so could prevent him from retrieving the boy.

So the guardians must be removed, he grunted.

With a powerful leap the creature flew into the air, white robes billowing, and landed neatly on the arc of the flying buttress. With care, he ran up the arc to another roof; this one abutted one of the aqueducts that crisscrossed Starhaven. He scaled the aqueduct, and finding it dry, ran eastward.

All three moons were out, gibbous, and gloriously bright. They illuminated Starhaven’s many towers and bridges from three different angles, transforming the lower levels into a maze of overlapping shadows.

The wizards, in their arrogance, referred to Starhaven as one of their academies. In truth, the place was an ancient city, built by the Chthonic people long before any human had laid eyes on this continent. Though the wizards claimed the entirety of Starhaven, they occupied only the westernmost third of the city.

The creature’s course led him away from the inhabited buildings. Here stood dark towers, cracked domes, and cobbled streets pocked by weeds.

He waited until the abandoned building echoed with the heavy footfalls of the guardians. Then he raced up a tower’s spiral staircase and sprinted north on an upper-level walkway.

Once certain the guardians were far behind, the creature turned westward and focused his every bloody thought on hunting down the cacographic boy.

NICODEMUS PUSHED THE door latch with his elbow, the door itself with his backside. When it swung open, he stepped backward into Magister Shannon’s study and fell over sideways.

His arms encircled a tapestry wrapped into a ball and bound by twine. It writhed continuously and in a muffled voice blathered: Corpulent, encouragement, incorporeal. Ha! Incorporeal encooooouragment!

Nicodemus rolled away from the tapestry. Celeste, goddess of the sky, please make her shut up. I’ll light a candle for you every night if you just make her shut up.

Unimpressed, Celeste declined to intervene.

Empathy, apathy, sympathy, hoo hoo! said the bundled tapestry.

Two candles? Nicodemus offered the unseen sky.

Euphony, cacophony, hoo hoo! Calligraphy, cacography, ha ha! said the bundle.

Groaning, Nicodemus got to his feet. The study was dark, but both the blue and white moons shone through the open arched windows.

It was a rectangular room lined with oak bookshelves. A broad writing desk sat at one end, a huddle of chairs in the middle.

Nicodemus went to the nearest bookshelf and pulled out a large codex on gargoyle repair and maintenance. The needed spell was on the tenth page. He laid the open book on the desk, slipped his arms from his sleeves, and wrote a short Numinous spell in his right hand. Bending the golden sentence into a hook, he dipped it into the page and peeled off a tangle of Numinous paragraphs that folded into a rectangular crystalline lattice. Careful not to touch the text, he walked back to the squirming bundle and, with a sharp word, cut the twine cords.

The gargoyle sprang free with a joyful cry.

Nicodemus struck her over the head with the Numinous lattice. The crystalline spell locked around the gargoyle’s mind, causing her to freeze in an unlikely pose—one knee and one foot on the floor, both hands reaching skyward. She began to fall forward.

Uttering an oath, Nicodemus extemporized a simple Magnus sentence to catch her. With a few more sentences, he lifted her up and then leaned her against the bookshelf.

As far as he knew, no one had seen him chasing the gargoyle around the courtyard with a tapestry. For that, he said a prayer of thanks to the Creator.

Then he looked at the gargoyle and said in a voice that was soft and sincere, You stupid, suffering construct. What have I done to you?

Fused her Numinous cortices, a rumbling voice replied.

Nicodemus’s blood froze. Magister! he whispered as a figure moved out of a dark corner.

Grand Wizard Agwu Shannon stepped into a bar of blue moonlight. The glow illuminated white dreadlocks, a short beard and mustache, tawny skin. His nose was large and hooked, his thin lips pressed flat in disapproval.

However, Shannon’s eyes commanded the most attention. They presented neither iris nor pupil but were everywhere pure white. These were eyes blind to the mundane world but extraordinarily perceptive of magical text.

Nicodemus sputtered. Magister, I didn’t think you’d be working so late. I was just going—

The grand wizard stopped him by nodding to the gargoyle. Who else knows?

No one. I was reshelving in the Stacks alone. I was just going to edit her.

Shannon grunted and then looked in Nicodemus’s direction. She shouldn’t have let you touch her. What was your bribe?

Nicodemus felt as if he were breathing through a reed. Two stone more weight and secondary cognition.

The grand wizard walked to the gargoyle and squatted beside her. She already has secondary cognition.

But that’s impossible; I never used a modification scroll on her.

Look at this frontal cortex. The grand wizard pointed.

Nicodemus went to Shannon’s side, but lacking his teacher’s vision, he saw only the monkey’s stone forehead.

There’s some inappropriate fusion, but . . . Shannon muttered. Using only the muscles in his right hand, the grand wizard produced a tiny storm of golden sentences. Faster than Nicodemus could follow, the spell split the gargoyle’s head and began to rearrange her executive subspells.

Nicodemus pursed his lips. She said she was primary, and the librarians assigned her to reshelving; they only use primary gargoyles for that.

Shannon brought his left hand up to assist his manipulation of the gargoyle’s Numinous passages. How long did you touch her?

No more than a few moments, Nicodemus insisted. He was about to say more when Shannon clapped the monkey’s head together and pulled the Numinous lattice from her head as if it were a tablecloth.

The gargoyle sank to all fours and looked up at Shannon. Her blank stone eyes searched his face. I could have a name now, she said in a quick, childlike voice.

Shannon’s nod sent his white dreadlocks swaying. But I wouldn’t pick one just yet. Get used to your new thoughts first.

She smiled and then, dreamily, nodded.

Shannon stood and looked toward Nicodemus. What was it you wrapped her in?

A tapestry, Nicodemus said weakly. From the Stacks.

Shannon sighed and turned back to the gargoyle. Please re-hang that tapestry and finish reshelving. Use the rest of the night to name yourself.

The energized gargoyle nodded eagerly then scooped up the tapestry and scampered out the door.

Magister, I— Nicodemus stopped as Shannon turned to face him.

The old man was dressed in the billowing black robes of a grand wizard. Even in the dim moonlight, the lining of his large hood shone white, indicating that he was a linguist. Silver and gold buttons ran down his sleeves, signifying his fluency in Numinous and Magnus.

Shannon’s blind gaze was turned slightly away, but when he spoke, Nicodemus felt as if the old man was staring through his body to his soul.

My boy, you surprise me. As a younger spellwright, I bribed a few constructs, even got into hot water with overly ambitious texts. But your disability places a special burden on us both. I keenly want you to earn a lesser hood, but if another wizard had seen that misspelled gargoyle . . . well, it would have ended your hopes of escaping apprenticeship and made life harder for the other cacographers.

Yes, Magister.

Shannon sighed. I will continue fighting for your hood, but only if there won’t be a repetition of such . . . carelessness.

Nicodemus looked at his boots. There won’t be, Magister.

The old man began to walk back to his desk. And why in the Creator’s name did you touch the gargoyle?

I didn’t mean to. I was editing text into her when there was a crash. Then it sounded like someone was running on the roof. It made me accidentally touch the gargoyle.

Shannon stopped. When was this?

Maybe half an hour ago.

The grand wizard turned to face him. Tell me everything.

As Nicodemus described the strange sounds, Shannon’s lips again pressed into a thin line. Magister, is something wrong?

Shannon went to his desk. Light two of my candles; leave one here, take one yourself. Then run up to Magister Smallwood’s study. He always works late. Ask him to join me.

Nicodemus started for the candle drawer.

Then you’re to go straight back to the Drum Tower—no detours, no dillydally. Shannon sat down behind his desk. I will send Azure to your quarters with a message. Am I clear?

Yes, Magister. Nicodemus set up and lit the candles.

Shannon began sorting through the manuscripts on his desk. You’ll spend tomorrow with me. I’ve received permission to begin casting a primary research spell and will need your assistance. And then there’s my new composition class to teach. I’ll have you excused from apprentice duty.

Truly? Nicodemus smiled in surprise. Might I teach? I’ve practiced the introductory lecture.

Perhaps, Shannon said without looking up from the manuscript he was reading. Now run up to Magister Smallwood and then straight to the Drum Tower, nowhere else.

Yes, Magister. Nicodemus eagerly picked up a candle and made his way to the door.

But when he put his hand on the latch, an idea stopped him. Magister, he asked slowly, did that gargoyle have secondary cognition all along?

Shannon paused and then put down his manuscript. My boy, I don’t want to raise false expectations again.

Nicodemus frowned. Expectations about what?

The gargoyle had primary cognition until you misspelled her.

But how is that possible?

It shouldn’t be, Shannon said before rubbing his eyes. Nicodemus, for this convocation we are hosting delegates from the North: Astrophell wizards, some of my former colleagues. Some of them belong to the counter-prophecy faction and so will distrust cacographers even more than other Northerners do. It would be exceedingly dangerous if they learned that your touch both misspelled a gargoyle and elevated her freedom of thought.

Dangerous because they would want me censored?

Shannon shook his head. Dangerous because they would want you killed.

CHAPTER

Three

On the way to Magister Smallwood’s study, Nicodemus looked at his candle. It was quavering in time to his hand’s fine tremble.

He had never known Shannon to betray even a hint of anxiety. But when the old man had mentioned the Astrophell delegates, his tone had been strained, his words clipped. The danger the Northerners posed must be real indeed.

Worse had been Shannon’s statement about not raising false expectations. Nicodemus shivered; the old man could only have been referring to Nicodemus’s lost hope of fulfilling the Erasmine Prophecy.

Fiery heaven, don’t think on it, Nicodemus muttered to himself, as he had done countless times before.

A row of arched windows, all filled with ornate tracery, ran along the hallway. Nicodemus stopped to peer between the flowing stone beams to the starry sky beyond. He slowed his breathing and tried to soothe his frayed nerves.

But his hands still trembled, and it wasn’t Northern delegates or unfulfilled prophecies that made them do so.

It was the memory of Shannon’s face when the old man had stepped into the moonlight—his white eyebrows knitting together in disapproval, his lips narrowing in disappointment.

The memory made Nicodemus feel as if something were tightening around his heart. I’ll make it up to the old man, he whispered. I will.

He turned from the window and hurried down the hall to an open door spilling candlelight into the hallway. Magister Smallwood? He knocked on the doorjamb. The grand wizard looked up from his desk.

Smallwood was a thin, pale spellwright with a tousled wreath of gray hair. His eyes, though beginning to cloud over, still held black pupils within brown irises.

Nicodemus cleared his throat. Magister Shannon sends his compliments and asks that you join him in his study.

Ah, good, good, always happy to see Shannon, Smallwood said with an absent smile. He closed his book. And who are you?

Nicodemus Weal, Magister Shannon’s apprentice.

Smallwood leaned forward and squinted. Ah, Shannon’s next cacographic project?

I’m sorry?

I don’t remember the last boy’s name. And I’ve never seen you before.

In fact, Nicodemus had been bringing Smallwood written messages for nearly two years. However, this was the first time Nicodemus had spoken directly to him. I’m sorry, Magister, but I don’t understand about the cacographic project.

Smallwood stretched his arms and adjusted his hood, which like Shannon’s was lined with white. Oh, you know, Shannon takes his work with the Drum Tower boys so seriously. And he’s always got a pet cacographer. It’s ridiculous the rumors that go round about him; he’s so proud when one of you earns a lesser hood.

Yes, Magister, Nicodemus said, trying not to frown. He had heard rumors about Shannon’s former career in Astrophell but never a rumor about the old man’s current position as Master of the Drum Tower.

So, what exactly does Shannon have you doing to earn that hood? Smallwood asked.

He’s written a spell that allows him to pull my runes into his body. It helps him spellwrite longer texts. We’re hoping that if enough linguists feel I’m helpful, they’ll give me a lesser hood lined with white.

Ah, yes, and I’m to be the first who finds you useful. Smallwood’s smile seemed genuine. I believe you’ll be assisting Shannon and me tomorrow. Very exciting, very promising research spell we’ll be attempting.

I’m honored to be part of it, Magister.

And are you teaching yet?

Nicodemus tried to sound confident. Anatomy dissections, but not a spellwriting class yet. I’m very much looking forward to it.

Yes, well, keep pestering Shannon about that; the academy will keep a hood away from you until you’re fifty unless you teach composition. The linguist’s gaze wandered to the books on his desk. Did Shannon want me right away?

I believe so, Magister.

Smallwood stood. Very well, very well. Thank you, Nicolas; it is good to meet you. You may go.

Nicodemus, Magister.

Yes, yes, Nicodemus, of course. He paused. Pardon me, but did you say Nicodemus Weal?

Yes, Magister.

Smallwood studied Nicodemus with a focused intensity. Of course, the grand wizard said at last, suddenly earnest. Foolish of me to forget you, Nicodemus. Thank you for the message. You may go.

Nicodemus bobbed his head and retreated. He hurried to the hallway’s end and then ducked into a narrow spiral staircase. Shannon had instructed him to go straight back to the Drum Tower, so he jogged down to the ground level and out into a torch-lit hallway. Walking eastward, he passed Lornish tapestries and gilded stone arcades.

But he was blind to their beauty.

His thoughts were troubled by what Smallwood had said about Shannon. All the apprentices knew that Shannon had suffered some kind of fall from grace back in Astrophell, but Smallwood had implied there were more recent rumors involving Shannon and cacographers.

Nicodemus bit his lip. Smallwood was famously absentminded; it was possible that he was mistaking old rumors for new.

But if that was the case, what exactly had Smallwood been misremembering when he mentioned Shannon’s next cacographic project and his new pet cacographer?

Nicodemus turned to mount a narrow staircase.

Shannon had begun teaching cacographers only fifty years ago, when he arrived at Starhaven. So the source of Smallwood’s rumor must have occurred since then.

Reaching the oak doors at the top of the stairs, Nicodemus pushed them open and looked out on the gray slate tiles that paved the yard of the Stone Court.

Centuries ago, the Neosolar Empire had renovated the courtyard after taking Starhaven from the Chthonic people. However, none of the succeeding occupying kingdoms had built over this aspect of the stronghold.

Consequently, the Stone Court demonstrated the classical architecture so common to Starhaven’s Imperial Quarter: walls decorated by molded white plaster, arched doorways, wide

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